Author: William Rowley
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
William Rowley, His All's Lost by Lust
Author: William Rowley
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
A Critical, Old-Spelling Edition of William Rowley's A New Wonder, A Woman Never Vexed
Author: Trudi Laura Darby
Publisher: Routledge
ISBN: 0429656661
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
First published in 1988, this book offers a critical examination of William Rowley's 1632 play, A New Wonder, A Woman Never Vexed, including chapters on structure and technique, themes, critical history and staging.
Publisher: Routledge
ISBN: 0429656661
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
First published in 1988, this book offers a critical examination of William Rowley's 1632 play, A New Wonder, A Woman Never Vexed, including chapters on structure and technique, themes, critical history and staging.
A Shoemaker, a Gentleman
Author: William Rowley
Publisher: Theatre Arts Books
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Theatre Arts Books
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Changeling
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
William Rowley, His All's Lost by Lust
Author: William Rowley
Publisher:
ISBN: 9781354863565
Category :
Languages : en
Pages : 294
Book Description
Publisher:
ISBN: 9781354863565
Category :
Languages : en
Pages : 294
Book Description
Bulletin of the John Rylands University Library of Manchester
Author: John Rylands University Library of Manchester
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 522
Book Description
Bulletin of the John Rylands Library
Author: John Rylands Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
Book Description
The Modern Language Review
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1182
Book Description
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1182
Book Description
Digital Humanities and the Lost Drama of Early Modern England
Author: Matthew Steggle
Publisher: Routledge
ISBN: 1317150783
Category : Performing Arts
Languages : en
Pages : 250
Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Publisher: Routledge
ISBN: 1317150783
Category : Performing Arts
Languages : en
Pages : 250
Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
The Elizabethan Stage: Staging in the theatres: Seventeenth Century
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 538
Book Description
E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 538
Book Description
E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.