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Author: Eric Walrond
Publisher: Wayne State University Press
ISBN: 9780814327098
Category : African Americans
Languages : en
Pages : 356
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Book Description
A new anthology of works by a major writer from the New Negro Movement.
Author: Eric Walrond
Publisher: Wayne State University Press
ISBN: 9780814327098
Category : African Americans
Languages : en
Pages : 356
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Book Description
A new anthology of works by a major writer from the New Negro Movement.
Author: Bruce Jackson
Publisher: University of Georgia Press
ISBN: 9780820321585
Category : Music
Languages : en
Pages : 388
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Book Description
Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.
Author: Kristian Van Haesendonck
Publisher: Rodopi
ISBN: 940121168X
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
From wide-ranging overviews of the entire region to close readings of specific works, this volume opens a fascinating window on the literatures and cultures of the Caribbean, covering texts in the multiplicity of languages used in the wider Caribbean: Spanish, English, French, Dutch, Portuguese, and the region’s many creoles. Authors and works discussed range from luminaries such as Derek Walcott to hitherto practically unknown works in Antillean creole languages. Underlying is the idea to foster the study of the Caribbean literary, artistic and visual text through a comparative lens, a firm proposal to think beyond the persisting linguistic barriers and scholarly divides in the field. As such, Caribbeing: Comparing Caribbean Literatures and Cultures brings a new approach to the Caribbean embracing the region’s linguistic multiplicity and complexity without eschewing the many theoretical challenges and obstacles such a scholarly endeavor entails. Because of its ample scope this book will appeal to scholars and students working on the Caribbean and Latin America, but also to those interested in the broader fields of postcolonial and cultural studies. “This book is much more than a book on the Caribbean: it underlines the global dimensions and relevance of Caribbean Studies in the twenty-first century. Following carefully the crossroads of literatures and cultures, it shows new routes allowing us to rethink our world(s) in a transarchipelagic mode. An eye-opener: accelerated globalization is unthinkable without the Caribbean.” (Ottmar Ette, University of Potsdam) “Rarely have the multiple flows and enduring traumas of Caribbean culture been explored from such a boldly wide-ranging and profoundly comparative set of perspectives. An indispensable work that sets a new standard for Caribbeanist scholarship.” (Maarten van Delden, Universtiy of California, Los Angeles)
Author: Philip Bader
Publisher: Infobase Publishing
ISBN: 1438107838
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Author: Robert Bone
Publisher: Rutgers University Press
ISBN: 0813550432
Category : History
Languages : en
Pages : 326
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Book Description
A dynamic reappraisal of a neglected period in African American cultural history from the early 1930s to the cold war, and the first comprehensive critical study of the creative awakenting that occurred on Chicago's South Side -- from cover.
Author: Peter Nicholls
Publisher: Bloomsbury Publishing
ISBN: 1137114924
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Peter Nicholls provides original analytic accounts of the main Modernist movements. Close readings of key texts monitor the histories of Futurism, Expressionism, Cubism, Dadaism and Surrealism. This new edition includes discussion of the recent research trends, examination of developments in the US, and a new chapter on African-American Modernisms.
Author: James Davis
Publisher: Columbia University Press
ISBN: 0231538618
Category : Biography & Autobiography
Languages : en
Pages : 439
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Book Description
Eric Walrond (1898–1966) was a writer, journalist, caustic critic, and fixture of 1920s Harlem. His short story collection, Tropic Death, was one of the first efforts by a black author to depict Caribbean lives and voices in American fiction. Restoring Walrond to his proper place as a luminary of the Harlem Renaissance, this biography situates Tropic Death within the author's broader corpus and positions the work as a catalyst and driving force behind the New Negro literary movement in America. James Davis follows Walrond from the West Indies to Panama, New York, France, and finally England. He recounts his relationships with New Negro authors such as Countée Cullen, Charles S. Johnson, Zora Neale Hurston, Alain Locke, and Gwendolyn Bennett, as well as the white novelist Carl Van Vechten. He also recovers Walrond's involvement with Marcus Garvey's journal Negro World and the National Urban League journal Opportunity and examines the writer's work for mainstream venues, including Vanity Fair. In 1929, Walrond severed ties with Harlem, but he did not disappear. He contributed to the burgeoning anticolonial movement and print culture centered in England and fueled by C. L. R. James, George Padmore, and other Caribbean expatriates. His history of Panama, shelved by his publisher during the Great Depression, was the first to be written by a West Indian author. Unearthing documents in England, Panama, and the United States, and incorporating interviews, criticism of Walrond's fiction and journalism, and a sophisticated account of transnational black cultural formations, Davis builds an eloquent and absorbing narrative of an overlooked figure and his creation of modern American and world literature.
Author: Michelle Ann Stephens
Publisher: Duke University Press
ISBN: 0822376652
Category : Social Science
Languages : en
Pages : 323
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Book Description
In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers—Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley—to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other—intersubjective, pre-discursive, and sensuous—forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.
Author: Roland Leander Williams Jr.
Publisher: Syracuse University Press
ISBN: 0815652879
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: “the shaman” or “the scoundrel.” Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors’ performances of one or the other stereotype within each man’s personal history and within the country’s historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America’s ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle’s seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America.
Author: Louis Chude-Sokei
Publisher: Duke University Press
ISBN: 0822387069
Category : Social Science
Languages : en
Pages : 289
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Book Description
The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes. Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.
