Author: Roxanne Eberle
Publisher: Routledge
ISBN: 1000741281
Category : Literary Collections
Languages : en
Pages : 453
Book Description
First published in 2006. Women and Romanticism’s third volume covers Poetics, the Novel and Authorship and brings together work on poetics, the novel and authorship. Joanna Baillie and Elizabeth Hamilton wrote manifestoes not terribly different in kind from those produced by William Wordsworth and Samuel Taylor Coleridge, and excerpts from their work are included here. But Romantic-era women writers more often make statements about art and poetics covertly, in poems and in tales as well as in biographical writing, and the editor acknowledges this tendency in the third volume by drawing upon these genres. Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
Women & Romanticism Vol3
Author: Roxanne Eberle
Publisher: Routledge
ISBN: 1000741281
Category : Literary Collections
Languages : en
Pages : 453
Book Description
First published in 2006. Women and Romanticism’s third volume covers Poetics, the Novel and Authorship and brings together work on poetics, the novel and authorship. Joanna Baillie and Elizabeth Hamilton wrote manifestoes not terribly different in kind from those produced by William Wordsworth and Samuel Taylor Coleridge, and excerpts from their work are included here. But Romantic-era women writers more often make statements about art and poetics covertly, in poems and in tales as well as in biographical writing, and the editor acknowledges this tendency in the third volume by drawing upon these genres. Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
Publisher: Routledge
ISBN: 1000741281
Category : Literary Collections
Languages : en
Pages : 453
Book Description
First published in 2006. Women and Romanticism’s third volume covers Poetics, the Novel and Authorship and brings together work on poetics, the novel and authorship. Joanna Baillie and Elizabeth Hamilton wrote manifestoes not terribly different in kind from those produced by William Wordsworth and Samuel Taylor Coleridge, and excerpts from their work are included here. But Romantic-era women writers more often make statements about art and poetics covertly, in poems and in tales as well as in biographical writing, and the editor acknowledges this tendency in the third volume by drawing upon these genres. Until the 1980s, a five-volume collection of materials on ‘Women and Romanticism’ would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
Romantic Women Writers Reviewed, Part I Vol 3
Author: Ann R Hawkins
Publisher: Routledge
ISBN: 1000748502
Category : Art
Languages : en
Pages : 626
Book Description
This multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Publisher: Routledge
ISBN: 1000748502
Category : Art
Languages : en
Pages : 626
Book Description
This multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Varieties of Female Gothic Vol 3
Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749916
Category : Language Arts & Disciplines
Languages : en
Pages : 415
Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Publisher: Routledge
ISBN: 1000749916
Category : Language Arts & Disciplines
Languages : en
Pages : 415
Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
The Diaries of Elizabeth Inchbald Vol 3
Author: Ben P Robertson
Publisher: Routledge
ISBN: 1000748820
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.
Publisher: Routledge
ISBN: 1000748820
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.
A Companion to British Literature, Volume 3
Author: Robert DeMaria, Jr.
Publisher: John Wiley & Sons
ISBN: 1118731816
Category : Literary Criticism
Languages : en
Pages : 488
Book Description
A Companion to British Literature, The Long Eighteenth Century, 1660 - 1830
Publisher: John Wiley & Sons
ISBN: 1118731816
Category : Literary Criticism
Languages : en
Pages : 488
Book Description
A Companion to British Literature, The Long Eighteenth Century, 1660 - 1830
The Nature of Love, Volume 3
Author: Irving Singer
Publisher: MIT Press
ISBN: 0262512742
Category : Philosophy
Languages : en
Pages : 500
Book Description
The final volume of Singer's trilogy discusses ideas about love in the work of writers ranging from Kierkegaard, Nietzsche, and Tolstoy to Freud, Proust, D. H. Lawrence, Shaw, and others in the contemporary world. Irving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the third volume, Singer examines the pervasive dialectic between optimistic idealism and pessimistic realism in modern thinking about the nature of love. He begins by discussing "anti-Romantic Romantics" (focusing on Kierkegaard, Nietzsche, and Tolstoy), influential nineteenth-century thinkers whose views illustrate much of the ambiguity and self-contradiction that permeate thinking about love in the last hundred years. He offers detailed studies of Freud, Proust, Shaw, D. H. Lawrence, and Santayana, and he maps the ideas about love in Continental existentialism, particularly those of Sartre and de Beauvoir. Singer finally envisages a future of cooperation between pluralistic humanists and empirical scientists. This last volume of Singer's trilogy does not pretend to offer the final word on the subject, any more than do most of the philosophers he discusses, but his masterful work can take its place beside their earlier investigations into these vast and complex questions.
