Women, Science and Sound in Nineteenth-century France PDF Download
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Author: Ingrid Sykes
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : History
Languages : en
Pages : 208
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Book Description
This book deals with the substantial role performed by women in the sophisticated scientific and technological environment of nineteenth-century France. In a period marked by both radical experimentation and rich spiritual sensibility, women interacted with the latest acoustical technologies to produce a striking language of sonority that reached a wide popular audience. The author shows that a variety of sonorous spaces containing newly-invented organ models (the teacher-training institution, the convent, and the salon) became significant acoustic laboratories in which women were able to formulate and express their creativity in sound. Rather than inhibiting their freedom of expression, such spaces allowed women to negotiate social convention and mark their own unique contribution to acoustical science.
Author: Ingrid Sykes
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : History
Languages : en
Pages : 208
Get Book Here
Book Description
This book deals with the substantial role performed by women in the sophisticated scientific and technological environment of nineteenth-century France. In a period marked by both radical experimentation and rich spiritual sensibility, women interacted with the latest acoustical technologies to produce a striking language of sonority that reached a wide popular audience. The author shows that a variety of sonorous spaces containing newly-invented organ models (the teacher-training institution, the convent, and the salon) became significant acoustic laboratories in which women were able to formulate and express their creativity in sound. Rather than inhibiting their freedom of expression, such spaces allowed women to negotiate social convention and mark their own unique contribution to acoustical science.
Author: Nicolaas A. Rupke
Publisher: Peter Lang
ISBN: 9783631581209
Category : Biography & Autobiography
Languages : en
Pages : 376
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Book Description
Can science and religion coexist in harmony? Or is conflict inevitable? In this volume an international team of distinguished scholars addresses these enduring yet urgent questions by examining the lives of thirteen eminent twentieth-century scientists whose careers were marked by the interaction of science and religion: Rachel Carson, Charles A. Coulson, Theodosius Dobzhansky, Arthur S. Eddington, Albert Einstein, Ronald A. Fisher, Julian Huxley, Pascual Jordan, Robert A. Millikan, Ivan P. Pavlov, Michael I. Pupin, Abdus Salam, and Edward O. Wilson. The richly empirical studies show a diversity of creative engagements between science and religion that defy efforts to set the two at odds.
Author: J. Kennaway
Publisher: Springer
ISBN: 1137339519
Category : History
Languages : en
Pages : 378
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Book Description
The relationship between music and the nervous system is now the subject of intense interest for scientists and people in the humanities, but this is by no means a new phenomenon. This volume sets out the history of the relationship between neurology and music, putting the advances of our era into context.
Author: Sarah Hibberd
Publisher: Cambridge University Press
ISBN: 0521885620
Category : Music
Languages : en
Pages : 279
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Book Description
Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.
Author: Rebecca Gibson
Publisher: Bloomsbury Publishing
ISBN: 1350295213
Category : Design
Languages : en
Pages : 273
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Book Description
Both a translation and critique of an early 20th century seminal French text on the physical effects of corseting, The Bad Corset explores contemporary anti-woman bias to challenge the commonly accepted assertions about corsetry's contribution to disease, disfigurement, and disorders of the female body. The original 1908 French book, Le Corset by Ludovic O'Followell-with its graphic illustrations, some of which are reproduced here-tells a story, familiar to anyone interested in popular culture and fashion history, of women suffering for fashion, tormented by and subject to their corsets. However, a close reading of the texts tells a very different, and more complicated, story. This fascinating exploration, approaching the topic from a scientific perspective, and reproducing facsimiles of the original text, with translations and annotations, critiques the presumptions and anxieties of male medical professionals on the 'damage' caused by corsets to the female body and psyche. Rather than seeing the women who wore these perceived instruments of torture as victims or dupes, The Bad Corset confidently asserts the agency of the women who wore them and highlights the way in which seminal texts can continue to influence our interpretation of the past, and women's lives and histories. The Bad Corset is a remarkable resource for scholars and students of fashion, medicine and gender history, taking a feminist approach to female agency and choice, and helping us reconsider the way we think about the shaping of women's bodies, and their lives.
Author: Carol E. Harrison
Publisher: Clarendon Press
ISBN: 0191542938
Category : History
Languages : en
Pages : 286
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Book Description
The Bourgeois Citizen in Nineteenth-Century France analyses the process by which class society developed in post-revolutionary France. Focusing on bourgeois men and on their voluntary associations, Carol E. Harrison addresses the construction of class and gender identities. In their gentlemen's clubs, learned societies, musical groups, gardening clubs, and charitable associations, bourgeois Frenchmen defined a social order in which the atomized individuals of revolutionarly law could find places for themselves in reconstituted social groups and hierarchies. The practices of sociability reflected a bourgeois view of society as harmonious rather than torn by conflict. The potentially universal virtues of bourgeois masculinity provided a basis for a consensus that could protect social order from the destructive competitiveness of French political life and the industrializing economy. The sociable interaction of male citizens was the crucial bridge between the destruction of Frances's old regime and the development of a mature industrial class society.
Author: J. Hoegaerts
Publisher: Springer
ISBN: 1137392010
Category : Political Science
Languages : en
Pages : 377
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Book Description
A history of what it meant to be a man, and a citizen of an emerging nation throughout the nineteenth century. This book not only relates how Belgians were taught how to move and fight, but also how they spoke and sang to express masculinity and patriotism.
Author: David Yearsley
Publisher: Cambridge University Press
ISBN: 0521199018
Category : History
Languages : en
Pages : 313
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Book Description
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
Author: Alain Corbin
Publisher:
ISBN: 9780333752807
Category : Change ringing
Languages : en
Pages : 416
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Book Description
Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 639
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Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too — this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
