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Author: Leslie Umberger
Publisher: Princeton University Press
ISBN: 0691243840
Category : Art
Languages : en
Pages : 288
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Book Description
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers. Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability. Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC July 1, 2022–March 26, 2023
Author: Leslie Umberger
Publisher: Princeton University Press
ISBN: 0691243840
Category : Art
Languages : en
Pages : 288
Get Book Here
Book Description
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers. Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability. Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC July 1, 2022–March 26, 2023
Author: Timothy Anglin Burgard
Publisher: University of California Press
ISBN: 0520304845
Category : Art
Languages : en
Pages : 332
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Book Description
An expanded edition of the definitive book on Ruth Asawa’s fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926–2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa’s career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works—drawings and paintings created in the 1940s while she was studying at Black Mountain College—this beautiful volume traces Asawa’s flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa’s work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).
Author: Richard Tuttle
Publisher: Indiana University Press
ISBN: 9789080096820
Category : Art
Languages : en
Pages : 98
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Book Description
This handsome catalog of an exhibition organized by the IndianapolisMuseum of Art and the Instituto Valenciano de Arte Moderno in Spain celebrates thepost-minimalist works of contemporary artist Richard Tuttle.
Author: Tamara H. Schenkenberg
Publisher: Yale University Press
ISBN: 0300242697
Category : Art
Languages : en
Pages : 161
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Book Description
Bringing together works from across Asawa's career, this expansive and beautifully illustrated volume examines her output both as an artist and as a passionate advocate for arts education.
Author: Christine Macel
Publisher: Yale University Press
ISBN: 0300214820
Category : Art
Languages : en
Pages : 353
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Book Description
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Author: Ruth Asawa
Publisher: David Zwirner Books
ISBN: 194170168X
Category : Art
Languages : en
Pages : 201
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Book Description
Known for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground. Presenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. Together the body of work demonstrates the centrality of Asawa’s innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist’s life and work. Featuring an extensive text by Tiffany Bell which explores the artist’s influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa’s work in relation to mid-twentieth century art history, culture, and scientific theory.
Author: Steven D. Gish
Publisher: Ohio University Press
ISBN: 0821446347
Category : Biography & Autobiography
Languages : en
Pages : 538
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Book Description
In 1993, white American Fulbright scholar Amy Biehl was killed in a racially motivated attack near Cape Town, after spending months working to promote democracy and women’s rights in South Africa. The ironic circumstances of her death generated enormous international publicity and yielded one of South Africa’s most heralded stories of postapartheid reconciliation. Amy’s parents not only established a humanitarian foundation to serve the black township where she was killed, but supported amnesty for her killers and hired two of the young men to work for the Amy Biehl Foundation. The Biehls were hailed as heroes by Nelson Mandela, Desmond Tutu, and many others in South Africa and the United States—but their path toward healing was neither quick nor easy. Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.
Author: Katherine Duncan-Aimone
Publisher: Lark Books
ISBN: 9781579904838
Category : Crafts & Hobbies
Languages : en
Pages : 436
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Book Description
The bowl is one of the most traditional forms, but contemporary artists who work in wood understand that it has tremendous potential. These 500 exquisite examples, many by pioneering artisans, show just how much the bowl has been “reinvented” by craftpeople all over the world as both an iconic object and as a departure for self-expression. On display are a wide range of woodworking approaches, from chisel to chainsaw to router to bandsaw. Some have carvings on the suface; others feature paint and mixed media; while many more stay close to what nature provided, with the wood simply sanded and sealed. The talented creators include James Prestini, Bob Stocksdale, Rude Osolnik, Mel Lindquist, Ed Moulthrop, Mark Lindquist, David Ellsworth, and William Hunter.
Author: Arline Fisch
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781600594816
Category : Crafts & Hobbies
Languages : en
Pages : 132
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Book Description
Over the past ten years, crochet has developed in an exciting new direction, as many artists have begun using wire to create unique jewelry. Arline Fisch, an internationally acclaimed jeweler and one of the foremost experts in adapting textile techniques for metal, introduces this new form of needlework and provides a wide range of exceptional projects from 16 international designers.
Author: David Coombes
Publisher: Simon and Schuster
ISBN: 1921941278
Category : History
Languages : en
Pages : 437
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Book Description
"Truly we are objects of interest to the Jerries we meet on the road, and especially in the villages. Taunts are hurled at us; epithets are numerous, and souvenir hunters molest us, but so far not violently. After passing through the village of Villers, we come across some British prisoners who are clearing the road, and they present a sorry spectacle, unshaven and dirty looking... Some offered some appeal for food, but we have none to give. In fact we are ourselves hungry... Their predicament does not create in us a very favourable impression, although I like others, do not realise the seriousness of what is in store for us. The future is a blank, as no-one knows what it holds." So wrote an Australian prisoner-of-war, Corporal Lancelot Davies, only recently taken prisoner at the first battle of Bullecourt, on 11 April 1917. For him - like another 1,200 Australians captured at Bullecourt - the future was indeed `blank' and unpredictable. The experiences of Australian prisoners of war (POWs) or Kriegsgefangeners held captive in Germany has been largely forgotten or ignored- overshadowed by the terrible stories of Australians imprisoned by the Japanese during World War II. Yet, as David Coombes makes known, the stories are interesting and significant - not only providing an account of what those young Australian soldiers experienced, and the spirit they showed in responding to captivity - but also for the insight it provides into Germany in the last eighteen months of the war. Drawing on previous inaccessible records, Coombes focuses on one Australian brigade, the 4th Infantry, from its formation in 1914, through Gallipoli to its baptism of fire on the Western Front, culminating in the first battle of Bullecourt - which, in turn, leads to the prisoner of war experience.
