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Author: Sarah Colvin
Publisher: Camden House
ISBN: 9781571132741
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.
Author: Sarah Colvin
Publisher: Camden House
ISBN: 9781571132741
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.
Author: Wendy C. Nielsen
Publisher: Rowman & Littlefield
ISBN: 1611494303
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
Author: S. E. Jackson
Publisher: Boydell & Brewer
ISBN: 1640140867
Category : Art
Languages : en
Pages : 247
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Book Description
Reconstructs the constitutive role that German actresses played on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought. Around 1900, German and Austrian actresses had allure and status, apparent autonomy, and unconventional lifestyles. They presented a complex problem socially and aesthetically, one tied to the so-called Woman Question and to the contested status of modernity. For modernists, the actress's socioeconomic mobility and defiance of gender norms opened space to contest social and moral strictures, and her mutability offered a means to experiment with identity. For conservatives, on the other hand, female performance could support antifeminist convictions and validate masculine authority by positing woman as nothing but a false surface shaped by productive male forces. Influential male-authored texts from the period thereby disavowed female subjectivity per se by equating "woman" and "actress." S. E. Jackson establishes the actress as a key figure in a discursive matrix surrounding modernity, gender, and subjectivity. Her central argument is that because the figure of the actress bridged such varied fields of thought, women who were actresses had a consequential impact that resonated in and far beyond the theater - but has not been explored. Examining archival sources such as theater reviews and writing by actresses in direct relation to canonical aesthetic and philosophical texts, The Problem of the Actress reconstructs the constitutive role that womenplayed on and off the stage in shaping not only modernist theater aesthetics and performance practices, but also influential strains of modern thought.
Author: Charlotte Woodford
Publisher: Routledge
ISBN: 1351191292
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
"In novels written at the end of the long nineteenth century, women in Germany and Austria engaged with some of the most pressing social questions of the modern age. Charlotte Woodford analyses a wide range of such works, many of them largely forgotten, in the context of the contemporary cultural discourses that informed their creation, such as writings on pacifism and socialism, prostitution, birth control and sexually transmitted diseases. Women's experience of contemporary medicine as patients and doctors is a fascinating theme, treated here by several authors. Through a close reading of works by Marie von Ebner-Eschenbach, Minna Kautsky, Gabriele Reuter, Helene Bohlau, Ilse Frapan, Hedwig Dohm, Lou Andreas-Salome, and others, this study shows how writers' determination to validate women's experience of the problems of modernity informed the aesthetic development of the novel by women."
Author: Women in German Yearbook
Publisher: U of Nebraska Press
ISBN: 9780803297548
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
"The only German literature journal that presents a coherently feminist perspective and that serves as a forum for feminist voices."_Susanne Zantop, Dartmouth College
Author: Hellmut H. Rennert
Publisher: Peter Lang
ISBN: 9780820444031
Category : Drama
Languages : en
Pages : 340
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Book Description
This collection of articles by both German literature specialists and German theater experts grew out of the Comparative Drama Conference held annually between February and March from 1977 to 1999 in Gainesville, Florida. At the center of the contributors' work is the productive tension between the literary and the performance aspects of German drama and theater. At the same time, the reception is truly American, since the German playwrights, directors, theorists, and dramatists discussed have gone through creative filters in the researching, performing, and teaching of German drama and theater on various campuses across the United States during the last third of the twentieth century.
Author: Jeanette Clausen
Publisher: U of Nebraska Press
ISBN: 9780803297463
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
"The only German literature journal that presents a coherently feminist perspective and that serves as a forum for feminist voices."_Susanne Zantop, Dartmouth College
Author: Helen Chambers
Publisher: Camden House
ISBN: 9781571133045
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
Author: Hilary Brown
Publisher: Peter Lang
ISBN: 9783039103010
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
This volume focuses on twelve women writers from the Middle Ages to the present day who have made a major contribution to German literature. The essays place the writers in the context of their period and examine how their position as women affected what they wrote and the reception of their texts.
Author: Raleigh Whitinger
Publisher: Camden House
ISBN: 9781571131072
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
First book in English devoted to Johannes Schlaf, the 19th-century German playwright, bringing fresh insights to the whole movement of German naturalist drama. This is the first book in English on the German playwright Johannes Schlaf (1862-1941), whose involvement in 'consistent realism' and modern theatre in the 1890s provides an insight into the origins and development of German naturalist drama. Schlaf's main contributions to this movement were with Die Familie Selicke (1890), on which he collaborated with Arno Holz, and Meister Oelze (1892), works which show his innovative talents. The author considers these works in the context of the experimental prose sketches which Schlaf worked on with Holz after 1888, and of the realist and naturalist dramas of Hebbel, Ibsen, Hauptmann, and Sudermann; he brings out their growing concern with trapped women and victimised children, as well as their critical focus on the problems of traditional poetry.
