William Walton PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download William Walton PDF full book. Access full book title William Walton by Stephen Lloyd. Download full books in PDF and EPUB format.
Author: Stephen Lloyd
Publisher: Boydell & Brewer
ISBN: 9780851158037
Category : Biography & Autobiography
Languages : en
Pages : 364
Get Book Here
Book Description
"Using first-hand accounts, including contemporary correspondence, articles and interviews, this account of Walton's life also draws on material newly available relating to his friends and associates. The reception of Facade and Walton's work in both films and radio are fully explored."--BOOK JACKET.
Author: Stephen Lloyd
Publisher: Boydell & Brewer
ISBN: 9780851158037
Category : Biography & Autobiography
Languages : en
Pages : 364
Get Book Here
Book Description
"Using first-hand accounts, including contemporary correspondence, articles and interviews, this account of Walton's life also draws on material newly available relating to his friends and associates. The reception of Facade and Walton's work in both films and radio are fully explored."--BOOK JACKET.
Author: Susana Walton
Publisher:
ISBN:
Category :
Languages : en
Pages : 255
Get Book Here
Book Description
Author: Stewart Craggs
Publisher: OUP Oxford
ISBN: 0193409895
Category : Music
Languages : en
Pages : 407
Get Book Here
Book Description
This revised, updated, and expanded edition of the definitive catalogue of works by Sir William Walton (1902-83) follows the completion of the William Walton Edition. A comprehensive source of musical and documentary information relevant to Walton's life and work, the catalogue features full details of composition dates, instrumentation, first performance, publication, the location of autograph manuscripts, critical comment, and significant recordings, as well as previously undiscovered pieces. Appended are a helpful bibliography for further reading and indexes including for works, authors of texts, first lines, and dedicatees.
Author: Paolo Petrocelli
Publisher: Universal-Publishers
ISBN: 1599426544
Category :
Languages : en
Pages : 81
Get Book Here
Book Description
The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 1900 and 1920: Stanford*, Elgar, Coleridge-Taylor, Delius. - the second discusses the Concertos for Violin and Orchestra of the composers active in England between 1920 and 1940: Vaughan Williams, Somervell, Bax, Britten. - The third part discusses the Concerto for Violin and Orchestra of William Walton. At the beginning there is a brief digression on the shape of the Concerto for Violin and Orchestra between the XIX and XX century in Europe, aimed to provide base knowledge of the characteristics of this musical form and to initiate a comparison between the various national composing styles. Each part is introduced by means of a generic historical-musical description of England and presents, after a biographical exposition of the composers, a formal, structural, harmonic and aesthetic analysis more or less extensive of the single concerts, along with a study of the technical aspects of the performance and a reflection on the composer-performer relationship. At the end of each part a comparative compendium is presented. The first and second part are entirely developed in function of the third, that discusses exclusively and in a more detailed manner the Concerto for Violin and Orchestra of William Walton, the work that provoked the most interest in me. To conclude the introduction, in the appendix there are some unpublished quotes, gained during the research work for this dissertation, given by well-known composers, regarding some of the discussed concertos, particularly in relation to Walton's. I believe this to be a precious contribution, that enriches and completes a reflection started in the dissertation, on the purely technical aspect of music for violin of British composers in the first half of the XIX century. * Concerto in D major Op.74 (1899), last concerto for violin and orchestra of the XIX century in England.
Author: Will Walton
Publisher: Scholastic Inc.
ISBN: 0545709571
Category : Young Adult Fiction
Languages : en
Pages : 176
Get Book Here
Book Description
From the author of the poignant and provocative debut Anything Could Happen comes an astonishing novel in verse about love, death, and the poetry we find when we most need it. How do you deal with a hole in your life?Do you turn to poets and pop songs?Do you dream? Do you try on love just to see how it fits? Do you grieve? If you're Avery, you do all of these things. And you write it all down in an attempt to understand what's happened--and is happening--to you. I Felt a Funeral, In My Brain is an astonishing novel about navigating death and navigating life, at a time when the only map you have is the one you can draw for yourself.
