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Author: Anne Laurence
Publisher: Manchester University Press
ISBN: 9780719057205
Category : Art
Languages : en
Pages : 272
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Book Description
This innovative volume explores a wide range of artistic, critical, and cultural productions by women scholars, critics, and artists between 1790 and 1900, many of whom are little known. The essays question the concepts of “scholarship,” “criticism,” and “artist” across different disciplines, focusing on the gendered associations and exclusions and on structures of sexual difference. Women discussed include Mary Wollstonecraft Shelley, Sydney Morgan, and Anna Jameson; actresses such as Elizabeth Siddons, Dorothy Jordan, and Mary Robinson; critics such as Margaret Oliphant and Mary Cowden Clarke; historians such as Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper, and Lucy Toulmin Smith; the writers and readers of women's magazines; educationalists such as the Shirreff sisters, and translators such as Anna Swanwick, as well as many others.
Author: Anne Laurence
Publisher: Manchester University Press
ISBN: 9780719057205
Category : Art
Languages : en
Pages : 272
Get Book Here
Book Description
This innovative volume explores a wide range of artistic, critical, and cultural productions by women scholars, critics, and artists between 1790 and 1900, many of whom are little known. The essays question the concepts of “scholarship,” “criticism,” and “artist” across different disciplines, focusing on the gendered associations and exclusions and on structures of sexual difference. Women discussed include Mary Wollstonecraft Shelley, Sydney Morgan, and Anna Jameson; actresses such as Elizabeth Siddons, Dorothy Jordan, and Mary Robinson; critics such as Margaret Oliphant and Mary Cowden Clarke; historians such as Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper, and Lucy Toulmin Smith; the writers and readers of women's magazines; educationalists such as the Shirreff sisters, and translators such as Anna Swanwick, as well as many others.
Author: Mary Flowers Braswell
Publisher: Routledge
ISBN: 1317031504
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
The author of numerous books on Geoffrey Chaucer, the nineteenth-century scholar, Mary Eliza Haweis, has been largely erased from general histories of Chaucer studies. In her critical biography, Mary Flowers Braswell traces Haweis’s career, bringing her out of obscurity and placing her contributions to Chaucer scholarship in the context of those of influential Chaucerians of the period such as Frederick James Furnivall, Walford Dakin Selby, and Walter Rye. Braswell draws on extensive archival research from a broad range of late-Victorian newspapers, journals, and society papers to weave a fascinating picture of Haweis’s own life and work, which in quantity and quality rivaled that of her contemporaries. Haweis, we discover, corrected assumptions related to the Chaucer seal and texts, bringing her findings to the attention of the public in works such as Chaucer for Schools, the first textbook on the poet. Braswell also sheds light on the ways in which fashion, society, culture, art, and leisure activities intermingled with scholarship, archival recovery, museum work, editing, writing, and publishing in the late-Victorian middle and upper classes. Concluding with a discussion of Haweis’s forgotten role as head of the Chaucer section for the National Home Reading Union, Braswell’s book makes a strong case both for Haweis’s influence as a Chaucer scholar and her importance as an educator in nineteenth-century Britain and the United States.
Author: Joanne Wilkes
Publisher: Routledge
ISBN: 1134776950
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
Author: Gail Marshall
Publisher: Cambridge University Press
ISBN: 0521518245
Category : Drama
Languages : en
Pages : 481
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Book Description
An illustrated collection of new essays with valuable reference material on the performance and reception of Shakespeare's plays.
Author: Caroline Franklin
Publisher: Routledge
ISBN: 1136245529
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.
