Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 578
Book Description
Women in the Fine Arts
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 578
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 578
Book Description
Women in the Fine Arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Author: Clara Erskine Clement Waters
Publisher: Library of Alexandria
ISBN: 1465583327
Category : Art
Languages : en
Pages : 498
Book Description
In studying the subject of this book I have found the names of more than a thousand women whose attainments in the Fine Arts—in various countries and at different periods of time before the middle of the nineteenth century—entitle them to honorable mention as artists, and I doubt not that an exhaustive search would largely increase this number. The stories of many of these women have been written with more or less detail, while of others we know little more than their names and the titles of a few of their works; but even our scanty knowledge of them is of value. Of the army of women artists of the last century it is not yet possible to speak with judgment and justice, although many have executed works of which all women may be proud. We have some knowledge of women artists in ancient days. Few stories of that time are so authentic as that of Kora, who made the design for the first bas-relief, in the city of Sicyonia, in the seventh century B. C. We have the names of other Greek women artists of the centuries immediately preceding and following the Christian era, but we know little of their lives and works. Calypso was famous for the excellence of her character pictures, a remarkable one being a portrait of Theodorus, the Juggler. A picture found at Pompeii, now at Naples, is attributed to this artist; but its authorship is so uncertain that little importance can be attached to it. Pliny praised Eirene, among whose pictures was one of "An Aged Man" and a portrait of "Alcisthenes, the Dancer." In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a century before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. A large picture in Naples is said to be the work of Laya, but, as in the case of Calypso, we have no assurance that it is genuine. It is also said that Laya's portraits commanded larger prices than those of Sopolis and Dyonisius, the most celebrated portrait painters of their time. Our scanty knowledge of individual women artists of antiquity—mingled with fable as it doubtless is—serves the important purpose of proving that women, from very ancient times, were educated as artists and creditably followed their profession beside men of the same periods. This knowledge also awakens imagination, and we wonder in what other ancient countries there were women artists. We know that in Egypt inheritances descended in the female line, as in the case of the Princess Karamat; and since we know of the great architectural works of Queen Hashop and her journey to the land of Punt, we may reasonably assume that the women of ancient Egypt had their share in all the interests of life. Were there not artists among them who decorated temples and tombs with their imperishable colors? Did not women paint those pictures of Isis—goddess of Sothis—that are like precursors of the pictures of the Immaculate Conception? Surely we may hope that a papyrus will be brought to light that will reveal to us the part that women had in the decoration of the monuments of ancient Egypt. At present we have no reliable records of the lives and works of women artists before the time of the Renaissance in Italy.
Publisher: Library of Alexandria
ISBN: 1465583327
Category : Art
Languages : en
Pages : 498
Book Description
In studying the subject of this book I have found the names of more than a thousand women whose attainments in the Fine Arts—in various countries and at different periods of time before the middle of the nineteenth century—entitle them to honorable mention as artists, and I doubt not that an exhaustive search would largely increase this number. The stories of many of these women have been written with more or less detail, while of others we know little more than their names and the titles of a few of their works; but even our scanty knowledge of them is of value. Of the army of women artists of the last century it is not yet possible to speak with judgment and justice, although many have executed works of which all women may be proud. We have some knowledge of women artists in ancient days. Few stories of that time are so authentic as that of Kora, who made the design for the first bas-relief, in the city of Sicyonia, in the seventh century B. C. We have the names of other Greek women artists of the centuries immediately preceding and following the Christian era, but we know little of their lives and works. Calypso was famous for the excellence of her character pictures, a remarkable one being a portrait of Theodorus, the Juggler. A picture found at Pompeii, now at Naples, is attributed to this artist; but its authorship is so uncertain that little importance can be attached to it. Pliny praised Eirene, among whose pictures was one of "An Aged Man" and a portrait of "Alcisthenes, the Dancer." In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a century before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. A large picture in Naples is said to be the work of Laya, but, as in the case of Calypso, we have no assurance that it is genuine. It is also said that Laya's portraits commanded larger prices than those of Sopolis and Dyonisius, the most celebrated portrait painters of their time. Our scanty knowledge of individual women artists of antiquity—mingled with fable as it doubtless is—serves the important purpose of proving that women, from very ancient times, were educated as artists and creditably followed their profession beside men of the same periods. This knowledge also awakens imagination, and we wonder in what other ancient countries there were women artists. We know that in Egypt inheritances descended in the female line, as in the case of the Princess Karamat; and since we know of the great architectural works of Queen Hashop and her journey to the land of Punt, we may reasonably assume that the women of ancient Egypt had their share in all the interests of life. Were there not artists among them who decorated temples and tombs with their imperishable colors? Did not women paint those pictures of Isis—goddess of Sothis—that are like precursors of the pictures of the Immaculate Conception? Surely we may hope that a papyrus will be brought to light that will reveal to us the part that women had in the decoration of the monuments of ancient Egypt. At present we have no reliable records of the lives and works of women artists before the time of the Renaissance in Italy.
Women in the Fine Arts, from the Seventh Century B.C. to the Twentieth Century A.D.
Author: Clara Erskine Clement
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Women In The Fine Arts, From The Seventh Century B. C. To The Twentieth Century A. D.
Author: Clara Erskine Clement
Publisher: IndyPublish.com
ISBN: 9781414228174
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
Publisher: IndyPublish.com
ISBN: 9781414228174
Category : Biography & Autobiography
Languages : en
Pages : 308
Book Description
Women in the Fine Arts
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Women artists
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Women artists
Languages : en
Pages : 0
Book Description
Women in the Fine Arts from the Seventh Century B.C. to Twentieth Century A.D.
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Women in the Fine Arts from the Seventh Century B.C. to the Twentieth Century A.D.
Author: Clara Erskine Clement
Publisher:
ISBN:
Category : Women artists
Languages : en
Pages : 395
Book Description
Publisher:
ISBN:
Category : Women artists
Languages : en
Pages : 395
Book Description
Women in the Fine Arts
Author: Clara Erskine Clement
Publisher: Forgotten Books
ISBN: 9780331462500
Category : Art
Languages : en
Pages : 0
Book Description
Excerpt from Women in the Fine Arts: From the Seventh Century B. C. To the Twentieth Century A. D In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a cen tury before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331462500
Category : Art
Languages : en
Pages : 0
Book Description
Excerpt from Women in the Fine Arts: From the Seventh Century B. C. To the Twentieth Century A. D In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a cen tury before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Women in the Fine Arts
Author: Clara Erskine Clement Waters
Publisher: Nabu Press
ISBN: 9781289950910
Category :
Languages : en
Pages : 518
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Publisher: Nabu Press
ISBN: 9781289950910
Category :
Languages : en
Pages : 518
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Women in the Fine Arts From the Seventh Century B.C. to the Twentieth Century
Author: Clara Erskine Clement
Publisher: Legare Street Press
ISBN: 9781015713895
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781015713895
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.