Author: William J. Dawson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Health & Fitness
Languages : en
Pages : 184
Book Description
Fit as a Fiddle provides current and important health-related information for all instrumentalists, presented in an understandable and readable fashion. Dr. Dawson includes a section on basic body structure and function, avoiding medical jargon, and setting the stage for following chapters.
Fit as a Fiddle
Author: William J. Dawson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Health & Fitness
Languages : en
Pages : 184
Book Description
Fit as a Fiddle provides current and important health-related information for all instrumentalists, presented in an understandable and readable fashion. Dr. Dawson includes a section on basic body structure and function, avoiding medical jargon, and setting the stage for following chapters.
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Health & Fitness
Languages : en
Pages : 184
Book Description
Fit as a Fiddle provides current and important health-related information for all instrumentalists, presented in an understandable and readable fashion. Dr. Dawson includes a section on basic body structure and function, avoiding medical jargon, and setting the stage for following chapters.
Negro Musicians and their Music
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
The Cycle Breaker
Author: Judge William Dawson
Publisher: Bookbaby
ISBN: 9780976991557
Category : Self-Help
Languages : en
Pages : 0
Book Description
"The Cycle Breaker" is a story of five men from different walks of life who, based on their decisions, find themselves on the brink of destruction. Before it's too late the men are whisked away to a secret camp where they learn the keys to empowerment, transformation and success. "The Cycle Breaker" is a journey from seeking to being, from simply recognizing what our best life is, to breaking the cycles that keep us from living it. It's a journey that we all must take, the only question is do we take this journey on our own or will life's trials and tribulations force the journey on us? . "The Cycle Breaker" offers sage advice you can use to move ahead in your personal or professional life. It's a powerful parable with inspiring insights about avoiding derailment in your life. . "The Cycle Breaker" unlocks the secrets to winning in a simple, yet profound, story. The story is uplifting, enjoyable and easy-to-read.
Publisher: Bookbaby
ISBN: 9780976991557
Category : Self-Help
Languages : en
Pages : 0
Book Description
"The Cycle Breaker" is a story of five men from different walks of life who, based on their decisions, find themselves on the brink of destruction. Before it's too late the men are whisked away to a secret camp where they learn the keys to empowerment, transformation and success. "The Cycle Breaker" is a journey from seeking to being, from simply recognizing what our best life is, to breaking the cycles that keep us from living it. It's a journey that we all must take, the only question is do we take this journey on our own or will life's trials and tribulations force the journey on us? . "The Cycle Breaker" offers sage advice you can use to move ahead in your personal or professional life. It's a powerful parable with inspiring insights about avoiding derailment in your life. . "The Cycle Breaker" unlocks the secrets to winning in a simple, yet profound, story. The story is uplifting, enjoyable and easy-to-read.
William L. Dawson and the Limits of Black Electoral Leadership
Author: Christopher Manning
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
"Congressman William Dawson served Chicago's Black community during the political awakening that culminated in the civil rights movement of the 1960s. His career reflects trends of the era: shifting party alliances, a growing Black presence in national politics, and changing tactics in the struggle for equality and civil rights"--Provided by publisher.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
"Congressman William Dawson served Chicago's Black community during the political awakening that culminated in the civil rights movement of the 1960s. His career reflects trends of the era: shifting party alliances, a growing Black presence in national politics, and changing tactics in the struggle for equality and civil rights"--Provided by publisher.
The Legal Matrix
Author: William Dawson
Publisher: Matrix Theory Communications
ISBN: 0976991519
Category : Law
Languages : en
Pages : 221
Book Description
Publisher: Matrix Theory Communications
ISBN: 0976991519
Category : Law
Languages : en
Pages : 221
Book Description
The Music of Black Americans
Author: Eileen Southern
Publisher: W. W. Norton
ISBN: 9780393018073
Category : African Americans
Languages : en
Pages : 602
Book Description
A narrative history of the music of African-Americans with emphasis on the folk music genres.
Publisher: W. W. Norton
ISBN: 9780393018073
Category : African Americans
Languages : en
Pages : 602
Book Description
A narrative history of the music of African-Americans with emphasis on the folk music genres.
