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Author: Molly Flynn
Publisher: Manchester University Press
ISBN: 1526126214
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
Witness Onstage is a detailed study of the remarkable growth of documentary theatre forms in Russian since the early 2000s. It draws on the author’s work as a performer, producer, and researcher of documentary theatre both in Russia and internationally to provide new perspective on the mechanics of theatre as a venue for civic engagement.
Author: Molly Flynn
Publisher: Manchester University Press
ISBN: 1526126214
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
Witness Onstage is a detailed study of the remarkable growth of documentary theatre forms in Russian since the early 2000s. It draws on the author’s work as a performer, producer, and researcher of documentary theatre both in Russia and internationally to provide new perspective on the mechanics of theatre as a venue for civic engagement.
Author: Jane Blocker
Publisher: U of Minnesota Press
ISBN: 081665476X
Category : Art
Languages : en
Pages : 181
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Book Description
The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.
Author: Hiroko Mikami
Publisher: Peter Lang
ISBN: 9781904505235
Category : Drama
Languages : en
Pages : 212
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Book Description
Essays on Irish theatre in the second half of the twentieth century
Author: Julie Ann Ward
Publisher: University of Pittsburgh Press
ISBN: 0822986876
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Lagartijas Tiradas al Sol (Lizards Lounging in the Sun) is a Mexican theater company that performs what is known as theater of the real.By taking reality as its subject, this genre claims a special relationship to reality, truth, and authenticity. In A Shared Truth, Julie Ann Ward traces the development of this contemporary and cutting-edge collective’s unique aesthetic. Based on performances, play texts, videos, and interviews, this in-depth look at a single theatrical troupe argues that the company’s work represents a larger trend in which Latin American theater positions itself as a source of and repository for truth in the face of unreliable official narratives. A Shared Truth critically examines the work of an influential company whose collaborative methods and engagement with the real challenge the bounds of theater.
Author: Emilie Pine
Publisher: Indiana University Press
ISBN: 0253054982
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
Author: Karol Berger
Publisher: Univ of California Press
ISBN: 0520409256
Category : Music
Languages : en
Pages : 548
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Book Description
Beyond Reason relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Karol Berger seeks to penetrate the "secret" of large-scale form in Wagner's music dramas and to answer those critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential reading for both musicologists and Wagner experts.
Author: Dermot Cavanagh
Publisher: Manchester University Press
ISBN: 1526135086
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Shakespeare's history plays have always been pivotal to our understanding of his works. This collection renews attention to these crucial plays by exploring official and unofficial versions of the past, histories and counter-histories in the plays of Shakespeare and his contemporaries. By exploring the diversity of Shakespeare’s engagement with history in all its forms, these contributors open up a range of new interpretive possibilities for understanding the way history ‘plays’ with the past. The book is divided into three sections: Memory and mourning, Counter-histories, Identity and performance. In each section, leading theorists, historicists and performance critics offer fresh perspectives on the key issues that are transforming our understanding of Shakespeare. These include: gender and violence, the mapping of Britain, cultural memory and religion. This collection will appeal to all critically engaged readers of Shakespeare. In particular it will command wide-ranging interest from undergraduates, postgraduates, academic researchers and students of early modern theatre, history and culture.
Author: Natalka Vorozhbyt
Publisher: Bloomsbury Publishing
ISBN: 1350335932
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Ukraine's remarkable aptitude for resilience and grassroots activism, as witnessed since February 2022, is closely connected to a process that began with the Euromaidan Revolution in 2013-14, when over two million Ukrainians took to the streets in defense of democracy and human rights. In the months directly following the Revolution, Russia illegally occupied Ukraine's Crimean Peninsula, and began funneling both arms and troops into the eastern region of Donbas to fuel a conflict between the Ukrainian army and a small group of radical separatists. Since that time, Ukrainians have been working diligently to build the society in which they have wanted to live, all while fighting Russia and its proxies in Europe's forgotten war. Ukrainian New Drama After the Euromaidan Revolution brings together key works from the country's impressively generative post-Revolutionary period, many of them published here in English for the first time. As well as established voices from the European theatre repertoire such as Natalka Vorozhbyt and Maksym Kurochkin, this collection also features iconic plays from Ukraine's post-Maidan generation of playwrights Natalka Blok, Andrii Bondarenko, Anastsiia Kosodii, Lena Lagushonkova, Olha Matsiupa, and Kateryna Penkova. Considered together, these plays reflect the diversity of voices in Ukraine as a country seeking to comprehend both the personal and political consequences of the Revolution, the war, and all that has come since. A key element to the remarkable culture of defiance and resistance that Ukrainians created in these years has been new approaches to arts activism, particularly in the performing arts. In the eight years between Euromaidan and the full-scale invasion, Ukraine witnessed an incredible boom in socially engaged performance practice. Playwriting in particular has become an essential genre through which artists have sought to bear witness to the repercussions of the war and to create spaces for the reclaiming of historical and cultural narratives; Ukrainian New Drama After the Euromaidan Revolution captures this spirit and published this necessary and vital work in English for the very first time.
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810877848
Category : Performing Arts
Languages : en
Pages : 706
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Book Description
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.
Author: Jennifer R. Ballengee
Publisher: State University of New York Press
ISBN: 1438425112
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
The Wound and the Witness offers a historically grounded approach to an urgent contemporary problem: the persistence of torture in Western culture. Drawing upon ancient Greek and Roman texts, as well as contemporary media events, Jennifer R. Ballengee explores the spectacle of torture as a persuasive device. She suggests that both torture and the witnessing of torture are forms of polemical writing, carried out on the body. The analysis combines close reading and philological study with a materialist cultural approach to ancient Greek theater, early Christian accounts of martyrdom, and recent political controversies over the interrogation tactics in the U.S. government-run Guantánamo and Abu Ghraib prisons. By incorporating key classical texts by Sophocles, Achilles Tatius, and Prudentius, the author demonstrates how deeply the ancient literature resonates with contemporary issues of the body, rhetoric, and the spectacle of pain.
