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Author: Andrew J. Majeske
Publisher: Fairleigh Dickinson Univ Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Justice, Women, and Power in English Reniassance Drama is a collection of essays that explores the relationship of gender and justice as represented in English Renaissance drama. Many of the essays are concerned with interrogating the ways that women relied upon and/or reacted to the legal (and overarching political) systems in early modern England. Other essays examine issues involving the role of narrative, evidence, and gendered expectations about justice in the plays of this time period. An implicit concern of these essays is whether women were empowered or dis-empowered in this interaction with the legal/political system.
Author: Andrew J. Majeske
Publisher: Fairleigh Dickinson Univ Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
Justice, Women, and Power in English Reniassance Drama is a collection of essays that explores the relationship of gender and justice as represented in English Renaissance drama. Many of the essays are concerned with interrogating the ways that women relied upon and/or reacted to the legal (and overarching political) systems in early modern England. Other essays examine issues involving the role of narrative, evidence, and gendered expectations about justice in the plays of this time period. An implicit concern of these essays is whether women were empowered or dis-empowered in this interaction with the legal/political system.
Author: Carole Levin
Publisher: State University of New York Press
ISBN: 1438410611
Category : Philosophy
Languages : en
Pages : 312
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Book Description
The authors examine the political rhetoric of a number of powerful women of the Renaissance, male responses to this rhetoric, drama and fiction by both male and female authors considering women and political context, and how historians—then and now—have evaluated powerful women. A multi-disciplinary collection, the book includes an essay about Christine de Pizan and her fifteenth-century look at powerful women, an examination of seventeeth-century rhetoricians and how they viewed and reshaped the Renaissance in terms of giving power to women, and examples of English and French women in the sixteenth and seventeenth centuries. The afterword contextualizes these examples and raises questions about modern issues. The book provides a greater understanding of gender and power in the Renaissance as well as insights into the contemporary age.
Author: Ania Loomba
Publisher:
ISBN: 9780719028403
Category : Drama
Languages : en
Pages : 196
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Book Description
Author: Martin White
Publisher: Routledge
ISBN: 1134917813
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Author: Sandra Clark
Publisher: Polity
ISBN: 0745633102
Category : Language Arts & Disciplines
Languages : en
Pages : 465
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Book Description
This work provides a comprehensive overview of one of the richest periods of theatre history - the drama of early modern England.
Author: Dympna Callaghan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 208
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Book Description
Author: Teresa Scott Soufas
Publisher: University Press of Kentucky
ISBN: 0813149290
Category : Drama
Languages : en
Pages : 343
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Book Description
The plays are in Spanish. Los papeles están en el español.
Author: J. Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635704
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: Marliss C. Desens
Publisher: University of Delaware Press
ISBN: 9780874134766
Category : Drama
Languages : en
Pages : 188
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Book Description
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Author: Karen Newman
Publisher: University of Chicago Press
ISBN: 0226577090
Category : Drama
Languages : en
Pages : 209
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Book Description
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
