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Author: National Gallery of Victoria
Publisher:
ISBN: 9780724101399
Category : Prints, British
Languages : en
Pages : 196
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Book Description
Author: National Gallery of Victoria
Publisher:
ISBN: 9780724101399
Category : Prints, British
Languages : en
Pages : 196
Get Book Here
Book Description
Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Tate Gallery
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 60
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Book Description
Author: William Blake
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 60
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: National Gallery of Victoria
Publisher: Yenny
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Osbert Burdett
Publisher: Parkstone International
ISBN: 1783107774
Category : Art
Languages : en
Pages : 494
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Book Description
Poet, draughtsman, engraver and painter, William Blake’s work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole point of contact discernible between the classicism of David and English art, though furtive and indirect. Blake is the most mystic of the English painters, perhaps the only true mystic. He was ingenious in his inner imagination, and his interpretations of ancient and modern poets reveal as true and candid a spirit as the title of his first work – poems he composed, illustrated and set to music, Songs of Innocence and Songs of Experience. Later he achieved grandeur, power and profundity, especially in certain tempera paintings. Just like others, Blake was considered an eccentric by most of his contemporaries, until his genius was recognised in the second half of the nineteenth century.
Author: Edina Adam
Publisher: Getty Publications
ISBN: 1606066420
Category : Art
Languages : en
Pages : 170
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Book Description
A richly illustrated, comprehensive introduction to the visionary artist William Blake. William Blake (1757–1827) is a universal artist—an inspiration to musicians, poets, performers, and visual artists worldwide. By combining his poetry and images on the page through radical printing techniques, Blake created some of the most striking and enduring images in art. His personal struggles in a period of political terror and oppression; creativity, inventiveness, and technical innovation; and vision and political commitment keep his work relevant today. Featuring over 130 color images, this accessible yet comprehensive introduction to Blake’s achievements and ambition includes discussions of his legacy in America; relationship to the medieval, Renaissance, and Baroque artists who preceded him; visionary imagination; and unparalleled skill as a printmaker.
Author: Morton D. Paley
Publisher: OUP Oxford
ISBN: 0191527815
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
There has never been a book about Blake's last period, from his meeting with John Linnell in 1818 to his death in 1827, although it includes some of his greatest works. In The Traveller in the Evening, Morton Paley argues that this late phase involves attitudes, themes, and ideas that are either distinctively new or different in emphasis from what preceded them. After an introduction on Blake and his milieu during this period, Paley begins with a chapter on Blake's illustrations to Thornton's edition of Virgil. Paley relates these to Blake's complex view of pastoral, before proceeding to a history of the project, its near-abortion, and its fulfillment as one of Blake's greatest accomplishments as an illustrator. In Yah and His Two Sons the presentation of the divine, except where it is associated with art, is ambiguous where it is not negative. Paley takes up this separate plate in the context of artists's representations of the Laocoon that would have been known to Blake, and also of what Blake would have known of its history from classical antiquity to his own time. Blake's Dante water colours and engravings are the most ambitious accomplishment of the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blake's own divided and sharply polarized attitude toward Dante's Comedy. The closing chapter, called 'Blake's Bible', is on the Bible-related designs and writings of Blake's last years. Paley discusses The Death of Abel (addressed to Lord Byron 'in the Wilderness') as a response to its literary forerunners, especially Gessner's Death of Abel and Byron's Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blake's Job water colours on the same subjects. Also included here are Blake's last pictorial work on a Biblical subject, The Genesis manuscript, and Blake's last writing on a Biblical text, his vitriolic comments on Thornton's translations of the Lord's Prayer.
