Author: Stone Blue Editors
Publisher: SBE Media
ISBN:
Category : Music
Languages : en
Pages : 37
Book Description
The next title in the “Music You Should Hear Series” is a profile of drone/ambient musician William Basinski. His work as a musician, composer, remixer, and producer is a marriage of opposites: classical/populist; ephemeral/timeless; Eastern/Western (both in terms of the United States, and the wider world); inspired/crafted, ambient/overwhelming. Basinski's music - largely focused on aged recordings made with archaic technology - is an extended meditation on longing and decay, bursting forth into an infinite state of eternal grace.
William Basinski [drone & ambient musician]
Author: Stone Blue Editors
Publisher: SBE Media
ISBN:
Category : Music
Languages : en
Pages : 37
Book Description
The next title in the “Music You Should Hear Series” is a profile of drone/ambient musician William Basinski. His work as a musician, composer, remixer, and producer is a marriage of opposites: classical/populist; ephemeral/timeless; Eastern/Western (both in terms of the United States, and the wider world); inspired/crafted, ambient/overwhelming. Basinski's music - largely focused on aged recordings made with archaic technology - is an extended meditation on longing and decay, bursting forth into an infinite state of eternal grace.
Publisher: SBE Media
ISBN:
Category : Music
Languages : en
Pages : 37
Book Description
The next title in the “Music You Should Hear Series” is a profile of drone/ambient musician William Basinski. His work as a musician, composer, remixer, and producer is a marriage of opposites: classical/populist; ephemeral/timeless; Eastern/Western (both in terms of the United States, and the wider world); inspired/crafted, ambient/overwhelming. Basinski's music - largely focused on aged recordings made with archaic technology - is an extended meditation on longing and decay, bursting forth into an infinite state of eternal grace.
Monolithic Undertow
Author: Harry Sword
Publisher:
ISBN: 9781737382935
Category : Music
Languages : en
Pages : 464
Book Description
"An inspired and intuitive navigation of the drone continuum . . . with a compass firmly set to new and enlightening psychedelic truths"-- BECK In 1977 Sniffin' Glue verbalised the musical zeitgeist with their infamous 'this is a chord; this is another; now form a band' illustration. The drone requires neither chord nor band, representing - via its infinite pliability and accessibility - the ultimate folk music: a potent audio tool of personal liberation. Immersion in hypnotic and repetitive sounds allows us to step outside of ourselves, be it chant, a 120dB beasting from Sunn O))), standing front of the system as Jah Shaka drops a fresh dub or going full headphone immersion with Hawkwind. These experiences are akin to an audio portal - a sound Tardis to silence the hum and fizz of the unceasing inner voice. The drone exists outside of us, but also - paradoxically - within us all; an aural expression of a universal hum we can only hope to fleetingly channel. Monolithic Undertow is the definitive text to explore the music of drone and its related genres. Exhaustively researched this tome will not leave music fans interested in drone, doom, metal, and folk music unsatisfied.
Publisher:
ISBN: 9781737382935
Category : Music
Languages : en
Pages : 464
Book Description
"An inspired and intuitive navigation of the drone continuum . . . with a compass firmly set to new and enlightening psychedelic truths"-- BECK In 1977 Sniffin' Glue verbalised the musical zeitgeist with their infamous 'this is a chord; this is another; now form a band' illustration. The drone requires neither chord nor band, representing - via its infinite pliability and accessibility - the ultimate folk music: a potent audio tool of personal liberation. Immersion in hypnotic and repetitive sounds allows us to step outside of ourselves, be it chant, a 120dB beasting from Sunn O))), standing front of the system as Jah Shaka drops a fresh dub or going full headphone immersion with Hawkwind. These experiences are akin to an audio portal - a sound Tardis to silence the hum and fizz of the unceasing inner voice. The drone exists outside of us, but also - paradoxically - within us all; an aural expression of a universal hum we can only hope to fleetingly channel. Monolithic Undertow is the definitive text to explore the music of drone and its related genres. Exhaustively researched this tome will not leave music fans interested in drone, doom, metal, and folk music unsatisfied.
