Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
Library has vol. 1 and 2, which includes (Vol. 1) The Deerslayer--The Pathfinder--The Pioneers-- (Vol. 2) The Last of the Mohicans--The Prairie--The Spy.
Works of J. Fenimore Cooper: Home as found. The chainbearers. The redskins
Home as found. The chainbearers. The Redskins
Author: James Fenimore Cooper
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 738
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 738
Book Description
Works
Author: James Fenimore Cooper
Publisher:
ISBN: 9780837126784
Category :
Languages : en
Pages : 718
Book Description
Publisher:
ISBN: 9780837126784
Category :
Languages : en
Pages : 718
Book Description
Home as found. The chainbearers. The Redskins
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 746
Book Description
The Works of James Fenimore Cooper: The chainbearer
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
The Works of James Fenimore Cooper: Chainbearer
Author: James Fenimore Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Book Description
Old Style
Author: Claudia Stokes
Publisher: University of Pennsylvania Press
ISBN: 0812298160
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality. In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences. If writing in the old style came to be associated with elite conservatism—a linkage that contributed to its decline in the twentieth century—it also, paradoxically provided marginalized writers—people of color, white women, and members of the working class—the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers.
Publisher: University of Pennsylvania Press
ISBN: 0812298160
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality. In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences. If writing in the old style came to be associated with elite conservatism—a linkage that contributed to its decline in the twentieth century—it also, paradoxically provided marginalized writers—people of color, white women, and members of the working class—the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers.
LITTLEPAGE MANUSCRIPTS: Satanstoe, The Chainbearer & The Redskins (Complete Edition)
Author: James Fenimore Cooper
Publisher: e-artnow
ISBN: 8075832582
Category : Fiction
Languages : en
Pages : 1721
Book Description
The Littlepage Manuscripts follow three generations of a Dutch-originated family settling in America, beginning in the mid-eighteenth century. The trilogy is a fictional biography of the Littlepage family which explores the 18th century colony of New York. Novels focus mainly on issues of land ownership and the displacement of American Indians as the United States moves westward. Critical to the trilogy of these novels, is the sense of expansion through the measuring and acquisition of land by civilization. Narratives in these fictional manuscripts reveal a lot about the mentality of the people at that point in history. Satanstoe is the first novel of the trilogy with Mr. Cornelius Littlepage as the main narrator. His writings and descriptions paint the idyllic picture of the life of Dutch colonists. The Chainbearer is the second book in a trilogy, narrated by Mordaunt Littlepage. The title represents the man who carries the chains in measuring the land, helping civilization to grow from the wilderness. Here is described cultural lack of understanding Native Americans had for European concepts of land ownership. The Redskins is the final part of the trilogy with Mr. Hugh Roger Littlepage as narrator. This book closes the series of the Littlepage Manuscripts, which have been given to the world as containing a fair account of the comparative sacrifices of time, money, and labor, made respectively by the landlord and the tenants, on a New York estate. James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life created a unique form of American literature. His best-known works are five historical novels of the frontier period known as the Leatherstocking Tales.
Publisher: e-artnow
ISBN: 8075832582
Category : Fiction
Languages : en
Pages : 1721
Book Description
The Littlepage Manuscripts follow three generations of a Dutch-originated family settling in America, beginning in the mid-eighteenth century. The trilogy is a fictional biography of the Littlepage family which explores the 18th century colony of New York. Novels focus mainly on issues of land ownership and the displacement of American Indians as the United States moves westward. Critical to the trilogy of these novels, is the sense of expansion through the measuring and acquisition of land by civilization. Narratives in these fictional manuscripts reveal a lot about the mentality of the people at that point in history. Satanstoe is the first novel of the trilogy with Mr. Cornelius Littlepage as the main narrator. His writings and descriptions paint the idyllic picture of the life of Dutch colonists. The Chainbearer is the second book in a trilogy, narrated by Mordaunt Littlepage. The title represents the man who carries the chains in measuring the land, helping civilization to grow from the wilderness. Here is described cultural lack of understanding Native Americans had for European concepts of land ownership. The Redskins is the final part of the trilogy with Mr. Hugh Roger Littlepage as narrator. This book closes the series of the Littlepage Manuscripts, which have been given to the world as containing a fair account of the comparative sacrifices of time, money, and labor, made respectively by the landlord and the tenants, on a New York estate. James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life created a unique form of American literature. His best-known works are five historical novels of the frontier period known as the Leatherstocking Tales.
James Fenimore Cooper
Author: Donald G. Darnell
Publisher: University of Delaware Press
ISBN: 9780874134872
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Examination of etiquette in fifteen of Cooper's novels
Publisher: University of Delaware Press
ISBN: 9780874134872
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Examination of etiquette in fifteen of Cooper's novels
Approaches to Teaching the Novels of James Fenimore Cooper
Author: Stephen Carl Arch
Publisher: Modern Language Association
ISBN: 1603294929
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
A cosmopolitan author who spent nearly a decade in Europe and was versed in the works of his British and French contemporaries, James Fenimore Cooper was also deeply concerned with the America of his day and its history. His works embrace themes that have dominated American literature since: the frontier; the oppression of Native Americans by Europeans; questions of race, gender, and class; and rugged individualism, as represented by figures like the pirate, the spy, the hunter, and the settler. His most memorable character, Natty Bumppo, has entered into American popular culture. The essays in this volume offer students bridges to Cooper's novels, which grapple with complex moral issues that are still crucial today. Engaging with film adaptations, cross-culturalism, animal studies, media history, environmentalism, and Indigenous American poetics, the essays offer new ways to bring these novels to life in the classroom.
Publisher: Modern Language Association
ISBN: 1603294929
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
A cosmopolitan author who spent nearly a decade in Europe and was versed in the works of his British and French contemporaries, James Fenimore Cooper was also deeply concerned with the America of his day and its history. His works embrace themes that have dominated American literature since: the frontier; the oppression of Native Americans by Europeans; questions of race, gender, and class; and rugged individualism, as represented by figures like the pirate, the spy, the hunter, and the settler. His most memorable character, Natty Bumppo, has entered into American popular culture. The essays in this volume offer students bridges to Cooper's novels, which grapple with complex moral issues that are still crucial today. Engaging with film adaptations, cross-culturalism, animal studies, media history, environmentalism, and Indigenous American poetics, the essays offer new ways to bring these novels to life in the classroom.