Author: S. Clark
Publisher: Springer
ISBN: 0230000622
Category : Fiction
Languages : en
Pages : 244
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Book Description
Clark explores how real-life women's crimes were handled in the news media of an age before the invention of the newspaper, in ballads, pamphlets, and plays. It discusses those features of contemporary society which particularly influenced early modern crime reporting, such as attitudes to news, the law and women's rights, and ideas about the responsibility of the community for keeping order. It considers the problems of writing about transgressive women for audiences whose ideal woman was chaste, silent, and obedient.
Author: Jennifer Kermode
Publisher: UNC Press Books
ISBN: 9780807845004
Category : Social Science
Languages : en
Pages : 216
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Book Description
Women, Crime, and the Courts in Early Modern England
Author: Susan C. Staub
Publisher: Duquesne
ISBN:
Category : Literary Collections
Languages : en
Pages : 376
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Book Description
Table of contents
Author: Jeannette Kamp
Publisher: BRILL
ISBN: 9004388443
Category : History
Languages : en
Pages : 347
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Book Description
This book charts the lives of (suspected) thieves, illegitimate mothers and vagrants in early modern Frankfurt. The book highlights the gender differences in recorded criminality and the way that they were shaped by the local context. Women played a prominent role in recorded crime in this period, and could even make up half of all defendants in specific European cities. At the same time, there were also large regional differences. Women’s crime patterns in Frankfurt were both similar and different to those of other cities. Informal control within the household played a significant role and influenced the prosecution patterns of authorities. This impacted men and women differently, and created clear distinctions within the system between settled locals and unsettled migrants.
Author: Richard Hillman
Publisher: Routledge
ISBN: 1317135873
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Presenting a broad spectrum of reflections on the subject of female transgression in early modern Britain, this volume proposes a richly productive dialogue between literary and historical approaches to the topic. The essays presented here cover a range of ’transgressive’ women: daughters, witches, prostitutes, thieves; mothers/wives/murderers; violence in NW England; violence in Scotland; single mothers; women as (sexual) partners in crime. Contributions illustrate the dynamic relation between fiction and fact that informs literary and socio-historical analysis alike, exploring female transgression as a process, not of crossing fixed boundaries, but of negotiating the epistemological space between representation and documentation.
Author: Samantha Dressel
Publisher: Taylor & Francis
ISBN: 1000933482
Category : Performing Arts
Languages : en
Pages : 166
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Book Description
This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare’s plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.
Author: Andrew Hadfield
Publisher: Oxford University Press
ISBN: 0192506595
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.
Author: Anne-Marie Kilday
Publisher: Boydell & Brewer Ltd
ISBN: 0861933303
Category : History
Languages : en
Pages : 195
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Book Description
A complete reappraisal of the scale and significance of female criminality in a period of major legislative changes. This book offers important new insights into the relationship between crime and gender in Scotland during the Enlightenment period. Against the backdrop of significant legislative changes that fundamentally altered the face of Scots law, Anne-Marie Kilday examines contemporary attitudes towards serious offences against the person committed by women. She draws particularly on rich and varied court records to explores female criminality and judicial responses to it in the eighteenth and early nineteenth centuries.Through a series of case studies of homicide, infanticide, assault, popular disturbances and robbery, she argues that Scottish women were more predisposed to violence than their counterparts south of the border and considers how this relates to the contemporary drive to `civilise' popular behaviour and to promote a more ordered society. The book thus challenges conventional feminist interpretations that see women principally as the victims of male-controlled economies, institutions and power structures, and calls for a major re-evaluation of the scope and significance of female criminality in this era. It will be ofinterest to scholars, students and those interested in the fields of gender studies, social history and the history of crime. ANNE-MARIE KILDAY is Pro Vice-Chancellor and Dean of the Faculty of Humanities and Social Sciences and Professor of Criminal History at Oxford Brookes University.
Author: Malcolm Gaskill
Publisher: Cambridge University Press
ISBN: 9780521531184
Category : History
Languages : en
Pages : 400
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Book Description
An exploration of the cultural contexts of law-breaking and criminal prosecution in England, 1550-1750.
Author: Sarah F. Williams
Publisher: Routledge
ISBN: 1317154908
Category : Music
Languages : en
Pages : 240
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Book Description
Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
