William Faulkner, William James, and the American Pragmatic Tradition PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download William Faulkner, William James, and the American Pragmatic Tradition PDF full book. Access full book title William Faulkner, William James, and the American Pragmatic Tradition by David H. Evans. Download full books in PDF and EPUB format.
Author: David H. Evans
Publisher: LSU Press
ISBN: 0807149284
Category : Literary Criticism
Languages : en
Pages : 363
Get Book Here
Book Description
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.
Author: David H. Evans
Publisher: LSU Press
ISBN: 0807149284
Category : Literary Criticism
Languages : en
Pages : 363
Get Book Here
Book Description
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.
Author: David H. Evans
Publisher: LSU Press
ISBN: 0807134236
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
In William Faulkner, William James, and the American Pragmatic Tradition, David H. Evans pairs the writings of America's most intellectually challenging modern novelist, William Faulkner, and the ideas of America's most revolutionary modern philosopher, William James. Though Faulkner was dubbed an idealist after World War II, Evans demonstrates that Faulkner's writing is deeply connected to the emergence of pragmatism as an intellectual doctrine and cultural force in the early twentieth century. Tracing pragmatism to its very roots, Evans examines the nineteenth-century confidence man of antebellum literature as the original practitioner of the pragmatic principle that a belief can give rise to its own objects. He casts this figure as the missing link between Faulkner and James, giving him new prominence in the prehistory of pragmatism. Moving on to Jamesian pragmatism, Evans contends that James's central innovation was his ability to define truth in narrative terms -- just as the confidence man did -- as something subjective and personal that continually shapes reality, rather than a set of static, unchanging facts. In subsequent chapters Evans offers detailed interpretations of three of Faulkner's most important novels, Absalom, Absalom!, Go Down, Moses, and The Hamlet, revealing that Faulkner, too, saw truth as fluid. By avoiding conclusion and finality, these three novels embody the pragmatic belief that life and the world are unstable and constantly evolving. Absalom, Absalom! stages a conflict of historical discourses that -- much like the pragmatic concept of truth -- can never be ultimately resolved. Evans shows us how Faulkner explores the conventional and arbitrary status of racial identity in Go Down, Moses, in a way that is strikingly similar to James's criticism of the concept of identity in general. Finally, Evans reads The Hamlet, a work that is often used to support the idea that Faulkner is opposed to modernity, as a depiction of a distinctly pragmatic and modern world. With its creative coupling of James's philosophy and Faulkner's art, Evans's lively, engaging book makes a bold contribution to Faulkner studies and studies of southern literature.
Author: David H. Evans
Publisher: Bloomsbury Publishing USA
ISBN: 1501302760
Category : Literary Criticism
Languages : en
Pages : 329
Get Book Here
Book Description
Psychologist, philosopher, teacher, writer-William James stood closer than any other thinker to the center of the confluence of intellectual and artistic forces that defined the culture of modernism. The outstanding feature of this volume lies in its intent to investigate James's influence on both American and International Modernism. It provides, on the one hand, a multifaceted introduction to students of history, philosophy, and culture, and on the other, a compendium of some of the most up-to-date thinking on this central figure. James's first book, Principles of Psychology (1890) immediately established James as the leading psychologist of his time, at a moment in history when psychology seemed to offer the promise of finding some definitive answers to eternal philosophical conundra. James's innovations would register a clear effect on much modernist art, most evidently in the stylistic prose experiments of James Joyce, Virginia Woolf, and their imitators. James's tentative skepticism concerning the concept of consciousness as such, and the post-Cartesian ego that was its foundation, also anticipates the questioning of the subject that would be the theme of much modern, and indeed postmodern thought. The contributors to this volume explore James's most essential texts as well as his influence on contemporary writers, artists, and thinkers. The final section is a glossary of James's key terms, with entries written by leading experts.
Author: Michela Bella
Publisher: Rowman & Littlefield
ISBN: 1498560636
Category : Philosophy
Languages : en
Pages : 271
Get Book Here
Book Description
Ontology after Philosophical Psychology addresses the question of William James’s continuity of consciousness, with a view to its possible actualizations. In particular, Michela Bella critically delineates James's discourse. In the wake of Darwin's theory of evolution at the end of the nineteenth century, James's reflections emerged in the field of physiological psychology, where he developed for the case for a renewed epistemology and a new metaphysical framework to help us understand the most interesting theories and scientific discoveries about the human mind. Bella’s analysis of the theme of continuity makes it possible to appreciate, both historically and theoretically, the importance of James's gradual transition from making observations of experimental psychology on the continuity of thought to developing an epistemological and ontological argument that continuity is a characteristic of experience and reality. This analysis makes it possible both to clarify James's position in relation to his historical context and to highlight the most original results of his work.
