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Author: Hayward Gallery
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 76
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Book Description
Published on the occasion of the Arts Council Collection exhibition toured by National Touring Exhibitions from the Hayward Gallery, London for the Arts Council of England during 2002 and 2003.
Author: Hayward Gallery
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 76
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Book Description
Published on the occasion of the Arts Council Collection exhibition toured by National Touring Exhibitions from the Hayward Gallery, London for the Arts Council of England during 2002 and 2003.
Author: Isobel Johnstone
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
The Arts Council Collection is the largest national loan collection of postwar British art. This important reference book includes details and colour illustrations of every work acquired for the Collection between 1989 and 2002 and is the fourth volume in a comprehensive series of acquisition catalogues. - Features major figures who have attained international acclaim, including Tracey Emin, Richard Deacon, Douglas Gordon, Antony Gormley, Anish Kapoor and Rachel Whiteread, alongside emerging talents and lesser-known artists. - Works in all media are represented - painting, sculpture, photography, video, film and installation, original works on paper and prints and multiples.
Author: Art Council England
Publisher:
ISBN: 9780728714939
Category :
Languages : en
Pages :
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Book Description
Author: Jenny Stratford
Publisher: Turret Publishing
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
Author: Arts Council Collection
Publisher: Hayward Gallery Publishing
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Celebrates the generous gift of 100 works of art made by Charles Saatchi to the Arts Council Collection in spring 1999.
Author: Chin-tao Wu
Publisher: Verso Books
ISBN: 1789608775
Category : Art
Languages : en
Pages : 352
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Book Description
Corporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodka's sponsorship of art shows to ABN-AMRO Bank's branding of Van Gogh's self-portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational marketing is beginning to blur the comfortable old distinctions between public and private. Chin-tao Wu's book is the first concerted attempt to detail the various ways in which business values and the free-market ethos have come to permeate the sphere of the visual arts since the 1980s. Charting the various shifts in public policy which first facilitated the entry of major corporations into the cultural sphere, it analyses the roles of governments in injecting the principles of the free market into public arts agencies-in particular the Arts Council in Great Britain and the National Endowment for the Arts in the USA. It goes on to study the corporate take-over of art museums, highlighting the ways in which 'cultural capital' can be garnered by various social and business 'elites' through commercial involvement in the arts, and shows how corporations have succeeded in integrating themselves into the infrastructure of the art world itself by showcasing contemporary art in their own corporate premises. Mapping for the first time the increasingly hegemonic position that corporations and corporate elites have come to occupy in the cultural arena, this is a provocative contribution to the debate on public culture in Britain and America.
Author: Hilary Robinson
Publisher: John Wiley & Sons
ISBN: 1118929195
Category : Art
Languages : en
Pages : 673
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Book Description
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.
Author: Louise Hopkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: South Bank Centre
Publisher:
ISBN:
Category : Sculpture, British
Languages : en
Pages : 52
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Book Description
Author: Julie Umerle
Publisher: Independent publisher
ISBN: 1527242161
Category : Biography & Autobiography
Languages : en
Pages : 186
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Book Description
A thoroughly enjoyable read. 'Art, Life and Everything' shows the importance and joy of painting and making art. It provides insight into how an artist functions in their studio and in the outside world. Julie presents an investigative and relevant example of how an artist has to struggle and continue to work on a professional level, for that is what they do throughout their careers. Robin Klassnik OBE, Director and Founder of Matt’s Gallery, London
