Author: Ron Marz
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
BORNE AGAIN Even without the Witchblade secured to her wrist, Sara Pezzini cannot escape the corrupting influence of the gauntlet.
Witchblade #173
Author: Ron Marz
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
BORNE AGAIN Even without the Witchblade secured to her wrist, Sara Pezzini cannot escape the corrupting influence of the gauntlet.
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
BORNE AGAIN Even without the Witchblade secured to her wrist, Sara Pezzini cannot escape the corrupting influence of the gauntlet.
Witchblade: Borne Again Vol. 1
Author: Ron Marz
Publisher: Image Comics
ISBN: 1632151561
Category : Comics & Graphic Novels
Languages : en
Pages : 129
Book Description
Collects WITCHBLADE #170-174. This first volume in a new series of WITCHBLADE collections provides a perfect jumping-on point! Sara Pezzini has given up the Witchblade and taken up the life of a small-town Sheriff, but her past comes back haunt her in deadly fashion. Acclaimed writer RON MARZ returns to the series, working with gifted artist LAURA BRAGA to tell the next chapter in the life of Sara Pezzini and the Witchblade!
Publisher: Image Comics
ISBN: 1632151561
Category : Comics & Graphic Novels
Languages : en
Pages : 129
Book Description
Collects WITCHBLADE #170-174. This first volume in a new series of WITCHBLADE collections provides a perfect jumping-on point! Sara Pezzini has given up the Witchblade and taken up the life of a small-town Sheriff, but her past comes back haunt her in deadly fashion. Acclaimed writer RON MARZ returns to the series, working with gifted artist LAURA BRAGA to tell the next chapter in the life of Sara Pezzini and the Witchblade!
Witchblade 20th Anniversary "Art Of" HC
Author:
Publisher: Image Comics
ISBN: 1632156687
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Celebrating 20 years of Witchblade with a veritable who's who of comic artists.
Publisher: Image Comics
ISBN: 1632156687
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Celebrating 20 years of Witchblade with a veritable who's who of comic artists.
Superheroes and Excess
Author: Jamie Brassett
Publisher: Routledge
ISBN: 1351396927
Category : Comics & Graphic Novels
Languages : en
Pages : 217
Book Description
Finding the superhero genre in need of further investigation from philosophical standpoints that value excess as a creative drive, rather than denigrate it as a problem to be resolved, this book opens up discussions that highlight different approaches to ‘the creative excess of being’ as expressed through the genre. While superheroes are an everyday, culturally dominant phenomena, philosophical methods and investigations have a reputation for lofty superiority. Across 13 chapters, this book facilitates a collision between the superhero genre and the discipline of philosophy, resulting in a voyage of exploration where each illuminates the other. The contributions in this book range from new voices to recognized scholars, offering superhero studies a set of critical interventions that are unusual, conceptually diverse, theoretically grounded and varied in practice. These chapters consider ‘excessive’ traits of superheroes against schools of thought that have attempted to conceptualize and understand excess by analysing texts and figures across a variety of mediums, such as The Fantastic Four, Captain America, The Vision, Logan, Black Panther and Super Hero Girls. With its unique approach to the superhero genre, this book will be an invaluable read for students and scholars working on comic studies, transmedia studies, cultural studies, popular culture and superhero studies.
Publisher: Routledge
ISBN: 1351396927
Category : Comics & Graphic Novels
Languages : en
Pages : 217
Book Description
Finding the superhero genre in need of further investigation from philosophical standpoints that value excess as a creative drive, rather than denigrate it as a problem to be resolved, this book opens up discussions that highlight different approaches to ‘the creative excess of being’ as expressed through the genre. While superheroes are an everyday, culturally dominant phenomena, philosophical methods and investigations have a reputation for lofty superiority. Across 13 chapters, this book facilitates a collision between the superhero genre and the discipline of philosophy, resulting in a voyage of exploration where each illuminates the other. The contributions in this book range from new voices to recognized scholars, offering superhero studies a set of critical interventions that are unusual, conceptually diverse, theoretically grounded and varied in practice. These chapters consider ‘excessive’ traits of superheroes against schools of thought that have attempted to conceptualize and understand excess by analysing texts and figures across a variety of mediums, such as The Fantastic Four, Captain America, The Vision, Logan, Black Panther and Super Hero Girls. With its unique approach to the superhero genre, this book will be an invaluable read for students and scholars working on comic studies, transmedia studies, cultural studies, popular culture and superhero studies.