Author: Julian Murphet
Publisher: LSU Press
ISBN: 0807159492
Category : Literary Criticism
Languages : en
Pages : 289
Get Book Here
Book Description
William Faulkner in the Media Ecology explores the Nobel Prize-winning author immersed in the new media of his time. Intersecting with twentieth-century technology such as photography, film, and sound recording, these twelve essays portray Faulkner as not only as a writer looking back on the history of the U.S. South, but also as a screenwriter, aviator, and celebrity. This fresh, interdisciplinary approach to Faulkner presents an innovative way of reassessing a body of literary work that has engaged readers and critics for over sixty years. Essays by John T. Matthews, Catherine Gunther Kodat, Stefan Solomon, and Donald M. Kartiganer assess how Faulkner's legacy has been shaped through media adaptation and public commemoration of his work. Jay Watson, Michael Zeitlin, Sarah Gleeson-White, Robert Jackson, and Sascha Morrell consider a range of media relevant to the creation of the writer's stories and ways to recalibrate traditional thinking about his writing. Mark Steven, Peter Lurie, and Richard Godden examine how the vastly different mediations of both cinema and money influenced Faulkner's work. Editors Julian Murphet and Stefan Solomon have brought together some of the most prominent voices in Faulkner studies, along with a number of emerging scholars, to construct a portrait of Faulkner as a thoroughly modern writer, as much attuned to the evolution of the contemporary world as he was to the past.
Author: M. Wainwright
Publisher: Springer
ISBN: 0230612059
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
Displaying a wide range of knowledge and interpretive skill, Darwin and Faulkner's Novels reexamines the fiction of the great twentieth century American author from the interdisciplinary perspective of sociobiology. Challenging the assumption that Faulkner's South was nothing other than a reactionary wilderness and charting the manner in which Faulkner learned and applied his evolutionary concepts, this book unsettles staid interpretations of the Falknerian canon and overturns habitual judgments as to the value of his later novels.
Author: Jennifer J. Smith
Publisher: Edinburgh University Press
ISBN: 1474423957
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
Explores the contradictory position of Arabic being both the official language and marginalized in Israel
Author: Peter Lurie
Publisher: Oxford University Press
ISBN: 0199797315
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
American Obscurantism argues for a salutary indirection in US culture. Critiquing the impulse to see history in seminal works like Griffith's Birth of a Nation and the residual positivism of New Historicist methodology, the book challenges this shared visual epistemology . It traces meaningful exceptions to this pattern across canonical figures from US literature and film.
Author: Mohammad Sadegh Najjarzadeha
Publisher: Verlag Traugott Bautz
ISBN: 3689119839
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Get Book Here
Book Description
Die Mehrheit der Forschung zu Girards Theorien, wie „mimetisches Begehren“, „interne und externe Vermittlung“ und „Erwerbsrivalität“, geht im Allgemeinen davon aus, dass Girard den „Sündenbockmechanismus“ als eine Art Segen oder gesegnete Gewalt ansieht, die in den andauernden Erwerbsrivalitäten entwurzelt werden könnte und den Fluss der Gewalt behindert. Diese Studien sind nicht irrend, da Girard seine Theorien in Verbindung mit der Literatur in seinem Meisterwerk Deceit, Desire, and the Novel aufgegriffen, erklärt und erprobt hat. Jedoch glaube ich, dass diese Studien eine wesentliche Änderung in Girards Theorie übersehen haben, die ich als einen „nachträglichen Einfall“ in seiner Studie über den Sündenbockmechanismus bezeichnen würde. Girard modifiziert seine Theorie stillschweigend, indem er Zweifel an der „konstruktiven Funktion“ jedes Opfers nach der Kreuzigung Jesu Christi aufkommen lässt, sei es erzwungen oder freiwillig. Dieser „Anflug von Ungläubigkeit“ hinsichtlich der Wirksamkeit des Sündenbockmechanismus wird sogar noch durch den Schweizer Theologen Raymund Schwager in seinem Hauptwerk Muss es Sündenböcke geben? unterstützt. Ich wage es, diesen gleichen Hauch von Ungläubigkeit „Girards Zweifel“ zu nennen und beabsichtige, diesen in ausgewählten Werken der Appalachenliteratur aus den 1920er bis 1970er Jahren zu untersuchen. Diese Studie untersucht die Effizienz des „Sündenbockmechanismus“ in sechs Romanen von drei Autoren aus dem