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Author: Darren Newbury
Publisher: Routledge
ISBN: 1000185877
Category : Photography
Languages : en
Pages : 311
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Book Description
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
Author: Darren Newbury
Publisher: Routledge
ISBN: 1000185877
Category : Photography
Languages : en
Pages : 311
Get Book Here
Book Description
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
Author: Darren Newbury
Publisher: Routledge
ISBN: 100018269X
Category : Photography
Languages : en
Pages : 297
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Book Description
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
Author: Catherine E. McKinley
Publisher: Bloomsbury Publishing USA
ISBN: 1620403544
Category : History
Languages : en
Pages : 218
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Book Description
Winner of the African Photobook of the Year Award A Choice Outstanding Title of the Year A USA Today "Must-Read for Black History Month" An NPR "Goats and Soda" Editors' Pick A BookRiot Favorite Nonfiction Book of the Year An unprecedented visual history of African women told in striking and subversive historical photographs-featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson. Most of us grew up with images of African women that were purely anthropological-bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty-“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870–1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans-most starkly, striking nudes-revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways-even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.
Author: Carol Beckwith
Publisher: National Geographic Books
ISBN: 9781426204241
Category : Photography
Languages : en
Pages : 366
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Book Description
Presents a selection of full-color photographs from across Africa, covering topics including sense of place, the joy of being, inner journeys, patterns of beauty, rhythm from within, and capacity to endure.
Author: Jeanne Moutoussamy-Ashe
Publisher: Writers & Readers Publishing
ISBN:
Category : Photography
Languages : en
Pages : 228
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Book Description
Although photography is well along in its second century, until now virtually nothing has been written about the work of black women photographers. In this historical survey Jeanne Moutoussamy-Ashe presents an impressive selection of photographs, commenting on the careers of the professional and fine arts photographers, from the pioneers to the women of today. The book is divided into six parts, each "Overview" describing the triumphs and struggles of various photographers of different eras. The careful attention to detail is illustrated in the photographs of early twentieth-century photographer Elnora Teal and in the work of Eslanda (Mrs. Paul) Robeson from her travels throughout the world. It also offers glimpses of black Hollywood in the 1940s and 1950s and of New York's Harlem during the same period. The photographs of contemporary photographers, among them Coreen Simpson, with her flamboyant style, and Fern Logan, with her strong eye, demonstrate the talent and style black women continue to show in the field of photography. This collection of photographs - meaningful, striking, handsome - will give pleasure to photo buffs, historians, and to anyone fascinated by this neglected but vital part of history.
Author: Robin Comley
Publisher: Witwatersrand University Press
ISBN: 9781868144419
Category : Photography
Languages : en
Pages : 272
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Book Description
Women by Women: 50 Years of Women's Photography in South Africa showcases photographs of and by South African women. Editors Robin Comley, George Hallett and Neo Ntsoma made their selection from a range of what 75 photographers considered their most significant images of women. A rich and varied picture of women's lives emerges from the diversity in both content and types of photographic practice, including press photography, social documentary, fashion, lifestyle, sport, art and conceptual photography in chemical and digital format. The photographers include well-known names, established professionals, emerging talent and rising stars. In the captions and essays written by the photographers, we learn of their experiences in the field and the passions that drive them, and we hear their individual voices - at times enigmatic, intimate, passionate, incisive, activist. The women photographed in this collection comprise our national heroes, sport and fashion icons and strugglistas, as well as unnamed women from all walks of life: they are our mothers, sisters, aunts and daughters. Commissioned by the Ministry of Arts and Culture to celebrate the 50th anniversary of the 1956 Women's March, Women by Women is the first publication to record and promote the positive contribution made by women to the art of photography in this country.
Author: Elizabeth Nyamayaro
Publisher: Simon and Schuster
ISBN: 1982113014
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
"The inspiring journey of a girl from Africa whose near-death experience sparked a dream that changed the world"--
Author: John Peffer
Publisher: Indiana University Press
ISBN: 0253008727
Category : Art
Languages : en
Pages : 472
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Book Description
Beautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Author: Zanele Muholi
Publisher: Prestel Publishing
ISBN: 9783791344959
Category : Lesbians
Languages : en
Pages : 0
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Book Description
KEYNOTE: Award-winning photographer Zanele Muholi's images offer a bold stance against the stigmatization of lesbian and gay sexualities in Africa and beyond. The Faces and Phases series of black and white portraits by Zanele Muholi focuses on the commemoration and celebration of black lesbians' lives. Muholi embarked on this project in 2007, taking portraits of women from the townships in South Africa. In 2008, after the xenophobic and homophobic attacks that led to the mass displacement of people in that country, she decided to expand the ongoing series to include photographs of women from different countries. Collectively, the portraits are an act of visual activism. Depicting women of various ages and backgrounds, this gallery of images offers a powerful statement about the similarities and diversity that exist within the human race. AUTHOR: Zanele Muholi has exhibited extensively in South Africa and internationally. In 2009 she won the Casa Africa award for best female photographer at the Recontres de Bamako biennial of African photography, as well as a Fondation Blachere award. 70 duotone illustrations
Author:
Publisher: Aperture Foundation
ISBN: 9781597114240
Category : Black people in art
Languages : en
Pages : 0
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Book Description
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. These portraits reflect the journey, self-image, and possibilities of a black woman in today's global society. With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, this title is as much a manifesto of resistance as it is an autobiographical, artistic statement.
