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Author: Wallace Wood
Publisher: Fantagraphics Books
ISBN: 1683961153
Category : Art
Languages : en
Pages : 258
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Book Description
Cartoonist Wallace Wood created and published his own magazine ― witzend. Witzend immediately became a venue for personal work, without regard to commercial constraints and with contributors like Frank Frazetta, Al Williamson, Gray Morrow, and Reed Crandall. (And that was just the first issue!) In later issues, Steve Ditko, Art Spiegelman, Vaughn Bodé, Jim Steranko, Jeffrey Catherine Jones, Howard Chaykin, Bernie Wrightson ― and dozens more ― joined in.
Author: Wallace Wood
Publisher: Fantagraphics Books
ISBN: 1683961153
Category : Art
Languages : en
Pages : 258
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Book Description
Cartoonist Wallace Wood created and published his own magazine ― witzend. Witzend immediately became a venue for personal work, without regard to commercial constraints and with contributors like Frank Frazetta, Al Williamson, Gray Morrow, and Reed Crandall. (And that was just the first issue!) In later issues, Steve Ditko, Art Spiegelman, Vaughn Bodé, Jim Steranko, Jeffrey Catherine Jones, Howard Chaykin, Bernie Wrightson ― and dozens more ― joined in.
Author: Bhob Stewart
Publisher: Fantagraphics Books
ISBN: 1606998153
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Who was Wallace Wood? The maddest artist of Mad magazine? The man behind Marvel’s Daredevil?The Life and Legend is an incisive look back at the life and career of one of the greatest and most mythic figures of cartooning. Edited over the course of thirty years by former Wood assistant Bhob Stewart, The Life and Legend is a biographical portrait, generously illustrated with Wood’s gorgeous art as well as little-seen personal photos and childhood ephemera. Also: remembrances by Wood’s friends, colleagues, assistants, and loved ones. This collective biographical and critical portrait explores the humorous spirit, dark detours, and psychological twists of a gifted maverick in American pop culture.
Author: Wallace Wood
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Sean Kleefeld
Publisher: Lulu.com
ISBN: 0615336205
Category : Comics & Graphic Novels
Languages : en
Pages : 184
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Book Description
Whether you've spent your entire life reading comics books or you've just met someone who does, you're sure to notice that the average comic book fan is somewhat different than everybody else. Why do they insist on arguing if Superman is stronger than Captain Marvel? Why do they talk as if they own the rights to Judge Dredd? Why do they keep drawing chibi versions of themselves? The only way to find out all the answers is to study comic book fandom to discover what makes fans tick. Comic Book Fanthropology does exactly that in a casual, narrative manner.
Author: Denis Kitchen
Publisher: Dark Horse Comics
ISBN: 1616552581
Category : Comic books, strips, etc
Languages : en
Pages : 192
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Book Description
In 1974, legendary Marvel Comics publisher Stan Lee approached underground pioneer Denis Kitchen and offered a way for them to collaborate. Their resulting series was called Comix Book and featured work by many of the top underground cartoonists including Joel Beck, Kim Deitch, Justin Green, Harvey Pekar, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson. The Best of Comix Book showcases 150-pages of classic underground comix (printed on newsprint, as they originally appeared), many never before reprinted.
Author: Various
Publisher: Fantagraphics Books
ISBN: 1683960688
Category : Art
Languages : en
Pages : 274
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Book Description
Bursting with a cornucopia of gorgeous artwork and photos, this second of two volumes of the Eisner Award–nominated The Life and Legend of Wallace Wood also features the vivid personal recollections of the friends, colleagues, and assistants who knew him best. The Life and Legend of Wallace Wood Volume 2 completes this revealing, intimate portrait of the brilliant but troubled maverick comics creator (EC Comics, Mad, Daredevil, T.H.U.N.D.E.R. Agents, witzend, The Justice Society of America, The Wizard King). Contributors include Larry Hama, John Workman, Trina Robbins, Paul Krassner, Flo Steinberg, Tom Sutton, Bill Pearson, and Paul Levitz. Professor Ben Saunders reveals the meticulous handcrafted wizardry that made Wood’s most famous story, “My World” possible. A special tribute gallery includes artwork by Robert Crumb, Daniel Clowes, Dave Sim, Drew Friedman, and others. Introduction by Eisner Award–winning writer/artist Ed Piskor.
