Author: Laura Watson
Publisher: Boydell & Brewer
ISBN: 1783277556
Category : Music
Languages : en
Pages : 271
Book Description
Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.
Women and Music in Ireland
Author: Laura Watson
Publisher: Boydell & Brewer
ISBN: 1783277556
Category : Music
Languages : en
Pages : 271
Book Description
Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.
Publisher: Boydell & Brewer
ISBN: 1783277556
Category : Music
Languages : en
Pages : 271
Book Description
Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.
Made in Ireland
Author: Áine Mangaoang
Publisher: Routledge
ISBN: 0429811853
Category : Music
Languages : en
Pages : 375
Book Description
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Publisher: Routledge
ISBN: 0429811853
Category : Music
Languages : en
Pages : 375
Book Description
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Celtic Women in Music
Author: Mairéid Sullivan
Publisher: Kingston, Ont. : Quarry Music Books
ISBN: 9781550822465
Category : Celtic music
Languages : en
Pages : 0
Book Description
Celtic music and dance have taken North American culture by storm, becoming the soundtrack of our age. "Riverdance, Braveheart, Gael Force, and "Celtic Tides are just a few of the shows featuring Celtic music. Aside from such notable male acts as The Chieftains, this music has largely been written and performed by women, either as solo artists or as band leaders, whose work has been compiled, somewhat anonymously, on such "CDs as A Woman's Heart and "Women of the World: Celtic. But who are these women? What inspired them to perform? What do they feel about traditional and contemporary Celtic culture? Based on exclusive interviews, "Celtic Women in Music profiles the careers of 30 artists including Maire Brennan (Clannad), Dolores Keane, Eileen Ivers (Riverdance), Mary Jane Lamond, Karen Matheson (Capercaillie), Loreena McKennitt, Maddy Pryor, June Tabor, and Jean Ritchie. These musicians reveal the devotion to traditional Celtic culture that inspires their art and the sense of personal sovereignty that informs their lives as women.
Publisher: Kingston, Ont. : Quarry Music Books
ISBN: 9781550822465
Category : Celtic music
Languages : en
Pages : 0
Book Description
Celtic music and dance have taken North American culture by storm, becoming the soundtrack of our age. "Riverdance, Braveheart, Gael Force, and "Celtic Tides are just a few of the shows featuring Celtic music. Aside from such notable male acts as The Chieftains, this music has largely been written and performed by women, either as solo artists or as band leaders, whose work has been compiled, somewhat anonymously, on such "CDs as A Woman's Heart and "Women of the World: Celtic. But who are these women? What inspired them to perform? What do they feel about traditional and contemporary Celtic culture? Based on exclusive interviews, "Celtic Women in Music profiles the careers of 30 artists including Maire Brennan (Clannad), Dolores Keane, Eileen Ivers (Riverdance), Mary Jane Lamond, Karen Matheson (Capercaillie), Loreena McKennitt, Maddy Pryor, June Tabor, and Jean Ritchie. These musicians reveal the devotion to traditional Celtic culture that inspires their art and the sense of personal sovereignty that informs their lives as women.
Mná Na HÉireann
Author: Nicola Depuis
Publisher: Mercier Press Ltd
ISBN: 1856356450
Category : Biography & Autobiography
Languages : en
Pages : 289
Book Description
From Queen Medbh to Mary McAleese, Constance Markiewicz to Nell McCafferty, this is a collection of profiles of women who have shaped Ireland. For too long when people discuss Irish heroes and important figures, only men have been cited. Mn na hireann addresses that tendency and offers an impressive array of women who have brought change and progress to Ireland. From the mythical era, through the Middle Ages, the Plantation, the Famine, the struggle for independence and the early years of the state, right up to the twenty-first century, Mn na hireann profiles over 50 formidable Irish women.
Publisher: Mercier Press Ltd
ISBN: 1856356450
Category : Biography & Autobiography
Languages : en
Pages : 289
Book Description
From Queen Medbh to Mary McAleese, Constance Markiewicz to Nell McCafferty, this is a collection of profiles of women who have shaped Ireland. For too long when people discuss Irish heroes and important figures, only men have been cited. Mn na hireann addresses that tendency and offers an impressive array of women who have brought change and progress to Ireland. From the mythical era, through the Middle Ages, the Plantation, the Famine, the struggle for independence and the early years of the state, right up to the twenty-first century, Mn na hireann profiles over 50 formidable Irish women.
