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Author: William Hesketh Lever Leverhulme (Viscount)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Author: Francis Greenacre
Publisher: Conran Octopus
ISBN:
Category : Watercolor painting, English
Languages : en
Pages : 178
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Book Description
Author: William Hesketh Lever Leverhulme (Viscount)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
Author: Scott Wilcox
Publisher: Hudson Hills
ISBN: 9781555950712
Category : Art
Languages : en
Pages : 206
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Book Description
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature. Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period. The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William HolmanHunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium. Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
Author: Andrew Oliver
Publisher: American University in Cairo Press
ISBN: 1617976326
Category : Travel
Languages : en
Pages : 344
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Book Description
The Treaty of Ghent signed in 1814, ending the War of 1812, allowed Americans once again to travel abroad. Medical students went to Paris, artists to Rome, academics to Göttingen, and tourists to all European capitals. More intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. Beginning with two eighteenth-century travelers, this book then turns to the 25-year period after 1815 that saw young men from East Coast cities, among them graduates of Harvard, Yale, and Columbia, traveling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Naval officers off ships of the Mediterranean squadron visited Cairo to see the pyramids. Two groups went on business, one importing steam-powered rice and cotton mills from New York, the other exporting giraffes from the Kalahari Desert for wild animal shows in New York. Drawing on unpublished letters and diaries together with previously neglected newspaper accounts, as well as a handful of published accounts, this book offers a new look at the early American experience in Egypt and the eastern Mediterranean world. More than thirty illustrations complement the stories told by the travelers themselves.
Author: Glasgow Art Gallery and Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 298
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Book Description
Author: Glasgow Art Gallery and Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
Author: Glasgow Art Gallery and Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
Author: Richard Stoneman
Publisher: Getty Publications
ISBN: 089236467X
Category : Art
Languages : en
Pages : 196
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Book Description
Over the centuries, many artists have been captivated by the unique light and landscape of Greece; from early cartographers to the impressionistic responses of the late nineteenth century, the Greek scene has continued to exert its fascination. This very personal anthology of depictions of Greece explores the changing attitude of travelers to Greece from medieval to modern times. A number of the selections relate to the historic events surrounding the War of Independence, including Lord Byron’s participation in it, which led to his death. Particular emphasis is given to the German painters of the 1830s and their pupils, who are comparatively little known in the English-speaking world. Framed by a text describing the relationship of artists to Greece, these images evoke the many moods of the country. The book is enhanced by succinct comments on the illustrations, a biographical index of the artists featured, and an introduction that discusses the development of the painterly approach to Greece.
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
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Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
