Woman with a Movie Camera PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Woman with a Movie Camera PDF full book. Access full book title Woman with a Movie Camera by Marina Goldovskaya. Download full books in PDF and EPUB format.
Author: Marina Goldovskaya
Publisher: University of Texas Press
ISBN: 0292778961
Category : Biography & Autobiography
Languages : en
Pages : 289
Get Book Here
Book Description
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
Author: Harriet Elaine Margolis
Publisher:
ISBN: 9781783205073
Category : PERFORMING ARTS
Languages : en
Pages :
Get Book Here
Book Description
Author: Marina Goldovskaya
Publisher: University of Texas Press
ISBN: 0292778961
Category : Biography & Autobiography
Languages : en
Pages : 289
Get Book Here
Book Description
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
Author: Elizabeth Papazian
Publisher: Columbia University Press
ISBN: 0231851030
Category : Performing Arts
Languages : en
Pages : 328
Get Book Here
Book Description
With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.
Author: Alexis Krasilovsky
Publisher: Praeger
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Get Book Here
Book Description
Hollywood has seen the number of camerawomen quadruple in the past 15 years. Women Behind the Camera is the first book to offer an in-depth look at the lives of camerawomen and their struggles to succeed in a male-dominated field. Krasilovsky presents interviews with 23 camerawomen, most of whom are pioneers in Hollywood and whose experiences cover the full range of the Camera Department. The camerawomen interviewed include all four women Directors of Photography who have achieved membership in the prestigious American Society of Cinematographers, one of the first female camera assistants to work at the BBC, camerawomen who worked on Star Trek VI and Terminator 2, and a full range of documentary, experimental, and video camerawomen. These pioneering women, who have filmed in war zones, on mountain peaks, underwater, and on Hollywood sets, discuss their influences, goals, and experiences with directors and stars, and the art of cinematography.
Author: E. Ann Kaplan
Publisher: Psychology Press
ISBN: 9780415027649
Category : Feminist films
Languages : en
Pages : 276
Get Book Here
Book Description
Analyzes the treatment of women in American movies and examines the themes of a variety of contemporary movies made by women.
Author: Jill Tietjen
Publisher: Rowman & Littlefield
ISBN: 1493037064
Category : History
Languages : en
Pages : 256
Get Book Here
Book Description
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Author: Dziga Vertov
Publisher: Univ of California Press
ISBN: 9780520056305
Category : Literary Criticism
Languages : en
Pages : 414
Get Book Here
Book Description
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
Author: Marina Evseevna Goldovska{llig}i{rlig}a
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 263
Get Book Here
Book Description
Author: David Meuel
Publisher: McFarland
ISBN: 1476625204
Category : Performing Arts
Languages : en
Pages : 232
Get Book Here
Book Description
When the movie business adopted some of the ways of other big industries in 1920s America, women--who had been essential to the industry's early development--were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence. Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.
Author: Rocío Núñez
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
Get Book Here
Book Description
This study explores the dearth of women filmmakers in contemporary Hollywood. Women account for less than 13% of professional filmmakers--22% of producers, 18% of editors, 11% of writers, 7% of directors, and just 5% of cinematographers--working on the top grossing 250 films of each year; however, approximately half of the students currently enrolled in the top film programs in the U.S. are women. This study explores these discrepant numbers. Nineteen filmmakers were interviewed for this project, all of whom had a link to film school: some are currently teaching at a film school, others had attended film school in the past, and a few were currently attending film school. Eleven of the thirteen informants interviewed ended up in the dissertational film. They were interviewed at length, on camera, and I compiled the interviews into an hour-long film interspersed with supporting b-roll in the form of statistics, media articles, original animation, and movie clips from top grossing films created by women--all of this in order to illustrate/highlight key points made throughout the piece. This film examines some of the vernacular and industry-related discourse that attempts to explain the under-representation of women in Hollywood film. Some of the popular ideas behind why there are so few women behind the camera include the claims that women (i) don't make movies that make money, (ii) have less interest in making movies than men do, and (iii) are comparatively poor leaders. Leadership theory was the predominant research field that supported this study and its examination of folk theories, myths and stereotypes about female underachievement in film.
