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Author: Theresa Varney Kennedy
Publisher: Routledge
ISBN: 9780367591588
Category : French drama
Languages : en
Pages : 201
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Book Description
Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650-1750) argues that women playwrights question traditional views on women through their heroines. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in plays from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. I argue that the "deliberative heroine," emerging at the dawn of the eighteenth century, is the most fully developed, exuding all the characteristics of the modern-day heroine. Although she embodies many of the qualities of her heroine counterparts, she also responds to them. Only the deliberative heroine, based on Enlightenment ideals--such as women's ability to rationalize and the complex interplay between reason and sentiment--truly liberates female characters from a history of traditional roles. Whereas other heroines act in accordance with social construct or on impulse, the "deliberative heroine" realizes the ideals of the seventeenth-century salons that petitioned for women to have "greater control over their own bodies" (DeJean 21). She is active, and her determination to follow through with her own line of reasoning--that involves both mind and heart--enables her to determine the outcome of events. In the end, this new generation of heroines ushered in an era where women playwrights could make their own contribution to dramatic works at the dawn of the Age of Enlightenment.
Author: Theresa Varney Kennedy
Publisher: Routledge
ISBN: 9780367591588
Category : French drama
Languages : en
Pages : 201
Get Book
Book Description
Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650-1750) argues that women playwrights question traditional views on women through their heroines. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in plays from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. I argue that the "deliberative heroine," emerging at the dawn of the eighteenth century, is the most fully developed, exuding all the characteristics of the modern-day heroine. Although she embodies many of the qualities of her heroine counterparts, she also responds to them. Only the deliberative heroine, based on Enlightenment ideals--such as women's ability to rationalize and the complex interplay between reason and sentiment--truly liberates female characters from a history of traditional roles. Whereas other heroines act in accordance with social construct or on impulse, the "deliberative heroine" realizes the ideals of the seventeenth-century salons that petitioned for women to have "greater control over their own bodies" (DeJean 21). She is active, and her determination to follow through with her own line of reasoning--that involves both mind and heart--enables her to determine the outcome of events. In the end, this new generation of heroines ushered in an era where women playwrights could make their own contribution to dramatic works at the dawn of the Age of Enlightenment.
Author: Theresa Varney Kennedy
Publisher: Routledge
ISBN: 1317153367
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Women’s Deliberation: The Heroine in Early Modern French Women’s Theater (1650–1750) argues that women playwrights question traditional views on women through their heroines. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in plays from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. I argue that the "deliberative heroine," emerging at the dawn of the eighteenth century, is the most fully developed, exuding all the characteristics of the modern-day heroine. Although she embodies many of the qualities of her heroine counterparts, she also responds to them. Only the deliberative heroine, based on Enlightenment ideals—such as women’s ability to rationalize and the complex interplay between reason and sentiment—truly liberates female characters from a history of traditional roles. Whereas other heroines act in accordance with social construct or on impulse, the "deliberative heroine" realizes the ideals of the seventeenth-century salons that petitioned for women to have "greater control over their own bodies" (DeJean 21). She is active, and her determination to follow through with her own line of reasoning—that involves both mind and heart—enables her to determine the outcome of events. In the end, this new generation of heroines ushered in an era where women playwrights could make their own contribution to dramatic works at the dawn of the Age of Enlightenment.
Author: Hélène E. Bilis
Publisher: Modern Language Association
ISBN: 1603295321
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
Author: Mitchell Greenberg
Publisher: Bloomsbury Publishing
ISBN: 1350155098
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
The period covered by this volume in the Cultural History of Tragedy set is bookended by two shockingly similar historical events: the beheading of a king, Charles I of England in 1649 and Louis XIV of France in 1793. The period between these two dates saw enormous political, social and economic changes that altered European society's cultural life. Tragedy, which had dominated the European stage at the beginning of this period, gradually saw itself replaced by new literary forms, culminating in the gradual decline of theatrical tragedy from the heights it had reached in the 1660s. The dominance of France's military and cultural prestige during this period is reflected in the important, almost exclusive, space dedicated in this volume to the French stage. This book covers the tragedies of France's two greatest playwrights - Pierre Corneille (1606-84) and Jean Racine (1639-99) - which would dominate not only the French stage but, through translations and adaptations, became the model of tragic theater across Europe, finding imitators in England (Dryden), Italy (Alfieri) and as far afield as Russia. This dominance continued well into the 18th century with the triumph of Voltaire's tragedies. This volume also examines how the writings of Diderot and Lessing changed the direction of theatre and how after the Revolution, in the writings of Goethe, Shiller, Hegel, tragedy and the tragic were reimagined and became the sign of European modernity. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
Author: P. Scott Brown
Publisher: BRILL
ISBN: 9004364668
Category : Art
Languages : en
Pages : 372
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Book Description
The first history of the Biblical heroine Jael (Judges 4), a blessed murderess and fertile moral paradox in medieval and Renaissance art.
Author: Jeffrey N. Peters
Publisher: Northwestern University Press
ISBN: 9780810136977
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
In The Written World: Space, Literature, and the Chorological Imagination in Early Modern France, Jeffrey N. Peters argues that geographic space may be understood as a foundational, originating principle of literary creation. By way of an innovative reading of chora, a concept developed by Plato in the Timaeus and often construed by philosophical tradition as “space,” Peters shows that canonical literary works of the French seventeenth century are guided by what he calls a “chorological” approach to artistic invention. The chorological imagination describes the poetic as a cosmological event that gives location to—or, more accurately, in Plato’s terms, receives—the world as an object of thought. In analyses of well-known authors such as Corneille, Molière, Racine, and Madame de Lafayette, Peters demonstrates that the apparent absence of physical space in seventeenth-century literary depiction indicates a subtle engagement with, rather than a rejection of, evolving principles of cosmological understanding. Space is not absent in these works so much as transformed in keeping with contemporaneous developments in early modern natural philosophy. The Written World will appeal to philosophers of literature and literary theorists as well as scholars of early modern Europe and historians of science and geography
Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162
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Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Author: Bruce Edelstein
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164
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Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.
Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 9780892368730
Category : Imitation in art
Languages : en
Pages : 220
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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author: Joshua Bandoch
Publisher: Boydell & Brewer
ISBN: 1580469027
Category : History
Languages : en
Pages : 268
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Book Description
A critical reexamination of Montesquieu's political science, revealing the primacy of place in the development of the best political order.
