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Author: Claire Raymond
Publisher: Routledge
ISBN: 9781138644281
Category : Feminist theory
Languages : en
Pages : 0
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Book Description
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers through ten thematic chapters and includes the work of cis- and trans-woman photographers. Developing the argument that through aesthetic force emerges the truly political, Claire Raymond moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book makes use of in-depth readings of a small number of photographs, but covers expansively the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. Women Photographers and Feminist Aesthetics puts forth original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work through the rubric of gender, class, and race. Finally, this book pays close attention to the representation of indigenous North Americans in photography and contemporary Native American women photographers' response to this history. This book is ideal for students of Photography, Art History, Art and Visual Culture and Gender Studies, particularly those studying art and feminism, feminist art history, women artists, and women photographers.
Author: Claire Raymond
Publisher: Routledge
ISBN: 9781138644281
Category : Feminist theory
Languages : en
Pages : 0
Get Book Here
Book Description
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers through ten thematic chapters and includes the work of cis- and trans-woman photographers. Developing the argument that through aesthetic force emerges the truly political, Claire Raymond moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book makes use of in-depth readings of a small number of photographs, but covers expansively the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. Women Photographers and Feminist Aesthetics puts forth original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work through the rubric of gender, class, and race. Finally, this book pays close attention to the representation of indigenous North Americans in photography and contemporary Native American women photographers' response to this history. This book is ideal for students of Photography, Art History, Art and Visual Culture and Gender Studies, particularly those studying art and feminism, feminist art history, women artists, and women photographers.
Author: Claire Raymond
Publisher: Routledge
ISBN: 1317242459
Category : Art
Languages : en
Pages : 270
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Book Description
Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
Author: Na'ama Klorman-Eraqi
Publisher: Rutgers University Press
ISBN: 1978800312
Category : Art
Languages : en
Pages : 231
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Book Description
This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance.
Author: Charlotte Jansen
Publisher: Laurence King Publishing
ISBN: 9781786275554
Category : Art
Languages : en
Pages : 0
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Book Description
Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity. "Charlotte Jansen has brought together some of the finest female photographers of our generation" – Refinery29 "A very important book" – Vogue Italia "Young female artists are using photography and social media to explore issues of female identity. This gorgeous book introduces 40 of them, in an investigation of photography and the female gaze."– Eva Wiseman, Observer Magazine Features work by Aneta Bartos Tonje Bøe Birkeland Nakeya Brown Juno Calypso Anja Carr Amanda Charchian Petra Collins Maisie Cousins Nathalie Daoust Shae DeTar Lalla Essaydi Maya Fuhr Yaeli Gabriely Petrina Hicks Ayana V. Jackson Lebohang Kganye Lilia Li–Mi–Yan Pixy Liao Alexandra Marzella Rania Matar Izumi Miyazaki Monika Mogi Zanele Muholi Mihaela Noroc Birthe Piontek Elizabeth Renstrom Marianna Rothen Phebe Schmidt Leah Schrager Molly Soda Johanna Stickland Iiu Susiraja Deanna Templeton Yvonne Todd Mayan Toledano Jaimie Warren Isabelle Wenzel Aviya Wyse Jessica Yatrofsky Pinar Yolaçan
Author: Susan Best
Publisher: Bloomsbury Publishing
ISBN: 1472525752
Category : Philosophy
Languages : en
Pages : 233
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Book Description
By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.
Author: Claire Raymond
Publisher: Routledge
ISBN: 1351566679
Category : Art
Languages : en
Pages : 224
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Book Description
In her feminist inquiry into aesthetics and the sublime, Claire Raymond reinterprets the work of the American photographer Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists beginning with nineteenth-century photographers Julia Margaret Cameron and Clementina, Viscountess Hawarden, Raymond compels a reconsideration of Woodman's achievement in light of the gender dynamics of the sublime. Raymond argues that Woodman's photographs of decrepit architecture allegorically depict the dissolution of the frame, a dissolution Derrida links to theories of the sublime in Kant's Critique of Judgement. Woodman's self-portraits, Raymond contends, test the parameters of the gaze, a reading that departs from the many analyses of Woodman's work that emphasize her dramatic biography. Woodman is here revealed as a conceptually sophisticated artist whose deployment of allegory and allusion engages a broader debate about Enlightenment aesthetics, and the sublime.
Author: Katherine Manthorne
Publisher: Schiffer + ORM
ISBN: 1507302339
Category : Photography
Languages : en
Pages : 447
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Book Description
Brings to light the hidden histories of two generations of women photographers in 19th-century America For all interested in photographic, 19th-century American, and women's history Includes stories of amazing ingenuity, including using a skirt as a “portable darkroom”
Author: Julia R. Brown
Publisher: Taylor & Francis
ISBN: 1003852149
Category : Art
Languages : en
Pages : 194
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Book Description
The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.
Author: Claire Raymond
Publisher: Routledge
ISBN: 1317133382
Category : Art
Languages : en
Pages : 206
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Book Description
Focusing on the later work of the American photographer Francesca Woodman (1958-1981), Claire Raymond takes up the question of the disintegrative condition of the art she produced in the last year of her life. Departing from the techniques of her earlier compositions, Woodman worked in the diazotype process for many of these late pieces, most importantly the monumental Blueprint for a Temple. Raymond shows that through her use of diazotype, a medium that breaks down when exposed to light, Woodman created art that is both supremely evocative aesthetically and inherently unstable physically. Woodman, Raymond contends, was imaginatively responding to the end of the durable image, a historical reality acknowledged in the way her work plays the ephemeral and evanescent against the monumental and enduring. Raymond focuses on the theoretical and the curatorial issues surrounding Woodman's diazotypes, a thematic and practical distress that haunts much of her later art, especially the artist's book and photo series Some Disordered Interior Geometries and Portrait of a Reputation. Rather than conceiving of Woodman herself as fragile, an artist chronicling and seeming to yearn for her own disappearance, Raymond juxtaposes Woodman's career-spanning documentation of her own image against other post-war witnesses of trauma - an artist standing in the museum ruins where she emerges most distinctly as a figure of postmodernity.
Author:
Publisher: Rizzoli Publications
ISBN: 0847869296
Category : Photography
Languages : en
Pages : 0
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Book Description
A look at one of the first feminist artists, Pictorialist photographer Anne Brigman, best known for her iconic landscape photographs made in the early 1900s depicting female nudes outdoors in rugged northern California. This main volume of a previously published slipcased edition is the catalogue of the major retrospective exhibition that took place in 2018 at the Nevada Museum of Art, and remains the first comprehensive book to chronicle the photography of Anne W. Brigman (1869-1950), one of the most important of all American women photographers. This monumental publication rediscovers and celebrates the work of Brigman, whose photography was considered radical for its time. For Brigman to objectify her own nude body as the subject of her photographs in the turn of the 20th century was groundbreaking; to do so outdoors in a near-desolate wilderness setting was revolutionary. Brigman's significance spanned both coasts: in northern California, where she lived, she was known as a poet, a critic, and a member of the Pictorialist photography movement, whose practitioners employed various methods of manipulation to achieve images that were considered beautiful and romantic. On the east coast, her work was promoted by Alfred Stieglitz, who published her photographs in Camera Work and elected her as a Fellow of the prestigious Photo-Secession. The beautifully produced large-format book is devoted to Brigman's entire career, covering such topics as Brigman's work within the contexts of the California Arts & Crafts movement and New York Modernism; her relationship to High Sierra mountaineering and early 20th-century poetry; and the relevance of her work to contemporary conversations regarding gendered landscapes of the American frontier.
