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Author: Laurence M. Porter
Publisher: Bloomsbury Publishing USA
ISBN: 0313057990
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
From ancient Greece through the present day, women writers have confronted the male urge to make war by imagining communities in which intuitive bonding among individuals questions and replaces masculinist values of aggression and competition. Women's Vision in Western Literature traces the gender gap in literature from 600 B.C. to the present day through an examination of seven extraordinary women writers from Sappho to Christa Wolf. Combining close readings with a comprehensive overview of the careers of these women, Porter shows how the threat, the experience, and the aftermath of war incites them to imagine tolerant, empathic communities. This careful consideration of these seven great writers brings to light an underappreciated aspect of Western women's writing. Starting with Sappho, Porter illustrates this ancient poet's ability to rewrite the Homeric war rhetoric to reflect a non-possessive love experience. Marie de France arranges traditional animal fables to imply an open-ended situation-ethics, according to the author, and Madame de Stael—in a Europe torn by Napoleonic conquests—advocates cross-cultural unions among countries. In the works of Mary Shelley, we see the warnings of the dangers of vainglorious, soulless technology, and Virginia Woolf depicts intuitive bonding beyond gender stereotypes, amid the ruins of war and crumbling empire. He shows how Marguerite Yourcenar dreams of a new era of world peace after Hitler's defeat, and how Christa Wolf tries to cope with her country's Nazi past even as she reaffirms European identity threatened by annihilations in nuclear conflict.
Author: Laurence M. Porter
Publisher: Bloomsbury Publishing USA
ISBN: 0313057990
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
From ancient Greece through the present day, women writers have confronted the male urge to make war by imagining communities in which intuitive bonding among individuals questions and replaces masculinist values of aggression and competition. Women's Vision in Western Literature traces the gender gap in literature from 600 B.C. to the present day through an examination of seven extraordinary women writers from Sappho to Christa Wolf. Combining close readings with a comprehensive overview of the careers of these women, Porter shows how the threat, the experience, and the aftermath of war incites them to imagine tolerant, empathic communities. This careful consideration of these seven great writers brings to light an underappreciated aspect of Western women's writing. Starting with Sappho, Porter illustrates this ancient poet's ability to rewrite the Homeric war rhetoric to reflect a non-possessive love experience. Marie de France arranges traditional animal fables to imply an open-ended situation-ethics, according to the author, and Madame de Stael—in a Europe torn by Napoleonic conquests—advocates cross-cultural unions among countries. In the works of Mary Shelley, we see the warnings of the dangers of vainglorious, soulless technology, and Virginia Woolf depicts intuitive bonding beyond gender stereotypes, amid the ruins of war and crumbling empire. He shows how Marguerite Yourcenar dreams of a new era of world peace after Hitler's defeat, and how Christa Wolf tries to cope with her country's Nazi past even as she reaffirms European identity threatened by annihilations in nuclear conflict.
Author: Brigitte Georgi-Findlay
Publisher: University of Arizona Press
ISBN: 9780816515974
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
A study of American women's writings about the West between 1830 and 1930 reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional travel writings, and late 19th- and early 20th-century accounts of missionaries and teachers on Indian reservations.
Author: GEETA JANET DKHAR
Publisher: Archers & Elevators Publishing House
ISBN: 9390996953
Category : Antiques & Collectibles
Languages : en
Pages : 120
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Book Description
Author: Rachel Falconer
Publisher: Cambridge Scholars Publishing
ISBN: 1443838187
Category : Literary Collections
Languages : en
Pages : 340
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Book Description
What happens when we re-read a familiar book? Does the second encounter turn us into experts, more knowing and confident in our relation to the text? Or conversely, does it expose the gaps and limits of each reading experience? Does re-reading affirm our own sense of identity, reconnecting us to earlier memories, or does it shock and destabilize, revealing discontinuities between past and present selves? Is re-reading uncanny, a discovery of the familiar in the unfamiliar, or the reverse? Do certain literary devices and tropes – symbols, allegories, for example, depend on re-reading to be activated? Are there some texts that can only be re-read? Re-reading is rarely discussed in depth yet it forms the core of most conversations about literature, for we rarely become passionate or critical about books we have only read once. It is also re-reading that consolidates a core of texts into what we recognise to be a canon of literature, and it is re-reading, again, that breaks open the canon and reshapes it. We re-read alone, but we also re-read communally, in the shared space of the theatre, or in the translation of a text from one culture to another, or one medium to another. Re-reading is a necessary part of the professional reader’s life yet there is often, in the history of the individual scholar, some formative relationship with a text read obsessively in childhood. This bilingual volume of essays brings together an international group of eminent scholars in order to reflect on this process of re-reading, in honour of Graham Falconer, Professor of 19th century French literature, and long-term re-reader. The essays vary from personal reflections on formative childhood reading, and self-reflexive scholarly re-readings, to analysis of the theme of re-reading in texts, and presentation of new theories of re-reading. Gustave Flaubert, Honoré de Balzac, Stendhal, Eugène Fromentin, Guy de Maupassant, Marcel Proust, Samuel Beckett, Dostoevsky, Mikhail Bakhtin, W. B. Yeats, William Blake, Roland Petit, H. G. Wells and Anthony Hope are amongst the authors re-visited in these reflections on the practice of re-reading.