amerikanischen Süden: William Faulkner, Flannery O’Connor und Cormac McCarthy. Die Arbeit beginnt mit einer Einführung in die Geographie, Geschichte und Literatur des Südens. Darauf folgt ein Überblick über Girards Ideologie und Methoden. Im ersten Kapitel konzentriere ich mich auf die Beziehung zwischen dem Sündenbockmechanismus – in Form von Opfermord – und Afroamerikanern, indem ich Faulkners The Sound and the Fury und Sanctuary untersuche. Im zweiten Kapitel analysiere ich O’Connors Wise Blood und The Violent Bear It Away, um zu untersuchen, ob die Vorstellung von gewalttätiger Gnade oder soteriologischem Opfer notwendigerweise zu Glückseligkeit führen würde. Für das letzte Kapitel habe ich McCarthys Outer Dark und Child of God ausgewählt, um den bürgerlichen strafrechtlichen Sündenbockmechanismus zu untersuchen, der von der Gesellschaft entwickelt wurde, um den Fluss der Gewalt zu kontrollieren. The prevailing scholarship on René Girard’s theories—such as “mimetic desire,” “internal and external mediation,” and “acquisitive rivalry”—largely interprets his concept of the “scapegoat mechanism” as a kind of redemptive or sanctified violence capable of curbing the perpetuation of conflict. While these interpretations are not entirely misplaced, given that Girard originally presented and tested these ideas within the framework of Western literature in his seminal work Deceit, Desire, and the Novel, they tend to overlook a crucial revision in Girard’s thought. I propose that what I call Girard’s “afterthought” subtly revises his earlier theory by casting doubt on the “constructive function” of any form of sacrifice—be it coerced or voluntary—following the Crucifixion of Jesus Christ. This nuance is further reinforced by Swiss theologian Raymund Schwager, who accentuates this “tinge of incredulity” regarding the efficacy of the scapegoat mechanism in Must There Be Scapegoats? Thus, I venture to label this skepticism as “Girard’s Doubt,” and aim to explore its presence in selected Appalachian literature from the 1920s to the 1970s. This study scrutinizes the effectiveness of the scapegoat mechanism in six novels by three prominent Southern American authors: William Faulkner, Flannery O’Connor, and Cormac McCarthy. It opens with an overview of the American South’s geography, history, and literary tradition, followed by a detailed exposition of Girard’s ideological framework and methodology. In the first chapter, I examine the role of the scapegoat mechanism, particularly in the form of sacrificial lynching, and its relationship to African Americans in Faulkner’s The Sound and the Fury and Sanctuary. The second chapter delves into O’Connor’s Wise Blood and The Violent Bear It Away to determine whether the notion of violent grace or sacrificial salvation invariably leads to spiritual fulfillment. The final chapter focuses on McCarthy’s Outer Dark and Child of God, exploring the civic penal scapegoat mechanism employed by society as a means of controlling violence. Sadegh Najjarzadeha completed his doctoral dissertation in English Literature, with a specialized focus on American Studies, at Göttingen University, Germany. His scholarly work applies René Girard’s philosophical framework to the analysis of 20th-century Southern U.S. literature, culminating in the coining of the term “Girard’s Doubt”—a profound examination of the limitations of sacrifice in breaking the cycle of violence. His master’s thesis, titled The New Idol of Postmodern America, critically engages with the rise of consumerism, drawing on Zygmunt Bauman’s theories to interrogate postmodern American novels.
Author: Michael Wainwright
Publisher: Springer Nature
ISBN: 3030688720
Category : Literary Criticism
Languages : en
Pages : 319
Get Book Here
Book Description
This book offers the first comprehensive investigation of ethics in the canon of William Faulkner. As the fundamental framework for its analysis of Faulkner’s fiction, this study draws on The Methods of Ethics, the magnum opus of the utilitarian philosopher Henry Sidgwick. While Faulkner’s Ethics does not claim that Faulkner read Sidgwick’s work, this book traces Faulkner’s moral sensitivity. It argues that Faulkner’s language is a moral medium that captures the ways in which people negotiate the ethical demands that life places on them. Tracing the contours of this evolving medium across six of the author’s major novels, it explores the basic precepts set out in The Methods of Ethics with the application of more recent contributions to moral philosophy, especially those of Jacques Derrida and Derek Parfit.