Publisher: MIT Press
ISBN: 0262512742
Category : Philosophy
Languages : en
Pages : 500
Book Description
The final volume of Singer's trilogy discusses ideas about love in the work of writers ranging from Kierkegaard, Nietzsche, and Tolstoy to Freud, Proust, D. H. Lawrence, Shaw, and others in the contemporary world. Irving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the third volume, Singer examines the pervasive dialectic between optimistic idealism and pessimistic realism in modern thinking about the nature of love. He begins by discussing "anti-Romantic Romantics" (focusing on Kierkegaard, Nietzsche, and Tolstoy), influential nineteenth-century thinkers whose views illustrate much of the ambiguity and self-contradiction that permeate thinking about love in the last hundred years. He offers detailed studies of Freud, Proust, Shaw, D. H. Lawrence, and Santayana, and he maps the ideas about love in Continental existentialism, particularly those of Sartre and de Beauvoir. Singer finally envisages a future of cooperation between pluralistic humanists and empirical scientists. This last volume of Singer's trilogy does not pretend to offer the final word on the subject, any more than do most of the philosophers he discusses, but his masterful work can take its place beside their earlier investigations into these vast and complex questions.
British Women’s Writing from Brontë to Bloomsbury, Volume 3
Author: Adrienne E. Gavin
Publisher: Springer Nature
ISBN: 3031572882
Category :
Languages : en
Pages : 328
Book Description
Publisher: Springer Nature
ISBN: 3031572882
Category :
Languages : en
Pages : 328
Book Description
Social History of Art, Volume 3
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134637454
Category : Art
Languages : en
Pages : 292
Book Description
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Publisher: Routledge
ISBN: 1134637454
Category : Art
Languages : en
Pages : 292
Book Description
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Collected Works, Volume 3
Author: V. I. Lenin
Publisher: Verso Books
ISBN: 178873260X
Category : Political Science
Languages : en
Pages : 448
Book Description
Among the most influential political and social forces of the twentieth century, modern communism rests firmly on philosophical, political, and economic underpinnings developed by Vladimir Ilyich Ulyanov, later known as Lenin. For anyone who seeks to understand capitalism, the Russian Revolution, and the role of communism in the tumultuous political and social movements that have shaped the modern world, the works of Lenin offer unparalleled insight and understanding.
Publisher: Verso Books
ISBN: 178873260X
Category : Political Science
Languages : en
Pages : 448
Book Description
Among the most influential political and social forces of the twentieth century, modern communism rests firmly on philosophical, political, and economic underpinnings developed by Vladimir Ilyich Ulyanov, later known as Lenin. For anyone who seeks to understand capitalism, the Russian Revolution, and the role of communism in the tumultuous political and social movements that have shaped the modern world, the works of Lenin offer unparalleled insight and understanding.
Finnish-German Yearbook of Political Economy, Volume 3
Author: Timo Airaksinen
Publisher: BoD – Books on Demand
ISBN: 3882783079
Category : Political Science
Languages : en
Pages : 133
Book Description
Beiträge: Christian Jokinen, Germany’s Revolutionizing Strategies in 1914-1918 and the Secret Comrades-in-arms of the Finnish Jäger * Vesa Vares, The Kingdom That Never Was: Germany, Finland, and the Finnish Monarchist Project of 1918 * Detlev Pleiss, Finnish Soldiers Facing Fehrbellin: The Battle of Rathenow * Pirkko Koski, Hella Wuolijoki, Bertolt Brecht, and Multi-layered National Identity* Timo Airaksinen, Socrates Meets the Crocodile, or The Ironies of Brecht’s and Wuolijoki’s Herr Puntila und sein Knecht Matti * Klaus Reichel, Summer 1940 in Iitti: Hella Wuolijoki and Bertolt Brecht, *Judith Köbler*, Mirroring Society through the Constitutional Lens: Finland and Germany
Publisher: BoD – Books on Demand
ISBN: 3882783079
Category : Political Science
Languages : en
Pages : 133
Book Description
Beiträge: Christian Jokinen, Germany’s Revolutionizing Strategies in 1914-1918 and the Secret Comrades-in-arms of the Finnish Jäger * Vesa Vares, The Kingdom That Never Was: Germany, Finland, and the Finnish Monarchist Project of 1918 * Detlev Pleiss, Finnish Soldiers Facing Fehrbellin: The Battle of Rathenow * Pirkko Koski, Hella Wuolijoki, Bertolt Brecht, and Multi-layered National Identity* Timo Airaksinen, Socrates Meets the Crocodile, or The Ironies of Brecht’s and Wuolijoki’s Herr Puntila und sein Knecht Matti * Klaus Reichel, Summer 1940 in Iitti: Hella Wuolijoki and Bertolt Brecht, *Judith Köbler*, Mirroring Society through the Constitutional Lens: Finland and Germany