Author: Miriam Kauko
Publisher: Wallstein Verlag
ISBN: 9783892448358
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Eine erhellende Studie, die Impulse der Gender Studies für die Wissenschaftsgeschichte aufzuzeigen vermag. Auch Wissenschaft hat ein Geschlecht. Die Konsequenzen dieser These untersucht der vorliegende Band am Beispiel der Kulturwissenschaften. Mit dem Zeitraum von 1890 bis 1945 konzentriert er sich auf jene Epoche, in der sich die Universitäten für die Frauen öffnen und sie zum ersten Mal regulär am System Wissenschaft partizipieren läßt. Das Verhältnis von Wissenschaft und Geschlechterdifferenz kommt dabei in seiner Vielgestaltigkeit in den Blick: Es wird einerseits auf der Ebene des wissenschaftlichen Diskurses, seiner Rhetorik und seiner Epistemologie, analysiert. Andererseits wird die Arbeit einzelner Wissenschaftlerinnen, die innerhalb oder jenseits des universitären Betriebs tätig waren (z.B. Hilma Borelius, Ricarda Huch, Vernon Lee), vorgestellt. So belegen die fünfzehn internationalen Beiträge aus ganz verschiedenen Perspektiven, welche Impulse die Gender Studies der Wissenschaftsgeschichte zu vermitteln mögen. Aus dem Inhalt: Ben Knights: Reading as a Man: Women and the Rise of English Studies in England Sylvia Mieszkowski: Vernon Lee - Gen(i)us Loci of Academic Periphery Gesa Dane: Ricarda Huchs Romantik und Der Dreißigjährige Krieg Alexandra Tischel: Die Arbeiten der Germanistin Helene Herrmann Barbara Hahn: 'Wunderbar artikulierte Herrscherin im Reich des Bewußten'. Ricarda Huch und ihre Zeitgenossen Annegret Heitmann: Die >neue Frau
Author: Claire Grogan
Publisher: Routledge
ISBN: 1317078519
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In the first book-length study of the well-respected and popular British writer Elizabeth Hamilton, Claire Grogan addresses a significant gap in scholarship that enlarges and complicates critical understanding of the Romantic woman writer. From 1797 to 1818, Hamilton published in a wide range of genres, including novels, satires, historical and educational treatises, and historical biography. Because she wrote from a politically centrist position during a revolutionary age, Grogan suggests, Hamilton has been neglected in favor of authors who fit within the Jacobin/anti-Jacobin framework used to situate women writers of the period. Grogan draws attention to the inadequacies of the Jacobin/anti-Jacobin binary for understanding writers like Hamilton, arguing that Hamilton and other women writers engaged with and debated the issues of the day in more veiled ways. For example, while Hamilton did not argue for sexual emancipation à la Mary Wollstonecraft and Mary Hays, she asserted her rights in other ways. Hamilton's most radical advance, Grogan shows, was in her deployment of genre, whether she was mixing genres, creating new generic medleys, or assuming competence in a hitherto male-dominated genre. With Hamilton serving as her case study, Grogan persuasively argues for new strategies to uncover the means by which women writers participated in the revolutionary debate.
Author: Churnjeet Mahn
Publisher: Routledge
ISBN: 1317171284
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
Beginning with the publication of the first Murray guidebook to Greece in 1840 and ending with Virginia Woolf's journey to Athens, this book offers a genealogy of British women's travel literature about Greece. Churnjeet Mahn recounts the women's first-hand experiences of the sites and sights of antiquity, analyzing travel accounts by archaeologists, ethnographers, journalists, and tourists to chart women's renderings of Modern Greece through a series of discursive lenses. Mahn's offers insights into the importance of the Murray and Baedeker guidebooks; how knowledge of Greece and Classical Studies were used to justify colonial rule of India at the same time that Agnes Smith Lewis and Jane Ellen Harrison used Greece as a symbol of women's emancipation; British women's production of the first anthropological accounts of Modern Greece; and fin-de-siècle women who asserted their right to see and claim antiquity at the same time that the safety of the independent lady traveler was being called into question by the media.
Author: Isobel Hurst
Publisher: OUP Oxford
ISBN: 0191536237
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Isobel Hurst examines the role of women writers in the Victorian reception of ancient Greece and Rome, showing that they had a greater imaginative engagement with classical literature than has previously been acknowledged. The restrictions which applied to women's access to classical learning liberated them from the repressive and sometimes alienating effects of a traditional classical education. Women writers' reworkings of classical texts serve a variety of purposes: to validate women's claims to authorship, to demand access to education, to highlight feminist issues through the heroines of ancient tragedy, to repudiate the warrior ethos of ancient epic.
Author: Carmen M. Mangion
Publisher: Manchester University Press
ISBN: 1526135280
Category : Religion
Languages : en
Pages : 296
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Book Description
English Roman Catholic women’s congregations are an enigma of nineteenth-century social history. Over ten thousand nuns and sisters, establishing and managing significant Catholic educational, health care and social welfare institutions in England and Wales, have virtually disappeared from history. Despite their exclusion from historical texts, these women featured prominently in the public and private sphere. Intertwining the complexities of class with the notion of ethnicity, Contested identities examines the relationship between English and Irish-born sisters. This study is relevant not only to understanding women religious and Catholicism in nineteenth-century England and Wales, but also to our understanding of the role of women in the public and private sphere, dealing with issues still resonant today. Contributing to the larger story of the agency of nineteenth-century women and the broader transformation of English society, this book will appeal to scholars and students of social, cultural, gender and religious history.
