Author: Ileana Rodríguez
Publisher: U of Minnesota Press
ISBN: 1452902291
Category : Fiction
Languages : en
Pages : 230
Book Description
"The 14 chapters posit a regendering of revolutionary poetics, which is accomplished by reworking concepts such as '(new)man,' 'woman,' and 'subaltern.' The predictability of Rodrâiguez's arguments and dated historical referents do not detract from solidanalyses, like those in chapter eight regarding Mario Roberto Morales' 'El esplendor de la pirâamide' and those in the next chapter on Oreamuno's 'La ruta de su evasiâon.' The author focuses on her strength - narratives from Cuba and her native Nicaragua"--Handbook of Latin American Studies, v. 58.
Women, guerrillas, and love [electronic resource]
Author: Ileana Rodríguez
Publisher: U of Minnesota Press
ISBN: 1452902291
Category : Fiction
Languages : en
Pages : 230
Book Description
"The 14 chapters posit a regendering of revolutionary poetics, which is accomplished by reworking concepts such as '(new)man,' 'woman,' and 'subaltern.' The predictability of Rodrâiguez's arguments and dated historical referents do not detract from solidanalyses, like those in chapter eight regarding Mario Roberto Morales' 'El esplendor de la pirâamide' and those in the next chapter on Oreamuno's 'La ruta de su evasiâon.' The author focuses on her strength - narratives from Cuba and her native Nicaragua"--Handbook of Latin American Studies, v. 58.
Publisher: U of Minnesota Press
ISBN: 1452902291
Category : Fiction
Languages : en
Pages : 230
Book Description
"The 14 chapters posit a regendering of revolutionary poetics, which is accomplished by reworking concepts such as '(new)man,' 'woman,' and 'subaltern.' The predictability of Rodrâiguez's arguments and dated historical referents do not detract from solidanalyses, like those in chapter eight regarding Mario Roberto Morales' 'El esplendor de la pirâamide' and those in the next chapter on Oreamuno's 'La ruta de su evasiâon.' The author focuses on her strength - narratives from Cuba and her native Nicaragua"--Handbook of Latin American Studies, v. 58.
Women and the Cuban Insurrection
Author: Lorraine Bayard de Volo
Publisher: Cambridge University Press
ISBN: 1107178029
Category : History
Languages : en
Pages : 285
Book Description
Reveals the centrality of women rebels to Fidel Castro's Cuban insurrection in the 1950s.
Publisher: Cambridge University Press
ISBN: 1107178029
Category : History
Languages : en
Pages : 285
Book Description
Reveals the centrality of women rebels to Fidel Castro's Cuban insurrection in the 1950s.
The Cambridge History of Latin American Women's Literature
Author: Ileana Rodríguez
Publisher: Cambridge University Press
ISBN: 131641910X
Category : Literary Criticism
Languages : en
Pages :
Book Description
The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.
Publisher: Cambridge University Press
ISBN: 131641910X
Category : Literary Criticism
Languages : en
Pages :
Book Description
The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.
The Guerrilla Girls' Bedside Companion to the History of Western Art
Author: Guerrilla Girls
Publisher: Penguin
ISBN: 014025997X
Category : Art
Languages : en
Pages : 97
Book Description
"[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.
Publisher: Penguin
ISBN: 014025997X
Category : Art
Languages : en
Pages : 97
Book Description
"[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.
Days of the Dead
Author: Agnes Bushell
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 302
Book Description
Guatemala, revolutionaries, death squads, drug cartels, contras, visionaries, and gods wrestle for control. Openly gay American Patrick Day must calculate the odds in this literary thriller....Grabs the reader by the throat. With a spellbinding mixture of the fabulous and the terrifying, Bushell illuminates the tortured souls of Central American revolutionaries and their never-ending struggles.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 302
Book Description
Guatemala, revolutionaries, death squads, drug cartels, contras, visionaries, and gods wrestle for control. Openly gay American Patrick Day must calculate the odds in this literary thriller....Grabs the reader by the throat. With a spellbinding mixture of the fabulous and the terrifying, Bushell illuminates the tortured souls of Central American revolutionaries and their never-ending struggles.
