Author: Victoria E. Pagán
Publisher: Taylor & Francis
ISBN: 1000999912
Category : Architecture
Languages : en
Pages : 222
Book Description
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women’s studies, photography, African American Studies, and landscape architecture.
Women and the Collaborative Art of Gardens
Author: Victoria E. Pagán
Publisher: Taylor & Francis
ISBN: 1000999912
Category : Architecture
Languages : en
Pages : 222
Book Description
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women’s studies, photography, African American Studies, and landscape architecture.
Publisher: Taylor & Francis
ISBN: 1000999912
Category : Architecture
Languages : en
Pages : 222
Book Description
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat common assumptions about the role of women in gardens to make manifest the significant ways in which women write themselves into the accounts of garden design, practice, and history. The book reveals the power of gardens to shape human existence, even as humans shape gardens and their representations in a variety of media, including brilliantly illuminated manuscripts, intricately carved architectural spaces, wall paintings, black and white photographs, and wood cuts. Ultimately, the volume reveals that gardens are best apprehended when understood as products of collaboration. The book will be of interest to scholars and students of gardens and culture, ancient Rome, art history, British literature, medieval France, film studies, women’s studies, photography, African American Studies, and landscape architecture.
The Studios of Frances and Margaret Macdonald
Author: Janice Helland
Publisher: Manchester University Press
ISBN: 9780719047831
Category : Art
Languages : en
Pages : 232
Book Description
Publisher: Manchester University Press
ISBN: 9780719047831
Category : Art
Languages : en
Pages : 232
Book Description
The Art of the Sister Chapel
Author: Andrew Hottle
Publisher: Routledge
ISBN: 1351546368
Category : Art
Languages : en
Pages : 334
Book Description
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women‘s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.
Publisher: Routledge
ISBN: 1351546368
Category : Art
Languages : en
Pages : 334
Book Description
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women‘s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.
Women Artists and the Decorative Arts 1880-1935
Author: Janice Helland
Publisher: Routledge
ISBN: 1351761188
Category : Art
Languages : en
Pages : 234
Book Description
This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.
Publisher: Routledge
ISBN: 1351761188
Category : Art
Languages : en
Pages : 234
Book Description
This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.
Cambridge College Gardens
Author: Tim Richardson
Publisher: Frances Lincoln
ISBN: 0711247137
Category : Gardening
Languages : en
Pages : 323
Book Description
This guide takes you on an illustrated tour of the very best of the gardens of the University of Cambridge, some of the most beautiful, unique and historical horticultural spaces of any University around the world. For students and alumni, their families, Cambridge locals and for lovers of private gardens, Tim Richardson's book on the most exquisite gardens in and around the university of Cambridge's colleges combines brilliant research and elegant prose with stunning photography by Clive Boursnell. Following on the heels of Oxford College Gardens, this book invites an armchair appreciation of the history, horticulture and atmosphere that these hallowed gardens provide. The gardens are as rich and varied as the colleges themselves, often set within stunning architecture, and include formal quadrangles, naturalistic planting, walled gardens, rooftop oases, productive plots and watermeadows as well as the private spaces enjoyed exclusively by the college masters, porters and fellows. Allow this sumptuously illustrated book to take you on a dreamlike tour of these truly unique gardens, and drink in the atmosphere of one of the world's most beautiful universities.
Publisher: Frances Lincoln
ISBN: 0711247137
Category : Gardening
Languages : en
Pages : 323
Book Description
This guide takes you on an illustrated tour of the very best of the gardens of the University of Cambridge, some of the most beautiful, unique and historical horticultural spaces of any University around the world. For students and alumni, their families, Cambridge locals and for lovers of private gardens, Tim Richardson's book on the most exquisite gardens in and around the university of Cambridge's colleges combines brilliant research and elegant prose with stunning photography by Clive Boursnell. Following on the heels of Oxford College Gardens, this book invites an armchair appreciation of the history, horticulture and atmosphere that these hallowed gardens provide. The gardens are as rich and varied as the colleges themselves, often set within stunning architecture, and include formal quadrangles, naturalistic planting, walled gardens, rooftop oases, productive plots and watermeadows as well as the private spaces enjoyed exclusively by the college masters, porters and fellows. Allow this sumptuously illustrated book to take you on a dreamlike tour of these truly unique gardens, and drink in the atmosphere of one of the world's most beautiful universities.
