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Author: Sonal Khullar
Publisher: Univ of California Press
ISBN: 0520283678
Category : Art
Languages : en
Pages : 368
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Book Description
The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said’s notion of “affiliation” as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists—Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar—situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists’ writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists’ engagement with the West—an urgent yet fraught project in the wake of British colonialism—and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin’s ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.
Author: Sonal Khullar
Publisher: Univ of California Press
ISBN: 0520283678
Category : Art
Languages : en
Pages : 368
Get Book Here
Book Description
The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said’s notion of “affiliation” as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists—Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar—situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists’ writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists’ engagement with the West—an urgent yet fraught project in the wake of British colonialism—and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin’s ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.
Author: ray brown
Publisher: Christian Faith Publishing, Inc.
ISBN: 1098001133
Category : Religion
Languages : en
Pages : 619
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Book Description
"They are not of the world, even as I am not of the world" (John 17:16). God has always had a people distinctly different from the peoples of the world""not better but different. The entire Bible is a cohesive, comprehensive canon of sanctification, culminating in the gospel of Jesus Christ and him crucified. What we commonly call the "high priestly" prayer of Jesus Christ is his prayer for all who believe in him. "Sanctify (or set apart) them through thy Truth: thy Word is Truth" (John 17:17). A Christian is one who lives by every Word that proceeds out of the mouth of God and not according to the standards of this world system. True Christianity is Christ consciousness. Only an awareness of the cross of Jesus Christ in the harrowing truth of its raw austerity can keep me loyal and accountable to God's gift of amazing grace in his only begotten Son, Jesus Christ. His cross is my cross, and it is your cross. Only the preaching of the cross of Jesus Christ can keep the miracle of redemption alive. Our identity with the death, burial, and resurrection of the LORD Jesus Christ is what makes us different. We are the continuity of the love of God in Christ extended to the worst of humanity; truly, a love not of the world. A Christian is one who lives to perpetuate this love of God in the earth. Conversely, what this book calls mainstream Christianity in America fundamentally lives for themselves. Someone must say so. Someone must tell contemporary, worldly conciliatory, and carnally compromised Christianity that God is a Holy Spirit whom the LORD Jesus Christ emphatically said the world cannot receive (see John 14:17). In this age of all-permissive grace, a Christian is identified by their living according to the truth of God's comprehensive Word and by a marked separation from this world system. "If any man loves the world, the love of the Father is not in him" (see 1 John 2:15). Indeed, and as this book without apology declares, the love of the Father is Christ.
Author: Claude Markovits
Publisher: Cambridge University Press
ISBN: 1316947009
Category : History
Languages : en
Pages : 305
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Book Description
In this pioneering history of modern India, Claude Markovits offers a new interpretation of events of world importance, focusing on the multiplicity of connections between India and the world. Beginning with an examination of India's evolving role in the world economy, he deals successively with the movement of people out of and into India, the role played by Indian soldiers in a series of conflicts from the mid-eighteenth to the late twentieth century, the place of India in the global circulation of ideas and cultural productions and the relationships established between Indians and others both abroad and at home. Challenging dominant state-centred histories by focusing on the lived experiences of people, Markovits demonstrates that the multiple connections established between India and other lands did not necessarily result in mutual knowledge, but were often marked by misunderstanding.
Author: Bill Ashcroft
Publisher: Routledge
ISBN: 1134022786
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation. Looking at the context and the impact of Said's scholarship and journalism, this book examines Said's key ideas, including: the significance of 'worldliness', 'amateurism', 'secular criticism', 'affiliation' and 'contrapuntal reading' the place of text and critic in 'the world' knowledge, power and the construction of the 'Other' links between culture and imperialism exile, identity and the plight of Palestine a new chapter looking at Said's later work and style This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said's work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century's most engaging critical thinkers.
Author: Melanie Trede
Publisher: BRILL
ISBN: 9004704175
Category : Art
Languages : en
Pages : 634
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Book Description
The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as “center vs. periphery” and “high vs. low,” calling into question the classical canon of Japanese art history.
Author: Saloni Mathur
Publisher: Duke University Press
ISBN: 1478003383
Category : Art
Languages : en
Pages : 156
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Book Description
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
Author: Alpesh Kantilal Patel
Publisher: Manchester University Press
ISBN: 1526113155
Category : Social Science
Languages : en
Pages : 269
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Book Description
This title sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. The author examines 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. This book also provides original commentary on how queer theory can deconstruct and provide new approaches for writing art history. Overall, this title provides methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.
Author: Monica Juneja
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311121706X
Category : Art
Languages : en
Pages : 352
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Book Description
The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Author: Michael Pickering
Publisher: Bloomsbury Publishing
ISBN: 1349259519
Category : Social Science
Languages : en
Pages : 283
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Book Description
This elegantly written and illuminating book explores the attenuated relationship between history and cultural studies, reappraising some of the issues and positions which have led to the impasse between them and highlighting the contribution to be made by a new engagement between cultural and historical theory. Focusing on the contested concept of 'experience' as a central part of his argument, Pickering advances new ways of attending to the myriad voices of everyday cultures, past and present.
Author: Tapati Guha-Thakurta
Publisher: Cambridge University Press
ISBN: 1009276751
Category : History
Languages : en
Pages : 446
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Book Description
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