Author: Wallace Wood
Publisher: Woodwork, Wally Wood Classics
ISBN: 9781887591867
Category : Fantasy comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Combination of mad, weird science with minor nudity written and drawn by Wally Wood and published posthumously in 2005.
Author: Mark Estren
Publisher: Ronin Publishing
ISBN: 1579511562
Category : Comics & Graphic Novels
Languages : en
Pages : 328
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Book Description
In the land that time forgot, 1960s and 1970s America (Amerika to some), there once were some bold, forthright, thoroughly unashamed social commentators who said things that “couldn't be said” and showed things that “couldn't be shown.” They were outrageous — hunted, pursued, hounded, arrested, busted, and looked down on by just about everyone in the mass media who deigned to notice them at all. They were cartoonists — underground cartoonists. And they were some of the cleverest, most interesting social commentators of their time, as well as some of the very best artists, whose work has influenced the visual arts right up until today. A History of Underground Comics is their story — told in their own art, in their own words, with connecting commentary and analysis by one of the very few media people who took them seriously from the start and detailed their worries, concerns and attitudes in broadcast media and, in this book, in print. Author, Mark James Estren knew the artists, lived with and among them, analyzed their work, talked extensively with them, received numerous letters and original drawings from them — and it's all in A History of Underground Comics. What Robert Crumb really thinks of himself and his neuroses…how Gilbert Shelton feels about Wonder Wart-Hog and the Fabulous Furry Freak Brothers…how Bill Griffith handled the early development of Zippy the Pinhead…where Art Spiegelman's ideas for his Pulitzer-prize-winning Maus had their origins…and much, much more. Who influenced these hold-nothing-sacred cartoonists? Those earlier artists are here, too. Harvey Kurtzman — famed Mad editor and an extensive contributor to A History of Underground Comics. Will Eisner of The Spirit — in his own words and drawngs. From the bizarre productions of long-ago, nearly forgotten comic-strip artists, such as Gustave Verbeek (who created 12-panel strips in six panels: you read them one way, then turned them upside down and read them that way), to modern but conventional masters of cartooning, they're all here — all talking to the author and the reader — and all drawing, drawing, drawing. The underground cartoonists drew everything, from over-the-top sex (a whole chapter here) to political commentary far beyond anything in Doonesbury (that is here, too) to analyses of women's issues and a host of societal concerns. From the gorgeously detailed to the primitive and childlike, these artists redefined comics and cartooning, not only for their generation but also for later cartoonists. In A History of Underground Comics, you read and see it all just as it happened, through the words and drawings of the people who made it happen. And what “it” did they make happen? They raised consciousness, sure, but they also reflected a raised consciousness — and got slapped down more than once as a result. The notorious obscenity trial of Zap #4 is told here in words, testimony and illustrations, including the exact drawings judged obscene by the court. Community standards may have been offended then — quite intentionally. Readers can judge whether they would be offended now. And with all their serious concerns, their pointed social comment, the undergrounds were fun, in a way that hidebound conventional comics had not been for decades. Demons and bikers, funny “aminals” and Walt Disney parodies, characters whose anatomy could never be and ones who are utterly recognizable, all come together in strange, peculiar, bizarre, and sometimes unexpectedly affecting and even beautiful art that has never since been duplicated — despite its tremendous influence on later cartoonists. It's all here in A History of Underground Comics, told by an expert observer who weaves together the art and words of the cartoonists themselves into a portrait of a time that seems to belong to the past but that is really as up-to-date as today's headl
Author: various
Publisher: Fantagraphics Books
ISBN: 1606998986
Category : Comics & Graphic Novels
Languages : en
Pages : 723
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Book Description
In the late ’60s, underground comix changed the way comics readers saw the medium ― but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology,Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America ― Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due.
Author: Blake Bell
Publisher: Fantagraphics Books
ISBN: 1560979216
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Strange and Stranger: The World of Steve Ditko is an art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.