Author: Humphrey Burton
Publisher: Oxford University Press, USA
ISBN: 9780198162353
Category : Music
Languages : en
Pages : 182
Get Book Here
Book Description
Almost two decades after his death Walton's reputation is higher than ever - many of his masterworks remain firm favourites in the concert repertoire, notably his eloquent concertos for violin, viola and cello, his dramatic cantata Belshazzar's Feast, his vivid film scores (such as Henry V), his powerful First Symphony (the creative outcome of a tempestuous love affair) and the sparkling entertainment Facade, a brilliant divertissement based on Edith Sitwell's poems and composed before hewas twenty. Born in the cotton town of Oldham, young Billie's life was transformed when he won a boy chorister's scholarship to Christ Church, Oxford. He soon lost his Lancashire accent but never his innate canniness. His remarkable creative gifts were spotted early both by Hubert Parry (of "Jerusalem" fame) and the intellectually adventurous circle surrounding the Sitwell family, who persuaded him, since he was determined not to return to the narrow confines of life in Oldham, that he should quit Oxford without a degree to live with them in Jazz-Age London and earn his living purely as a composer. He stuck to music but it made him only a pittance, however, and he became a self-acknowledged scrounger, lodging with the Sitwells for over ten years. His evident genius and his romantic good looks saw him taken up by rich admirers such as the poet Siegfried Sassoon and the rich industrialist Samuel Corutauld, to whose mistress, Christabel Aberconway, he dedicated his first orchestral masterpiece, the 1929 Viola Concerto. His idyllic relationship with a beautiful but impecunious German princess ended in an emotional turmoil that held up completion of his First Symphony for over a year. Walton then became the lover of a woman 22 years his senior, Alice, Viscountess Wimborne, a powerful society hostess who guided his career and chose the librettist, Christopher Hassall, for his first opera Troilus and Cressida. Within a year of her death in 1948 (when he was 46) hemet the vivacous 22 year old Susana Gil Passo and they married after a whirlwind courtship. On their honeymoon he announced that he did not want children and intended to live in Italy. They settled on the island of Ischia in the Bay of Naples, eventually acquiring a plot of rocky hillside land upon which they developed the villas and estate of La Mortella, now one of Italy's best-known gardens. A professional composer to his fingertips, always writing to commission, Walton's critical reputation sagged during his self-imposed Italian exile. But he demonstrated an uncanny flair for tapping a patriotic vein in such popular works as Crown Imperial, Orb and Sceptre and the Coronation Te Deum. A knighthood awarded in 1951 was followed by other honours, notably the Order of Merit. His final years were dogged by ill health - including a near fatal attack of lung cancer - and by a depressing sense of creative impotence; lack of inspiration forced him to abandon plans in his seventies to compose a Third Symphony. The authors Humphrey Burton and Maureen Murray worked with Walton on Ischia and have retained their Waltonian links since his death in 1983: she is curator of the Walton Archive and he is a member of the Walton Trust. With their shared background in television documentary they have adopted a filmic approach to this new pictorial biography. Each of its eight chapters opens with a succinct descriptive essay highlighting Walton's life and his significant musicalachievements: the narrative text is followed by many pages of illustrations, in which portraits by Cecil Beaton, Bill Brandt, Norman Parkinson and many others are interspersed with hitherto unpublished family photographs, music manuscript, press cuttings, playbills etc., all accompanied by commentary, reminiscences, anecdotes and liberal quotations from Walton's typically trenchant letters and self-deprecating interviews for radio and television. Much more than a coffee-table book, this centenary tribute conveys the essence of Walton's personality and provides a measure of his colossal artistic achievement. It will be essential reading for all lovers of his music and students of twentieth century musical life.
Author: William C. Walton
Publisher: CRC Press
ISBN: 9780873711081
Category : Technology & Engineering
Languages : en
Pages : 220
Get Book Here
Book Description
This practical new book details concepts, techniques, field work, case studies, and microcomputer models-information designed to improve accuracy and reliability.
Author:
Publisher: Kidderminster : Bravura
ISBN:
Category : Music
Languages : en
Pages : 194
Get Book Here
Book Description
Author: William Walton
Publisher:
ISBN: 9780578973715
Category : Juvenile Fiction
Languages : en
Pages : 92
Get Book Here
Book Description
Polly is the story of a horseshoe crab who discovers a sky full of stars on the night that she hatches, and wants to know more about what she sees. Not satisfied with the answers she gets from the other creatures of the sea, she sets out on her own to discover as much as she can. Her curiosity leads her to many amazing discoveries above the water, including the strange and enigmatic "two feet" that live there - but when one of those encounters leaves her with an unanswered question, her real journey of discovery begins. Polly is a story about self-discovery, the love of learning and exploration, and the quest for knowledge and wisdom. It's a gentle story told through the eyes of one of the world's most gentle and yet misunderstood creatures.
Author: Nathaniel G. Lew
Publisher: Routledge
ISBN: 1317009878
Category : Music
Languages : en
Pages : 260
Get Book Here
Book Description
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
