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Author: Caroline Arscott
Publisher: Paul Mellon Centre
ISBN: 9780300140934
Category : Art
Languages : en
Pages : 0
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Book Description
The friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and--despite their differences in temperament and in attitudes to political engagement--lasted until Morris's death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has not previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists. Published for the Paul Mellon Centre for Studies in British Art
Author: Caroline Arscott
Publisher: Paul Mellon Centre
ISBN: 9780300140934
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
The friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and--despite their differences in temperament and in attitudes to political engagement--lasted until Morris's death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has not previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones's painting and Morris's designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists. Published for the Paul Mellon Centre for Studies in British Art
Author: Fiona MacCarthy
Publisher: Harvard University Press
ISBN: 0674065565
Category : Architecture
Languages : en
Pages : 696
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Book Description
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author: Duncan Robinson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 124
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Book Description
"The Kelmscott Chaucer is widely held to be one of the most magnificent printed books ever produced. For forty years Morris and Burne-Jones had worked together on a variety of projects: this was their last and greatest venture. The book describes the growth of the monumental Chaucer from a more modest concept through its many production problems to its final form on publication in 1896. The author also traces the development of the ideas for the illustrations which were suggested by the text and modified by practical concern for page layout and reproduction quality. There are a number of illustrations of designs which Burne-Jones made but never used. The final drawings from which ink interpretations were made and the woodblocks engraved are reproduced to facsimile standards. There are a number of reproductions of the engravings themselves, and several of the full decorated pages are shown."--book jacket.
Author: Geoffrey Chaucer
Publisher: Collector's Library
ISBN: 9781907360510
Category : Book ornamentation
Languages : en
Pages : 576
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Book Description
The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.
Author: William Morrsi
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
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Book Description
Author: Martin Ellis
Publisher:
ISBN: 9781885444479
Category :
Languages : en
Pages : 280
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Book Description
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Author: William Morris
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 166
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Book Description
Author: Edward Coley Burne-Jones
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 106
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Book Description
Author: William Morris
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
100 pages of beautiful copyright-free tailpieces, decorative letters, elaborate floral borders and frames, samples of body type, and all 98 delicate woodcut illustrations. A magnificent capsulation of fine printing beauty for browsing or for use by commercial artists.
