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Author: Jonathan Stock
Publisher: Schott & Company Limited
ISBN: 9780946535811
Category : Music
Languages : en
Pages : 96
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Book Description
The music incorporated in World Sound Matters was selected and prepared by music specialists. The user is provided an introduction to the musical traditions of the world, which can be integrated into the classroom for practical use.
Author: Jonathan Stock
Publisher: Schott & Company Limited
ISBN: 9780946535811
Category : Music
Languages : en
Pages : 96
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Book Description
The music incorporated in World Sound Matters was selected and prepared by music specialists. The user is provided an introduction to the musical traditions of the world, which can be integrated into the classroom for practical use.
Author: Nora M. Alter
Publisher: Berghahn Books
ISBN: 9781571814371
Category : Music
Languages : en
Pages : 272
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Book Description
Working across established disciplines & methodological divides, these essays investigate the ways in which texts, artists, & performers in all kinds of media have utilized sound materials in order to enforce or complicate dominant notions of German cultural & national identity.
Author: Jonathan P. J. Stock
Publisher: Oxford University Press
ISBN: 9780197262733
Category : Music
Languages : en
Pages : 300
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Book Description
China has over three hundred distinct styles of music drama, from exorcism theatre to farce, historical romance, and shadow puppetry. This study considers one of the newer operatic forms. Established just two centuries ago, huju (Shanghai opera), is renowned for its portrayal of ordinary people, not the emperors, courtesans, and heroes of older forms. Acting and make-up aim for realism rather than symbolism, and stories deal with contemporaneous themes: the struggles of lovers to marry, women's rights after the Communist revolution (1949), and life under the new social order established by Deng Xiaoping's reforms in the 1980s. Music ranges from local folksong to syncretic adoptions of Western popular music. Jonathan Stock is an authority on Chinese music, with previous books on Chinese flute and violin solos and Abing, a twentieth-century composer. Adding to his extensive research on Chinese music, Stock's eighteen months of fieldwork in Shanghai allows him to interweave material from historical reports, sound recordings, live performance, and the first-hand accounts of three generations of singers into a study of a unique Chinese opera form seen equally as historical tradition, venue for social action, and forum for musical creativity. Assessing first the roots of huju in local folksong and ballad, he looks at the enduring role of emotional expressivity. He next focuses on the rise of actresses, laying out a specially 'musical' reading of gendered performance. Further chapters reverse conventional ethnomusicological arguments that music constructs place by looking at how Shanghai's institutions before 1949 shaped the environment within which troupes developed new dramatic materials and competed for work. In considering reforms post-1949, the author shows how the infusion of explicit political content actually weakened the expressive impact of these dramas. Finally, developments since 1980 are reviewed. The book includes songs and illustrations of performance styles. An innovative combination of urban and historical ethnomusicology, the book's findings will engage the historian of China and general scholar of music alike.
Author: Stephen Kennedy
Publisher: Bloomsbury Publishing USA
ISBN: 150132442X
Category : Music
Languages : en
Pages : 191
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Book Description
The contemporary media landscape might be described in simple terms as a digital terrain where real and virtual worlds collide. Stephen Kennedy investigates the concept of our digital space leading up to the digital turn of the 1990s to fully understand how our perceptions of orientation in space in time was altered. Chaos Media: A Sonic Economy of Digital Space re-thinks the five fundamental paths to our contemporary understanding of the digital age: cultural, political, economic, scientific, and aesthetic, and ties them together to form a coherent whole in order to demonstrate how critical thinking can be reconfigured using a methodological approach that uses 'chaos' and 'complexity' as systematic tools for studying contemporary mediated space. Kennedy introduces the concept of Sonic Economy, a methodology that allows for a critical engagement with the heterogeneous elements of an information society wherein the dispersion of discrete elements is manifest but not always clearly visible.
Author: Jennifer Post
Publisher: Routledge
ISBN: 1135949573
Category : Music
Languages : en
Pages : 369
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Book Description
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
Author: James A. Steintrager
Publisher: Duke University Press
ISBN: 1478002530
Category : Social Science
Languages : en
Pages : 173
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Book Description
Is a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop
Author: John O. E. Clark
Publisher: Gareth Stevens Publishing LLLP
ISBN: 9780836863079
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
Explains the different forms materials can take and shows how materials can combine to make new materials.
Author: Dave Randall
Publisher: Left Book Club
ISBN: 9780745399300
Category : Music
Languages : en
Pages : 0
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Book Description
The story of one musician's journey to discover how music can be used as a political tool, for good and bad.
Author: Simone Krüger
Publisher: Routledge
ISBN: 1351567438
Category : Music
Languages : en
Pages : 255
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Book Description
Simone Krger provides an innovative account of the transmission of ethnomusicology in European universities, and explores the ways in which students experience and make sense of their musical and extra-musical encounters. By asking questions as to what students learn about and through world musics (musically, personally, culturally), Krger argues that musical transmission, as a reflector of social and cultural meaning, can impact on students' transformations in attitude and perspectives towards self and other. In doing so, the book advances current discourse on the politics of musical representation in university education as well as on ethnomusicology learning and teaching, and proposes a model for ethnomusicology pedagogy that promotes in students a globally, contemporary and democratically informed sense of all musics.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