William L. Dawson
Author: Gwynne Kuhner Brown
Publisher: University of Illinois Press
ISBN: 0252047141
Category : Music
Languages : en
Pages : 136
Book Description
William L. Dawson is recognized for his genre-defining choral spirituals and for his Negro Folk Symphony, a masterpiece enjoying a twenty-first-century renaissance. Gwynne Kuhner Brown’s engaging and tirelessly researched biography reintroduces a musical leader whose legacy is more important today than ever. Born in 1899, Dawson studied at the Tuskegee Institute in Alabama. He worked as a church, jazz, and orchestral musician in Kansas City and Chicago in the 1920s while continuing his education as a composer. He then joined the Tuskegee faculty, where for 25 years he led the Tuskegee Institute Choir to national prominence through performances of spirituals at the opening of Radio City Music Hall, on radio and television, and at the White House. The Philadelphia Orchestra conducted by Leopold Stokowski premiered Dawson’s Negro Folk Symphony in 1934. Engaging and long overdue, William L. Dawson celebrates a pioneering Black composer whose contributions to African American music, history, and education inspire performers and audiences to this day.
Publisher: University of Illinois Press
ISBN: 0252047141
Category : Music
Languages : en
Pages : 136
Book Description
William L. Dawson is recognized for his genre-defining choral spirituals and for his Negro Folk Symphony, a masterpiece enjoying a twenty-first-century renaissance. Gwynne Kuhner Brown’s engaging and tirelessly researched biography reintroduces a musical leader whose legacy is more important today than ever. Born in 1899, Dawson studied at the Tuskegee Institute in Alabama. He worked as a church, jazz, and orchestral musician in Kansas City and Chicago in the 1920s while continuing his education as a composer. He then joined the Tuskegee faculty, where for 25 years he led the Tuskegee Institute Choir to national prominence through performances of spirituals at the opening of Radio City Music Hall, on radio and television, and at the White House. The Philadelphia Orchestra conducted by Leopold Stokowski premiered Dawson’s Negro Folk Symphony in 1934. Engaging and long overdue, William L. Dawson celebrates a pioneering Black composer whose contributions to African American music, history, and education inspire performers and audiences to this day.
Hearings
Author: United States. Congress. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 1752
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1752
Book Description
The Story of the Jubilee Singers
Author: J. B. T. Marsh
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 250
Book Description
Blacks In and Out of the Left
Author: Michael C. Dawson
Publisher: Harvard University Press
ISBN: 0674074076
Category : Social Science
Languages : en
Pages : 207
Book Description
The radical black left that played a crucial role in twentieth-century struggles for equality and justice has largely disappeared. Michael Dawson investigates the causes and consequences of the decline of black radicalism as a force in American politics and argues that the conventional left has failed to take race sufficiently seriously as a historical force in reshaping American institutions, politics, and civil society. African Americans have been in the vanguard of progressive social movements throughout American history, but they have been written out of many histories of social liberalism. Focusing on the 1920s and 1930s, as well as the Black Power movement, Dawson examines successive failures of socialists and Marxists to enlist sympathetic blacks, and white leftists’ refusal to fight for the cause of racial equality. Angered by the often outright hostility of the Socialist Party and similar social democratic organizations, black leftists separated themselves from these groups and either turned to the hard left or stayed independent. A generation later, the same phenomenon helped fueled the Black Power movement’s turn toward a variety of black nationalist, Maoist, and other radical political groups. The 2008 election of Barack Obama notwithstanding, many African Americans still believe they will not realize the fruits of American prosperity any time soon. This pervasive discontent, Dawson suggests, must be mobilized within the black community into active opposition to the social and economic status quo. Black politics needs to find its way back to its radical roots as a vital component of new American progressive movements.
Publisher: Harvard University Press
ISBN: 0674074076
Category : Social Science
Languages : en
Pages : 207
Book Description
The radical black left that played a crucial role in twentieth-century struggles for equality and justice has largely disappeared. Michael Dawson investigates the causes and consequences of the decline of black radicalism as a force in American politics and argues that the conventional left has failed to take race sufficiently seriously as a historical force in reshaping American institutions, politics, and civil society. African Americans have been in the vanguard of progressive social movements throughout American history, but they have been written out of many histories of social liberalism. Focusing on the 1920s and 1930s, as well as the Black Power movement, Dawson examines successive failures of socialists and Marxists to enlist sympathetic blacks, and white leftists’ refusal to fight for the cause of racial equality. Angered by the often outright hostility of the Socialist Party and similar social democratic organizations, black leftists separated themselves from these groups and either turned to the hard left or stayed independent. A generation later, the same phenomenon helped fueled the Black Power movement’s turn toward a variety of black nationalist, Maoist, and other radical political groups. The 2008 election of Barack Obama notwithstanding, many African Americans still believe they will not realize the fruits of American prosperity any time soon. This pervasive discontent, Dawson suggests, must be mobilized within the black community into active opposition to the social and economic status quo. Black politics needs to find its way back to its radical roots as a vital component of new American progressive movements.