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Author: Tamae K. Prindle
Publisher: Merwinasia
ISBN: 9780983299141
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. Imamura Shohei's The Ballad of Narayama , Naruse Mikio's Mother, Idemitsu Mako's Great Mother , Kinugasa Teinousuke's Gate of Hell , Kurosawa Akira's No Regrets for Our Youth , Kuwabata Kagenobu's Love and Lie , Toyoda Shiro's The Mistress , Kumai Kei's Sandakan Brothel 8, Takahashi Banmei's Le Nouveau Monde Amoureux, Nishikawa Katsumi's A Dancing Girl in Izu , Obayashi Nobuhiko's Chizuko's Younger Sister , Ichikawa Jun's Tsugumi , Mizoguchi Kenji's Life of Oharu, Itami Juzo's Tampopo , and Ishikawa Jun's Grass Fish on a Tree. "Mother," "Wife," "Whore," "Girl" and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical, and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture. Book jacket.
Author: Tamae K. Prindle
Publisher: Merwinasia
ISBN: 9780983299141
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. Imamura Shohei's The Ballad of Narayama , Naruse Mikio's Mother, Idemitsu Mako's Great Mother , Kinugasa Teinousuke's Gate of Hell , Kurosawa Akira's No Regrets for Our Youth , Kuwabata Kagenobu's Love and Lie , Toyoda Shiro's The Mistress , Kumai Kei's Sandakan Brothel 8, Takahashi Banmei's Le Nouveau Monde Amoureux, Nishikawa Katsumi's A Dancing Girl in Izu , Obayashi Nobuhiko's Chizuko's Younger Sister , Ichikawa Jun's Tsugumi , Mizoguchi Kenji's Life of Oharu, Itami Juzo's Tampopo , and Ishikawa Jun's Grass Fish on a Tree. "Mother," "Wife," "Whore," "Girl" and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical, and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture. Book jacket.
Author: Tamae K. Prindle
Publisher: Merwinasia
ISBN: 9780983299158
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. "Mother," "Wife," "Prostitute," "Girl," and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth-century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture.--Adapted from page 4 of cover.
Author: Ryu Murakami
Publisher: A&C Black
ISBN: 1408810131
Category : Fiction
Languages : en
Pages : 173
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Book Description
Since the death of his wife seven years ago, documentary maker Aoyama has not dated anyone else. Now even his teenage son, Shige, thinks that he should remarry and his best friend Yoshikawa comes up with a plan: to hold fake film auditions from which, he can choose a new bride. Of the thousands who apply, it is a beautiful ballerina, Yamasaki Asami, who captivates Aoyama. Infatuated by her fragile nature and nervous smile, he ignores his increasing sense of unease, putting aside his doubts about his new love, until it may be too late... In Audition, Ryu Murakami delivers his most subtly disturbing novel yet, confirming him as Japan's master of the psycho-thriller.
Author: Catherine Russell
Publisher: Duke University Press
ISBN: 0822388685
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s. Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.
Author: Irene Gonzalez-Lopez
Publisher: Edinburgh University Press
ISBN: 1474409709
Category : History
Languages : en
Pages : 233
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Book Description
Explores the experiences spectators have when they watch a film collectively in a cinema.
Author: Hideaki Fujiki
Publisher: Bloomsbury Publishing
ISBN: 1844576817
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions
Author: Alastair Phillips
Publisher: Routledge
ISBN: 1134334214
Category : Performing Arts
Languages : en
Pages : 466
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Book Description
Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.
Author: David Desser
Publisher: Indiana University Press
ISBN: 9780253204691
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.
Author: Alexander Zahlten
Publisher: Duke University Press
ISBN: 0822372460
Category : Social Science
Languages : en
Pages : 337
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Book Description
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University
Author: Mitsuyo Wada-Marciano
Publisher: University of Hawaii Press
ISBN: 0824863747
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
"Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject." —Dudley Andrew, Yale University "Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history." —Abé Mark Nornes, University of Michigan Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country’s film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese. Wada-Marciano’s thought-provoking examinations illustrate the reciprocal relationship between cinema and Japan’s vernacular modernity—what Japanese modernity actually meant to Japanese. Her thorough and thoughtful analyses of dozens of films within the cultural contexts of Japan con tribute to the current inquiry into non-Western vernacular modernities.
