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Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108571557
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
In this book, Mark Whalan argues that World War One's major impact on US culture was not the experience of combat trauma, but rather the effects of the expanded federal state bequeathed by US mobilization. Writers bristled at the state's new intrusions and coercions, but were also intrigued by its creation of new social ties and political identities. This excitement informed early American modernism, whose literary experiments often engaged the political innovations of the Progressive state at war. Writers such as Wallace Stevens, John Dos Passos, Willa Cather, Zane Grey, and Edith Wharton were fascinated by wartime discussions over the nature of US citizenship, and also crafted new forms of writing that could represent a state now so complex it seemed to defy representation at all. And many looked to ordinary activities transformed by the war - such as sending mail, receiving healthcare, or driving a car - to explore the state's everyday presence in American lives.
Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108571557
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
In this book, Mark Whalan argues that World War One's major impact on US culture was not the experience of combat trauma, but rather the effects of the expanded federal state bequeathed by US mobilization. Writers bristled at the state's new intrusions and coercions, but were also intrigued by its creation of new social ties and political identities. This excitement informed early American modernism, whose literary experiments often engaged the political innovations of the Progressive state at war. Writers such as Wallace Stevens, John Dos Passos, Willa Cather, Zane Grey, and Edith Wharton were fascinated by wartime discussions over the nature of US citizenship, and also crafted new forms of writing that could represent a state now so complex it seemed to defy representation at all. And many looked to ordinary activities transformed by the war - such as sending mail, receiving healthcare, or driving a car - to explore the state's everyday presence in American lives.
Author: Tim Dayton
Publisher: Cambridge University Press
ISBN: 1108593879
Category : Literary Criticism
Languages : en
Pages : 756
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Book Description
In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108808026
Category : Literary Criticism
Languages : en
Pages : 948
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Book Description
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
Author: Mark Whalan
Publisher:
ISBN: 9781108462662
Category : American literature
Languages : en
Pages :
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Book Description
"World War One, American Literature, and the Federal State In this book, Mark Whalan argues that World War One's major impact on U.S. culture was not the experience of combat trauma, but rather the effects of the expanded federal state bequeathed by U.S. mobilization. Writers bristled at the state's new intrusions and coercions, but were also intrigued by its creation of new social ties and political identities. This excitement informed early American modernism, whose literary experiments often engaged the political innovations of the Progressive state at war. Writers such as Wallace Stevens, John Dos Passos, Willa Cather, Zane Grey, and Edith Wharton were fascinated by wartime discussions over the nature of U.S. citizenship, and also crafted new forms of writing that could represent a state now so complex it seemed to defy representation at all. And many looked to ordinary activities transformed by the war - such as sending mail, receiving healthcare, or driving a car - to explore the state's everyday presence in American lives"--
Author: Tim Dayton
Publisher: Cambridge University Press
ISBN: 9781108475327
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
Author: Alice Kelly
Publisher: Edinburgh University Press
ISBN: 1474459927
Category : History
Languages : en
Pages : 304
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Book Description
This book provides the first sustained study of women's literary representations of death and the culture of war commemoration that underlies British and American literary modernism.
Author: Jennifer Haytock
Publisher: Cambridge University Press
ISBN: 1108757162
Category : Literary Criticism
Languages : en
Pages : 703
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Book Description
This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.
Author: Jonathan Vincent
Publisher: Oxford University Press
ISBN: 0190650370
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
In contrast to most studies of US war writing-those focused on trauma or memory-The Health of the State examines the way writing and thinking about war advanced new, forward-looking orientations toward national belonging, political consent, and the nature and character of state sovereignty across the long US modernism (1890-1964). To tell that story, the book examines three critical phases in which military-themed narratives helped transition American political thought: Civil War remembrance during the Progressive Era, the culture of World War I and the new internationalism, and the memory of World War II as it helped to produce Cold War liberalism. Interlacing close textual reading with issues in cultural history and political theory, Jonathan Vincent considers the literary construction of the "preparedness" and, later, "national security" ethos that were integral affective catalysts to the acculturation of geopolitical realism in foreign policy as well as, domestically, projects of social regulation and control. At front and center throughout is an exploration of the unstable and dynamic nature of the "liberal tradition" in its persistent encounter with both real and imagined threats and the structures of governmental power innovated to meet them-the exceptional, supplementary power of a military hegemony once denounced by Randolph Bourne as "the health of the state." The Health of the State is an interpretive cultural history that explores the role US war writing played in the evolution of American political discourse.
Author: Keith Gandal
Publisher: JHU Press
ISBN: 1421425106
Category : History
Languages : en
Pages : 289
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Book Description
A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
Author: Bryan Santin
Publisher: Cambridge University Press
ISBN: 1316516482
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
This volume analyzes how political movements, ideas, and events shaped the American novel.