Art & Sacred Sites
Author: Glen Rogers
Publisher:
ISBN: 9780615964195
Category :
Languages : en
Pages : 88
Book Description
This book reveals a personal artistic journey to sacred sites around the world (such as Stonehenge, Caves in the South of France, and Ayers Rock in Australia) and the art that was inspired by the symbols and connections at each location. It contains beautiful spreads in full color of the artist?s work, photographs of the sites where she gained her inspiration and personal observations written especially for each of the ten chapters.
Publisher:
ISBN: 9780615964195
Category :
Languages : en
Pages : 88
Book Description
This book reveals a personal artistic journey to sacred sites around the world (such as Stonehenge, Caves in the South of France, and Ayers Rock in Australia) and the art that was inspired by the symbols and connections at each location. It contains beautiful spreads in full color of the artist?s work, photographs of the sites where she gained her inspiration and personal observations written especially for each of the ten chapters.
The Oxford Encyclopedia of Women in World History
Author: Bonnie G. Smith
Publisher:
ISBN: 0195148908
Category : Biography & Autobiography
Languages : en
Pages : 2710
Book Description
The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history. The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes. The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.
Publisher:
ISBN: 0195148908
Category : Biography & Autobiography
Languages : en
Pages : 2710
Book Description
The Encyclopedia of Women in World History captures the experiences of women throughout world history in a comprehensive, 4-volume work. Although there has been extensive research on women in history by region, no text or reference work has comprehensively covered the role women have played throughout world history. The past thirty years have seen an explosion of research and effort to present the experiences and contributions of women not only in the Western world but across the globe. Historians have investigated womens daily lives in virtually every region and have researched the leadership roles women have filled across time and region. They have found and demonstrated that there is virtually no historical, social, or demographic change in which women have not been involved and by which their lives have not been affected. The Oxford Encyclopedia of Women in World History benefits greatly from these efforts and experiences, and illuminates how women worldwide have influenced and been influenced by these historical, social, and demographic changes. The Encyclopedia contains over 1,250 signed articles arranged in an A-Z format for ease of use. The entries cover six main areas: biographies; geography and history; comparative culture and society, including adoption, abortion, performing arts; organizations and movements, such as the Egyptian Uprising, and the Paris Commune; womens and gender studies; and topics in world history that include slave trade, globalization, and disease. With its rich and insightful entries by leading scholars and experts, this reference work is sure to be a valued, go-to resource for scholars, college and high school students, and general readers alike.
Women's Literary Collaboration, Queerness, and Late-Victorian Culture
Author: Jill R. Ehnenn
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652946
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
As she explores the collaborations of Vernon Lee (Violet Paget) and Kit Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper (the pseudonymous Michael Field), Jill R. Ehnenn offers a timely interrogation into the different histories and functions of women's literary partnerships. Her book will be a valuable resource for scholars of Victorian culture, women's and gender studies, and collaborative writing.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652946
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
As she explores the collaborations of Vernon Lee (Violet Paget) and Kit Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper (the pseudonymous Michael Field), Jill R. Ehnenn offers a timely interrogation into the different histories and functions of women's literary partnerships. Her book will be a valuable resource for scholars of Victorian culture, women's and gender studies, and collaborative writing.
North American Women Artists of the Twentieth Century
Author: Jules Heller
Publisher: Routledge
ISBN: 1135638829
Category : Art
Languages : en
Pages : 732
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135638829
Category : Art
Languages : en
Pages : 732
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Women, Modernity, and Landscape Architecture
Author: Sonja Dümpelmann
Publisher: Routledge
ISBN: 1317556550
Category : Architecture
Languages : en
Pages : 271
Book Description
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women’s studies and cultural geography.
Publisher: Routledge
ISBN: 1317556550
Category : Architecture
Languages : en
Pages : 271
Book Description
Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women’s studies and cultural geography.