REDESIGNING WOMEN
Author: Amanda D. Lotz
Publisher: University of Illinois Press
ISBN: 0252091760
Category : Social Science
Languages : en
Pages : 242
Book Description
In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
Publisher: University of Illinois Press
ISBN: 0252091760
Category : Social Science
Languages : en
Pages : 242
Book Description
In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
The American Comic Book Industry and Hollywood
Author: Alisa Perren
Publisher: Bloomsbury Publishing
ISBN: 1844579433
Category : Performing Arts
Languages : en
Pages : 265
Book Description
The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.
Publisher: Bloomsbury Publishing
ISBN: 1844579433
Category : Performing Arts
Languages : en
Pages : 265
Book Description
The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.
1000 Facts About Comic Book Characters Vol. 2
Author: James Egan
Publisher: Lulu.com
ISBN: 1326563092
Category : Comics & Graphic Novels
Languages : en
Pages : 176
Book Description
DC Comics tried to sue Rihanna for calling her fashion brand, Robyn, even though that is her real name. Captain America fought President Ronald Reagan after he turned into a snake. Batman's butler, Alfred, shot the Predator with a musket. Deadpool has been married nine times. Flash can move so fast, he can create a cyclone. Doctor Octopus was an Avenger. Green Arrow has many trick arrows including a Fake Cat Arrow and a Fake Uranium Arrow. Iron Man teamed up with a teenage version of himself. Superman has the power of super-ventriloquism. The Joker has a two-headed cat. Despite the fact that Nick Fury wears an eye patch, he has two eyes. Wonder Woman's chef is a minotaur. In early issues, Magneto had the power of invisibility. The first issue of Spawn is one of the most successful comics of all time. The Justice League train on Jupiter's moons. Spider-Man was nearly called Fly-Man. Aquaman's first love was a dolphin. Judas Iscariot is a DC superhero.
Publisher: Lulu.com
ISBN: 1326563092
Category : Comics & Graphic Novels
Languages : en
Pages : 176
Book Description
DC Comics tried to sue Rihanna for calling her fashion brand, Robyn, even though that is her real name. Captain America fought President Ronald Reagan after he turned into a snake. Batman's butler, Alfred, shot the Predator with a musket. Deadpool has been married nine times. Flash can move so fast, he can create a cyclone. Doctor Octopus was an Avenger. Green Arrow has many trick arrows including a Fake Cat Arrow and a Fake Uranium Arrow. Iron Man teamed up with a teenage version of himself. Superman has the power of super-ventriloquism. The Joker has a two-headed cat. Despite the fact that Nick Fury wears an eye patch, he has two eyes. Wonder Woman's chef is a minotaur. In early issues, Magneto had the power of invisibility. The first issue of Spawn is one of the most successful comics of all time. The Justice League train on Jupiter's moons. Spider-Man was nearly called Fly-Man. Aquaman's first love was a dolphin. Judas Iscariot is a DC superhero.
Of Comics and Men
Author: Jean-Paul Gabilliet
Publisher: Univ. Press of Mississippi
ISBN: 1628469994
Category : Literary Criticism
Languages : en
Pages : 571
Book Description
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Publisher: Univ. Press of Mississippi
ISBN: 1628469994
Category : Literary Criticism
Languages : en
Pages : 571
Book Description
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
DC Comics Encyclopedia
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 1361
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 1361
Book Description
Comic Books
Author: Shirrel Rhoades
Publisher: Peter Lang
ISBN: 9780820488929
Category : Art
Languages : en
Pages : 428
Book Description
This book is an insider's guide to how the comic book industry works. You'll learn how comic book superheroes are created and the deeper meanings they represent. You'll follow the development of sequential art storytelling - from caveman wall paintings to modern manga and cinematic techniques. Here you will explore comics in all forms: those flimsy pamphlets we call comic books; thick graphic novels; Japanese manga; and blockbuster movies featuring epic battles between good and evil. But behind it all, you'll discover how comics are an intellectual property business, the real money found in licensed bedsheets and fast-food merchandise, heart-pounding theme park rides and collectible toys, video games, and Hollywood extravaganza featuring such popular superheroes as Spider-Man, Superman, X-Men, and Batman.
Publisher: Peter Lang
ISBN: 9780820488929
Category : Art
Languages : en
Pages : 428
Book Description
This book is an insider's guide to how the comic book industry works. You'll learn how comic book superheroes are created and the deeper meanings they represent. You'll follow the development of sequential art storytelling - from caveman wall paintings to modern manga and cinematic techniques. Here you will explore comics in all forms: those flimsy pamphlets we call comic books; thick graphic novels; Japanese manga; and blockbuster movies featuring epic battles between good and evil. But behind it all, you'll discover how comics are an intellectual property business, the real money found in licensed bedsheets and fast-food merchandise, heart-pounding theme park rides and collectible toys, video games, and Hollywood extravaganza featuring such popular superheroes as Spider-Man, Superman, X-Men, and Batman.