Author: Dorothy Gray
Publisher: U of Nebraska Press
ISBN: 9780803270732
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
The independent-minded western woman was often eclipsed in popular literature by sensations like Calamity Jane and Belle Starr. Starting with Sacajawea, the Shoshone guide for Lewis and Clark, WOMEN OF THE WEST gives a historical overview of various pioneer women who made their own way out west. 8 photos.
Author: Susie J. Tharu
Publisher: Feminist Press at CUNY
ISBN: 9781558610279
Category : Fiction
Languages : en
Pages : 580
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Book Description
Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
Author: Jeffrey M. Duban
Publisher: CLAIRVIEW BOOKS
ISBN: 1912992019
Category : Poetry
Languages : en
Pages : 394
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Book Description
Sappho, in the words of poet Algernon Charles Swinburne (1837–1909), was “simply nothing less – as she is certainly nothing more – than the greatest poet who ever was at all.” Born over 2,600 years ago on the Greek island of Lesbos, Sappho, the namesake lesbian, wrote amorously of men and women alike, exhibiting both masculine and feminine tendencies in her poetry and life. What’s left of her writing, and what we know of her, is fragmentary, and thus ever subject to speculation and study. The Shipwreck Sea highlights the love poetry of the soulful Sappho, the impassioned Ibycus, and the playful Anacreon, among other Greek lyric poets of the age (7th to 5th centuries BC), with verse translations into English by author Jeffrey Duban. The book also features selected Latin poets who wrote on erotic themes – Catullus, Lucretius, Horace, and Petronius – and poems by Charles Baudelaire, with his milestone rejoinder to lesbian love (“Lesbos”) and, in the same stanzaic meter, a turn to the consoling power of memory in love’s more frequently tormented recall (“Le Balcon”). Duban also translates selected Carmina Burana of Carl Orff, the poems frequently Anacreontic in spirit. The book’s essays include a comprehensive analysis with a new translation of Horace’s famed Odes 1.5 (“To Pyrrha”), in which the theme of (love’s) shipwreck predominates, and an opening treatise-length argument – exploring painting, sculpture, literature, and other Western art forms – on the irrelevance of gender to artistic creation. (No, Homer was not a woman, and it would make no difference if she were.) Twenty full-color artwork reproductions, masterpieces in their own right, illustrate and bring Duban’s argument to life. Finally, Duban presents a selection of his own love poems, imitations and pastiches written over a lifetime – these composed in the “classical mode”, which is the leitmotif of this volume. The Shipwreck Sea is a delightful and continually thought-provoking companion to The Lesbian Lyre, both books vividly demonstrating that classicism yet thrives in our time, despite the modernism marshaled against it.
Author: Erika Bachiochi
Publisher: University of Notre Dame Pess
ISBN: 0268200807
Category : History
Languages : en
Pages : 475
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Book Description
Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.
Author: Catharine Savage Brosman
Publisher: McFarland
ISBN: 1476625956
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.
Author: Jeanine Basinger
Publisher: Knopf
ISBN: 030783154X
Category : Performing Arts
Languages : en
Pages : 806
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Book Description
Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda…these are only a few of the hundreds of “women’s films” that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream—of romance, sexuality, luxury, suffering, or even wickedness—and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman’s most important job was…to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women’s films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman’s genre—among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as “noble” as it appears. Basinger looks at the stars who played these women and helps us understand the qualities—the right off-screen personae, the right on-screen attitudes, the right faces—that made them personify the woman’s film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses—whether melodrama, screwball comedy, musical, film noir, western, or biopic—a woman occupies the center of her particular universe. Her story—in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance—inevitably sends a highly potent mixed message: Yes, you women belong in your “proper place” (that is, content with the Big Three of the women’s film world—men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman’s View deepens our understanding of the times and circumstances and attitudes out of which these movies were created.