Guerrilla Girls: The Art of Behaving Badly
Author: Guerrilla Girls
Publisher: Chronicle Books
ISBN: 1452175845
Category : Art
Languages : en
Pages : 196
Book Description
Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present. The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. • Captions by the Guerrilla Girls themselves contextualize the visuals. • Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. • More than a monograph, this book is a call to arms. • This career-spanning volume is published to coincide with their 35th anniversary. • Perfect for artists, art lovers, feminists, fans of the Guerrilla Girls, students, and activists • You'll love this book if you love books like Wall and Piece by Banksy, Why We March: Signs of Protest and Hope by Artisan, and Graffiti Women: Street Art from Five Continents by Nicholas Ganz
Publisher: Chronicle Books
ISBN: 1452175845
Category : Art
Languages : en
Pages : 196
Book Description
Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present. The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. • Captions by the Guerrilla Girls themselves contextualize the visuals. • Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. • More than a monograph, this book is a call to arms. • This career-spanning volume is published to coincide with their 35th anniversary. • Perfect for artists, art lovers, feminists, fans of the Guerrilla Girls, students, and activists • You'll love this book if you love books like Wall and Piece by Banksy, Why We March: Signs of Protest and Hope by Artisan, and Graffiti Women: Street Art from Five Continents by Nicholas Ganz
Bibliographic Guide to Womens Studies 1998
Author: New York Public Library Staff
Publisher: Macmillan Reference USA
ISBN: 9780783804071
Category :
Languages : en
Pages :
Book Description
Publisher: Macmillan Reference USA
ISBN: 9780783804071
Category :
Languages : en
Pages :
Book Description
G.K. Hall Women's Studies Index
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 868
Book Description
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 868
Book Description
The Latin American Subaltern Studies Reader
Author: Iliana Yamileth Rodriguez
Publisher: Duke University Press
ISBN: 0822380773
Category : History
Languages : en
Pages : 473
Book Description
Sharing a postrevolutionary sympathy with the struggles of the poor, the contributors to this first comprehensive collection of writing on subalternity in Latin America work to actively link politics, culture, and literature. Emerging from a decade of work and debates generated by a collective known as the Latin American Studies Group, the volume privileges the category of the subaltern over that of class, as contributors focus on the possibilities of investigating history from below. In addition to an overview by Ranajit Guha, essay topics include nineteenth-century hygiene in Latin American countries, Rigoberta Menchú after the Nobel, commentaries on Haitian and Argentinian issues, the relationship between gender and race in Bolivia, and ungovernability and tragedy in Peru. Providing a radical critique of elite culture and of liberal, bourgeois, and modern epistemologies and projects, the essays included here prove that Latin American Subaltern Studies is much more than the mere translation of subaltern studies from South Asia to Latin America. Contributors. Marcelo Bergman, John Beverley, Robert Carr, Sara Castro-Klarén, Michael Clark, Beatriz González Stephan, Ranajit Guha, María Milagros López , Walter Mignolo, Alberto Moreiras, Abdul-Karim Mustapha, José Rabasa, Ileana Rodríguez, Josefina Saldaña-Portillo, Javier Sanjinés, C. Patricia Seed, Doris Sommer, Marcia Stephenson, Mónica Szurmuk, Gareth Williams, Marc Zimmerman
Publisher: Duke University Press
ISBN: 0822380773
Category : History
Languages : en
Pages : 473
Book Description
Sharing a postrevolutionary sympathy with the struggles of the poor, the contributors to this first comprehensive collection of writing on subalternity in Latin America work to actively link politics, culture, and literature. Emerging from a decade of work and debates generated by a collective known as the Latin American Studies Group, the volume privileges the category of the subaltern over that of class, as contributors focus on the possibilities of investigating history from below. In addition to an overview by Ranajit Guha, essay topics include nineteenth-century hygiene in Latin American countries, Rigoberta Menchú after the Nobel, commentaries on Haitian and Argentinian issues, the relationship between gender and race in Bolivia, and ungovernability and tragedy in Peru. Providing a radical critique of elite culture and of liberal, bourgeois, and modern epistemologies and projects, the essays included here prove that Latin American Subaltern Studies is much more than the mere translation of subaltern studies from South Asia to Latin America. Contributors. Marcelo Bergman, John Beverley, Robert Carr, Sara Castro-Klarén, Michael Clark, Beatriz González Stephan, Ranajit Guha, María Milagros López , Walter Mignolo, Alberto Moreiras, Abdul-Karim Mustapha, José Rabasa, Ileana Rodríguez, Josefina Saldaña-Portillo, Javier Sanjinés, C. Patricia Seed, Doris Sommer, Marcia Stephenson, Mónica Szurmuk, Gareth Williams, Marc Zimmerman
Guerrilla Marketing
Author: Alexander L. Fattal
Publisher: University of Chicago Press
ISBN: 022659064X
Category : Social Science
Languages : en
Pages : 325
Book Description
Brand warfare is real. Guerrilla Marketing details the Colombian government’s efforts to transform Marxist guerrilla fighters in the FARC into consumer citizens. Alexander L. Fattal shows how the market has become one of the principal grounds on which counterinsurgency warfare is waged and postconflict futures are imagined in Colombia. This layered case study illuminates a larger phenomenon: the convergence of marketing and militarism in the twenty-first century. Taking a global view of information warfare, Guerrilla Marketing combines archival research and extensive fieldwork not just with the Colombian Ministry of Defense and former rebel communities, but also with political exiles in Sweden and peace negotiators in Havana. Throughout, Fattal deftly intertwines insights into the modern surveillance state, peace and conflict studies, and humanitarian interventions, on one hand, with critical engagements with marketing, consumer culture, and late capitalism on the other. The result is a powerful analysis of the intersection of conflict and consumerism in a world where governance is increasingly structured by brand ideology and wars sold as humanitarian interventions. Full of rich, unforgettable ethnographic stories, Guerrilla Marketing is a stunning and troubling analysis of the mediation of global conflict.
Publisher: University of Chicago Press
ISBN: 022659064X
Category : Social Science
Languages : en
Pages : 325
Book Description
Brand warfare is real. Guerrilla Marketing details the Colombian government’s efforts to transform Marxist guerrilla fighters in the FARC into consumer citizens. Alexander L. Fattal shows how the market has become one of the principal grounds on which counterinsurgency warfare is waged and postconflict futures are imagined in Colombia. This layered case study illuminates a larger phenomenon: the convergence of marketing and militarism in the twenty-first century. Taking a global view of information warfare, Guerrilla Marketing combines archival research and extensive fieldwork not just with the Colombian Ministry of Defense and former rebel communities, but also with political exiles in Sweden and peace negotiators in Havana. Throughout, Fattal deftly intertwines insights into the modern surveillance state, peace and conflict studies, and humanitarian interventions, on one hand, with critical engagements with marketing, consumer culture, and late capitalism on the other. The result is a powerful analysis of the intersection of conflict and consumerism in a world where governance is increasingly structured by brand ideology and wars sold as humanitarian interventions. Full of rich, unforgettable ethnographic stories, Guerrilla Marketing is a stunning and troubling analysis of the mediation of global conflict.