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Author: J. Walter Severinghaus
Publisher: Dutton Adult
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
The JPMorgan Chase Art Collection began in 1959 when David Rockefeller, then president of The Chase Manhattan Bank, established the firm's art program and took the lead in the field of corporate art collecting. By integrating artwork with the architecture of new buildings and incorporating an enlightened approach to acquisitions, this forerunner of corporate collections became a model for other companies worldwide. Today it is one of the oldest and largest corporate art collections in the world, focusing on modern and contemporary painting, sculpture, works on paper and photography, which continue to be the portfolio's strength. This core collection is enhanced by a diverse and eclectic range of objects from every country in which JPMorgan Chase does business, offering a unique perspective on the firm's culture. The JPMorgan Chase Art Program oversees more than 30,000 objects in 450 corporate offices around the globe. In addition, the program administers an active museum loan program, originates traveling exhibitions, provides educational programming for internal and external audiences, and supports the firm's global philanthropic and sponsorship activities. JPMorgan Chase & Co. believes that arts and culture are the lifeblood of vibrant communities. We support a range of programs and events that foster creativity, provide access to the arts to underserved audiences, promote self expression and celebrate diversity. -- Text from JPMorgan Chase & Co. website (see link).
Author: J. Walter Severinghaus
Publisher: Dutton Adult
ISBN:
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
The JPMorgan Chase Art Collection began in 1959 when David Rockefeller, then president of The Chase Manhattan Bank, established the firm's art program and took the lead in the field of corporate art collecting. By integrating artwork with the architecture of new buildings and incorporating an enlightened approach to acquisitions, this forerunner of corporate collections became a model for other companies worldwide. Today it is one of the oldest and largest corporate art collections in the world, focusing on modern and contemporary painting, sculpture, works on paper and photography, which continue to be the portfolio's strength. This core collection is enhanced by a diverse and eclectic range of objects from every country in which JPMorgan Chase does business, offering a unique perspective on the firm's culture. The JPMorgan Chase Art Program oversees more than 30,000 objects in 450 corporate offices around the globe. In addition, the program administers an active museum loan program, originates traveling exhibitions, provides educational programming for internal and external audiences, and supports the firm's global philanthropic and sponsorship activities. JPMorgan Chase & Co. believes that arts and culture are the lifeblood of vibrant communities. We support a range of programs and events that foster creativity, provide access to the arts to underserved audiences, promote self expression and celebrate diversity. -- Text from JPMorgan Chase & Co. website (see link).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Detroit Receiving Hospital
Publisher:
ISBN: 9780979881800
Category : Architecture
Languages : en
Pages : 122
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Book Description
Accompanying CD-ROM contains ... "digital gallery."--CD-ROM label.
Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6
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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
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Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author: Dieter Buchhart
Publisher: Hatje Cantz Verlag
ISBN: 9783775742474
Category : Art, Modern
Languages : en
Pages : 272
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Book Description
The UBS Art Collection is without doubt one of the most important corporate collections in the world. Dating primarily from the 1960s to today, the works of art in the Collection give an impressive overview of the artistic practice of this period. UBS Art Collection: To Art its Freedom is the first major book on the UBS Art Collection in nearly a decade, presenting a visual essay that captures the essence of the Collection as well as the various impulses that have shaped it across decades and continents.The publication features more than 200 color illustrations offering insights into the history and evolution of the UBS Art Collection. Highlights include: Jean-Michel Basquiat, Andreas Gursky, Damien Hirst, David Hockney, Roni Horn, Martin Kippenberger, Willem de Kooning, Sol LeWitt, Neo Rauch, Robert Rauschenberg, Gerhard Richter, Thomas Ruff, Ed Ruscha, Cindy Sherman, Hiroshi Sugimoto, Wolfgang Tillmans, Cy Twombly, Erwin Wurm, and many more.
Author: Khalil B. Kinsey ($e writer of added commentary)
Publisher:
ISBN: 9780982622537
Category : African American art
Languages : en
Pages : 198
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Book Description
Author: Frick Collection
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
The Frick Collection, housed in an elegant New York City mansion, is one of the most extraordinary small museums in the world. This lavishly illustrated survey of the Collection offers a dazzling array of great paintings as well as rarely published sculptural treasures and numerous masterpieces of the decorative arts. 198 illustrations, 178 in color.
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Fred Jones Jr. Museum of Art
Publisher:
ISBN: 9780806142999
Category : Art
Languages : en
Pages : 0
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Book Description
One of the most important collections of modern Native American art assembled by one individual, the James T. Bialac Native American Art Collection is an encyclopedic compilation of easel paintings and three-dimensional works. Showcased in this stunning catalogue, the collection comprises nearly four thousand items, including drawings, sculptures, prints, kachinas, jewelry, ceramics, rattles, baskets, and textiles. James T. Bialac began collecting art in the 1950s, when he was a student at the University of Arizona School of Law. It was then that he purchased the first of what would develop into a collection of more than one thousand kachina dolls. In 1964 he acquired his first painting, Robert Chee's Moccasin Game, and he went on to expand his collection to reflect the diversity of Native American art forms. Inspired by his connections with other collectors, Bialac learned the importance of documenting, cataloging, and preserving his collection. In 2010 he bequeathed the collection to the University of Oklahoma, where the art will be displayed at the Fred Jones Jr. Museum of Art, as well as at other locations, including Bialac's native Arizona. The Bialac Collection represents indigenous cultures across North America, especially the Pueblos of the Southwest, Navajos, Hopis, and many of the tribes of the Great Plains. It encompasses such important and innovative artists as Fred Kabotie, Alfonso Roybal, Fritz Scholder, Joe Hilario Herrera, Allan Houser, Jerome Tiger, Tonita Peña, Helen Hardin, Pablita Velarde, George Morrison, Walter Richard "Dick" West, and Patrick DesJarlait, all of whose work is featured in this volume. Along with its rich sampling of works from the Bialac Collection, this catalogue offers informative essays by art historians, who draw on their areas of expertise to explain the significance of the artwork. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, a preface by Ghislain d'Humières, Director of the Fred Jones Jr. Museum of Art, and an introduction by Mary Jo Watson, Director of the School of Art and Art History. Published in cooperation with the Fred Jones Jr. Museum of Art, University of Oklahoma
