Author: Charlotte C. Morse
Publisher:
ISBN:
Category : Dreams in literature
Languages : en
Pages : 830
Book Description
William Dunbar: His Vision Poetry and the Medieval Poetic Tradition
Author: Charlotte C. Morse
Publisher:
ISBN:
Category : Dreams in literature
Languages : en
Pages : 830
Book Description
Publisher:
ISBN:
Category : Dreams in literature
Languages : en
Pages : 830
Book Description
Dreaming in the Middle Ages
Author: Steven F. Kruger
Publisher: Cambridge University Press
ISBN: 052141069X
Category : History
Languages : en
Pages : 270
Book Description
Stephen Kruger considers previously neglected material and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
Publisher: Cambridge University Press
ISBN: 052141069X
Category : History
Languages : en
Pages : 270
Book Description
Stephen Kruger considers previously neglected material and arrives at a new understanding of this literary genre, and of medieval attitudes to dreaming in general.
The Idea of the Labyrinth from Classical Antiquity through the Middle Ages
Author: Penelope Reed Doob
Publisher: Cornell University Press
ISBN: 150173847X
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Publisher: Cornell University Press
ISBN: 150173847X
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Seamus Heaney and Medieval Poetry
Author: Conor McCarthy
Publisher: DS Brewer
ISBN: 9781843841418
Category : Language Arts & Disciplines
Languages : en
Pages : 214
Book Description
Seamus Heaney's engagement with medieval literature constitutes a significant body of work by a major poet including a landmark translation of "Beowulf". This title examines both Heaney's direct translations and his adaptation of medieval material in his original poems.
Publisher: DS Brewer
ISBN: 9781843841418
Category : Language Arts & Disciplines
Languages : en
Pages : 214
Book Description
Seamus Heaney's engagement with medieval literature constitutes a significant body of work by a major poet including a landmark translation of "Beowulf". This title examines both Heaney's direct translations and his adaptation of medieval material in his original poems.
Scripting the Nation
Author: Katherine H Terrell
Publisher:
ISBN: 9780814214626
Category :
Languages : en
Pages :
Book Description
Combines literary and historiographical scholarship to examine Scottish writers who created a literary-cultural nationalist project by appropriating and subverting English literary models.
Publisher:
ISBN: 9780814214626
Category :
Languages : en
Pages :
Book Description
Combines literary and historiographical scholarship to examine Scottish writers who created a literary-cultural nationalist project by appropriating and subverting English literary models.
Bards and Makars
Author: A. J. Aitken
Publisher: University of Glasgow French and German Publications
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 268
Book Description
Publisher: University of Glasgow French and German Publications
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 268
Book Description
Dunbar the Makar
Author: Priscilla J. Bawcutt
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
William Dunbar is a poet whose virtuosity is often praised, but rarely analyzed. This first major study of his work to be published in over ten years examines his view of himself as a major poet, or "makar," and the way he handles various poetic genres. It challenges the over-simplified and reductive views purveyed by some critics, that Dunbar is primarily a moralist or no more than a talented virtuoso. New emphasis is placed on the petitions, or begging-poems, and their use for poetic introspection. There is also a particularly full study of Dunbar's under-valued comic poems, and of the modes most congenial to him--notably parody, irony, "flyting" or invective, and black dream-fantasy. Taking account of recent scholarship, Priscilla Bawcutt explores the complex literary traditions available to Dunbar, both in Latin and the vernaculars, including "popular" and alliterative poetry as well as that of Chaucer and his followers. This original, learned, and critically searching book is set to become the leading analysis of one of the most fascinating and accomplished of medieval poets.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 446
Book Description
William Dunbar is a poet whose virtuosity is often praised, but rarely analyzed. This first major study of his work to be published in over ten years examines his view of himself as a major poet, or "makar," and the way he handles various poetic genres. It challenges the over-simplified and reductive views purveyed by some critics, that Dunbar is primarily a moralist or no more than a talented virtuoso. New emphasis is placed on the petitions, or begging-poems, and their use for poetic introspection. There is also a particularly full study of Dunbar's under-valued comic poems, and of the modes most congenial to him--notably parody, irony, "flyting" or invective, and black dream-fantasy. Taking account of recent scholarship, Priscilla Bawcutt explores the complex literary traditions available to Dunbar, both in Latin and the vernaculars, including "popular" and alliterative poetry as well as that of Chaucer and his followers. This original, learned, and critically searching book is set to become the leading analysis of one of the most fascinating and accomplished of medieval poets.
Scottish Language and Literature, Medieval and Renaissance
Author: Dietrich Strauss
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 574
Book Description
The contributions concerned with Scottish Medieval and Renaissance literature focus (1) on literary structures considered specifically Scottish, (2) on the European context in which Scottish poetry of these periods must be understood and (3) on relevant components of the Scottish socio-cultural setting. Two papers deal with early Scottish Gaelic and Orkney Norse literature. The contributions devoted to language are concerned with problems pertaining to historical and current problems of Scottish lexicography, morphology, syntax, phonology, place names and language status, as well as to comparative Germanic linguistics and socio-linguistics, both in connection with Scotland.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 574
Book Description
The contributions concerned with Scottish Medieval and Renaissance literature focus (1) on literary structures considered specifically Scottish, (2) on the European context in which Scottish poetry of these periods must be understood and (3) on relevant components of the Scottish socio-cultural setting. Two papers deal with early Scottish Gaelic and Orkney Norse literature. The contributions devoted to language are concerned with problems pertaining to historical and current problems of Scottish lexicography, morphology, syntax, phonology, place names and language status, as well as to comparative Germanic linguistics and socio-linguistics, both in connection with Scotland.
Medieval to Renaissance in English Poetry
Author: A. C. Spearing
Publisher: Cambridge University Press
ISBN: 9780521315333
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This is a critical book to study in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature. What exactly, in a literary context, do those terms designate? Mr Spearing argues that, far from being fixed determinants, they demand careful critical reappraisal. He rewrites the literary history of the period from Chaucer to the early Spenser in a way that puts emphasis on the importance of Chaucer's influence on a tradition which in many important respects began with him. Many literary and cultural qualities, normally considered 'Renaissance', can be seen to have their origins, so far as the English tradition is concerned, in Chaucer's contacts with Italian culture. This book shows how Chaucer can be regarded as a Renaissance poet whose work was medievalised by his admiring successors. Traditions other than the Chaucerian are examined in this light, and the author engages with the larger problems of literary history through the detailed analysis of specimen texts.
Publisher: Cambridge University Press
ISBN: 9780521315333
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This is a critical book to study in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature. What exactly, in a literary context, do those terms designate? Mr Spearing argues that, far from being fixed determinants, they demand careful critical reappraisal. He rewrites the literary history of the period from Chaucer to the early Spenser in a way that puts emphasis on the importance of Chaucer's influence on a tradition which in many important respects began with him. Many literary and cultural qualities, normally considered 'Renaissance', can be seen to have their origins, so far as the English tradition is concerned, in Chaucer's contacts with Italian culture. This book shows how Chaucer can be regarded as a Renaissance poet whose work was medievalised by his admiring successors. Traditions other than the Chaucerian are examined in this light, and the author engages with the larger problems of literary history through the detailed analysis of specimen texts.
Dissertations in English and American Literature
Author: Lawrence Francis McNamee
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 696
Book Description