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Author: Emma Stafford
Publisher: Classical Press of Wales
ISBN: 1914535243
Category : History
Languages : en
Pages : 289
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Book Description
The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture of ancient Greece was thronged with personifications. In poetry and the visual arts, personified figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study contributes importantly to the debate, by exploring widespread and creative popular theology in the historical period.
Author: Emma Stafford
Publisher: Classical Press of Wales
ISBN: 1914535243
Category : History
Languages : en
Pages : 289
Get Book Here
Book Description
The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture of ancient Greece was thronged with personifications. In poetry and the visual arts, personified figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study contributes importantly to the debate, by exploring widespread and creative popular theology in the historical period.
Author: Emma Stafford
Publisher:
ISBN:
Category : Goddesses, Greek
Languages : en
Pages : 296
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Book Description
Author: Eran Almagor
Publisher: BRILL
ISBN: 9004347720
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
In Ancient Virtues and Vices in Modern Popular Culture, Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.
Author: Johannes A. Gaertner
Publisher: Red Wheel/Weiser
ISBN: 9781890482824
Category : Philosophy
Languages : en
Pages : 124
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Book Description
Contemplates the meaning and importance of such classic virtues as sensitivity, beauty, prudence, compassion, intellect, and tact.
Author: Irene Stengs
Publisher: NUS Press
ISBN: 9789971694296
Category : Religion
Languages : en
Pages : 340
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Book Description
An examination of social imaginary surrounding Thai kingship and Thainess that yield an intriguing amalgam of ideas concerning popular religion, Buddhist kingship, nationalism, and material culture. It explores the contemporary appeal of King Chulalongkorn and considers what this ruler's unprecedented popularity says about Thai society.
Author: R. Jared Staudt
Publisher: Emmaus Academic
ISBN: 1645851699
Category : Religion
Languages : en
Pages : 450
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Book Description
To contemporary minds, the notion of justice toward God is seldom considered and often foreign. Far more discussed is how God might either undermine or motivate social justice. The Primacy of God by R. Jared Staudt offers an important intervention. With the aid of St. Thomas Aquinas, Staudt argues that it is vital for both contemporary society and contemporary Catholic theology to return to the traditional view of God as the one to whom all human and social action must be ordered and to recover the virtue of religion as the virtue which orders all other virtues to God. Not only does Staudt helpfully remind readers of the ancient philosophical and biblical notion of worship as a dictate of the natural law, he also illuminates the way in which Christian liturgy, as an enactment of Christ’s high priesthood, is the great fulfillment of natural and biblical worship. Accordingly, Staudt secures religion as essential for the virtue of love. This brings Staudt to criticize modern theologians like Karl Barth, who claimed that religion is inherently idolatrous, as well as Karl Rahner, who claimed that love of neighbor is the highest moral act. Staudt also considers the question of religious truth in light of the plurality of religions, soliciting the assistance of Hans Urs von Balthasar and Joseph Ratzinger, as well as the way in which religion relates to the development of culture, engaging the great Catholic social historian Christopher Dawson. The Primacy of God is a much-needed work that ought to set the agenda for Catholic theology in the twenty-first century.
Author: Thomas E. Hill Jr
Publisher: Oxford University Press
ISBN: 0191631299
Category : Philosophy
Languages : en
Pages :
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Book Description
Thomas E. Hill, Jr., interprets, explains, and extends Kant's moral theory in a series of essays that highlight its relevance to contemporary ethics. The book is divided into four sections. The first three essays cover basic themes: they introduce the major aspects of Kant's ethics; explain different interpretations of the Categorical Imperative; and sketch a 'constructivist' reading of Kantian normative ethics distinct from the Kantian constructivisms of Onora O'Neill and John Rawls. The next section is on virtue, and the essays collected here discuss whether it is a virtue to regard the natural environment as intrinsically valuable, address puzzles about moral weakness, contrast ideas of virtue in Kant's ethics and in 'virtue ethics,' and comment on duties to oneself, second-order duties, and moral motivation in Kant's Doctrine of Virtue. Four essays on moral rules propose human dignity as a guiding value for a system of norms rather than a self-standing test for isolated cases, contrast the Kantian perspectives on moral rules with rule-utilitarianism and then with Jonathan Dancy's moral particularism, and distinguish often-conflated questions about moral relativism. Hill goes on to outline a Kantian position on two central issues. In the last section of the book, three essays on practical questions show how a broadly Kantian theory, if critical of Kant's official theory of law, might re-visit questions about revolution, prison reform, and forcible interventions in other countries for humanitarian purposes. In the final essay, Hill develops the implications of Kant's Doctrine of Virtue for the responsibility of by-standers to oppression.
Author: William Bernard Ullathorne
Publisher:
ISBN:
Category : Christian education of adults
Languages : en
Pages : 432
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Book Description
Author: Jason Crawford
Publisher: Oxford University Press
ISBN: 0191092126
Category : Literary Collections
Languages : en
Pages : 287
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Book Description
What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Author: Katharine Breen
Publisher: University of Chicago Press
ISBN: 022677659X
Category : History
Languages : en
Pages : 374
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Book Description
"Katharine Breen challenges our understanding of how medieval authors received philosophical paradigms from antiquity in their construction and use of personification in their writings. She shows that our modern categories for this literary device (extreme realism versus extreme rhetoric, or novelistic versus allegorical characters) would've been unrecognizable to their medieval practitioners. Through new readings of key authors and works--including Prudentius's "Psychomachia," Langland's "Piers Plowman," Boethius's "Consolation of Philosophy," and Deguileville's "Pilgrimage of Human Life"--she finds that medieval writers accessed a richer, more fluid literary domain than modern critics have allowed. Breen identifies three different types of personification--Platonic, Aristotelian, and Prudentian--inherited from antiquity that both gave medieval writers a surprisingly varied spectrum with which to paint their characters, while bypassing the modern confusion of conflicting relationships between personifications and persons on the path connecting divine power and human frailty. Recalling Gregory the Great's phrase "machinae mentis" (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, much the same way that, within the category of hand-tools, an open-end wrench differs in function from a hex-key wrench or a socket wrench. It will be read by medievalists working at the crossroads of religion, philosophy, and literature, as well as scholars interested in character-making and gendered relationships among characters, readers, and texts beyond the Middle Ages"--