The Companion to Irish Traditional Music
Author: Fintan Vallely
Publisher: NYU Press
ISBN: 9780814788028
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Publisher: NYU Press
ISBN: 9780814788028
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Music and Identity in Ireland and Beyond
Author: Mark Fitzgerald
Publisher: Routledge
ISBN: 131709249X
Category : Music
Languages : en
Pages : 368
Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
Publisher: Routledge
ISBN: 131709249X
Category : Music
Languages : en
Pages : 368
Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
Irish Women and Nationalism
Author: Louise Ryan
Publisher: Merrion Press
ISBN: 1788551117
Category : History
Languages : en
Pages : 296
Book Description
Studies of Irish nationalism have been primarily historical in scope and overwhelmingly male in content. Too often, the ‘shadow of the gunman’ has dominated. Little recognition has been given to the part women have played, yet over the centuries they have undertaken a variety of roles – as combatants, prisoners, writers and politicians. In this exciting new book the full range of women’s contribution to the Irish nationalist movement is explored by writers whose interests range from the historical and sociological to the literary and cultural. From the little known contribution of women to the earliest nationalist uprisings of the 1600s and 1700s, to their active participation in the republican campaigns of the twentieth century, different chapters consider the changing contexts of female militancy and the challenge this has posed to masculine images and structures. Using a wide range of sources, including textual analysis, archives and documents, newspapers and autobiographies, interviews and action research, individual writers examine sensitive and highly complex debates around women’s role in situations of conflict. At the cutting edge of contemporary scholarship, this is a major contribution to wider feminist debates about the gendering of nationalism, raising questions about the extent to which women’s rights, demands and concerns can ever be fully accommodated within nationalist movements.
Publisher: Merrion Press
ISBN: 1788551117
Category : History
Languages : en
Pages : 296
Book Description
Studies of Irish nationalism have been primarily historical in scope and overwhelmingly male in content. Too often, the ‘shadow of the gunman’ has dominated. Little recognition has been given to the part women have played, yet over the centuries they have undertaken a variety of roles – as combatants, prisoners, writers and politicians. In this exciting new book the full range of women’s contribution to the Irish nationalist movement is explored by writers whose interests range from the historical and sociological to the literary and cultural. From the little known contribution of women to the earliest nationalist uprisings of the 1600s and 1700s, to their active participation in the republican campaigns of the twentieth century, different chapters consider the changing contexts of female militancy and the challenge this has posed to masculine images and structures. Using a wide range of sources, including textual analysis, archives and documents, newspapers and autobiographies, interviews and action research, individual writers examine sensitive and highly complex debates around women’s role in situations of conflict. At the cutting edge of contemporary scholarship, this is a major contribution to wider feminist debates about the gendering of nationalism, raising questions about the extent to which women’s rights, demands and concerns can ever be fully accommodated within nationalist movements.
Aristocratic Women in Ireland, 1450-1660
Author: Damien Duffy
Publisher: Boydell & Brewer
ISBN: 1783275936
Category : History
Languages : en
Pages : 294
Book Description
An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.
Publisher: Boydell & Brewer
ISBN: 1783275936
Category : History
Languages : en
Pages : 294
Book Description
An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.
What Women Want
Author: Patricia Ireland
Publisher: Dutton Adult
ISBN: 9780525938576
Category : Biography & Autobiography
Languages : en
Pages : 372
Book Description
In an articulate, inspiring, and convincing testament, Patricia Ireland, the outspoken president of the National Organization for Women, reveals the path she has taken and the direction that America must now go. She reminds readers of what has been won, what is imperiled by the conservative political climate, and what must still be done.
Publisher: Dutton Adult
ISBN: 9780525938576
Category : Biography & Autobiography
Languages : en
Pages : 372
Book Description
In an articulate, inspiring, and convincing testament, Patricia Ireland, the outspoken president of the National Organization for Women, reveals the path she has taken and the direction that America must now go. She reminds readers of what has been won, what is imperiled by the conservative political climate, and what must still be done.
The Routledge Handbook of Women’s Work in Music
Author: Rhiannon Mathias
Publisher: Routledge
ISBN: 042957715X
Category : Music
Languages : en
Pages : 488
Book Description
The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.
Publisher: Routledge
ISBN: 042957715X
Category : Music
Languages : en
Pages : 488
Book Description
The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.