Drone and Apocalypse
Author: Joanna Demers
Publisher: John Hunt Publishing
ISBN: 1782799958
Category : Music
Languages : en
Pages : 117
Book Description
Drone and Apocalypse is an exhibit catalog for a retrospective of twenty-first-century art. Its narrator, Cynthia Wey, is a failed artist convinced that apocalypse is imminent. She writes critical essays delineating apocalyptic tendencies in drone music and contemporary art. Interspersed amid these essays are “speculative artworks”, Wey’s term for descriptions of artworks she never constructs that center around the extinction of humanity. Wey’s favorite musicians are drone artists like William Basinski, Celer, Thomas Köner, Les Rallizes Dénudés, and Éliane Radigue, and her essays relate their works to moments of ineffability in Herodotus, Aristotle, Plato, Pliny the Elder, Isidore of Seville, Robert Burton, Hegel, and Dostoyevsky. Well after Wey’s demise, the apocalypse never arrives, but Wey’s journal is discovered. Curators fascinated with twenty-first-century culture use her writings as the basis for their exhibit “Commentaries on the Apocalypse”, which realizes Wey’s speculative artworks as photographs, collages, and sound/video installations.
Publisher: John Hunt Publishing
ISBN: 1782799958
Category : Music
Languages : en
Pages : 117
Book Description
Drone and Apocalypse is an exhibit catalog for a retrospective of twenty-first-century art. Its narrator, Cynthia Wey, is a failed artist convinced that apocalypse is imminent. She writes critical essays delineating apocalyptic tendencies in drone music and contemporary art. Interspersed amid these essays are “speculative artworks”, Wey’s term for descriptions of artworks she never constructs that center around the extinction of humanity. Wey’s favorite musicians are drone artists like William Basinski, Celer, Thomas Köner, Les Rallizes Dénudés, and Éliane Radigue, and her essays relate their works to moments of ineffability in Herodotus, Aristotle, Plato, Pliny the Elder, Isidore of Seville, Robert Burton, Hegel, and Dostoyevsky. Well after Wey’s demise, the apocalypse never arrives, but Wey’s journal is discovered. Curators fascinated with twenty-first-century culture use her writings as the basis for their exhibit “Commentaries on the Apocalypse”, which realizes Wey’s speculative artworks as photographs, collages, and sound/video installations.
Mars by 1980
Author: David Stubbs
Publisher: Faber & Faber Social
ISBN: 9780571346974
Category : Music
Languages : en
Pages : 464
Book Description
The definitive guide to electronic music. In FUTURE SOUNDS, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War I inventions of the Futurist Luigi Russolo, author of the "Art Of Noises" manifesto. He takes us through the musique concrète of radical composers such as Edgard Varèse, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? FUTURE SOUNDS is the definitive account that answers these questions.
Publisher: Faber & Faber Social
ISBN: 9780571346974
Category : Music
Languages : en
Pages : 464
Book Description
The definitive guide to electronic music. In FUTURE SOUNDS, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War I inventions of the Futurist Luigi Russolo, author of the "Art Of Noises" manifesto. He takes us through the musique concrète of radical composers such as Edgard Varèse, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? FUTURE SOUNDS is the definitive account that answers these questions.
Carl Craig [Detroit techno]
Author: Stone Blue Editors
Publisher: SBE Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 36
Book Description
Carl Craig [Detroit techno] Musician Snapshots: The Music You Should Hear Series Here’s a “musician snapshot” look at producer/musician/DJ/labelhead Carl Craig and his important recordings. One of the most successful of Detroit’s second wave of producers, Carl Craig’s career spans ‘60s psychedelia; futuristic funk of the ‘70s; and every style of electronic dance music imaginable - Techno, electro, acid, hip-hop, breakbeats, drum ‘n bass, and academic synthesis. His music is an antidote to the idea that electronic musicians are all addicted to the next shiny thing, with no sense of history or appreciation of the past. Craig’s music smashes all manner of imaginary racial, gender and cultural barriers, along the way, as we are all one, under Techno.
Publisher: SBE Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 36
Book Description
Carl Craig [Detroit techno] Musician Snapshots: The Music You Should Hear Series Here’s a “musician snapshot” look at producer/musician/DJ/labelhead Carl Craig and his important recordings. One of the most successful of Detroit’s second wave of producers, Carl Craig’s career spans ‘60s psychedelia; futuristic funk of the ‘70s; and every style of electronic dance music imaginable - Techno, electro, acid, hip-hop, breakbeats, drum ‘n bass, and academic synthesis. His music is an antidote to the idea that electronic musicians are all addicted to the next shiny thing, with no sense of history or appreciation of the past. Craig’s music smashes all manner of imaginary racial, gender and cultural barriers, along the way, as we are all one, under Techno.
Small Gods
Author: Alex Quicho
Publisher: John Hunt Publishing
ISBN: 1789040051
Category : Philosophy
Languages : en
Pages : 160
Book Description
Small Gods deconstructs the mythology of the drone: as soothing sound, aerial spy, and killing machine. When we say 'drone technology,' we can mean the tanpura, a plucked-string instrument originating in 16th century India, or the Gorgon Stare, an aerial surveillance technology designed by the US military - and evoke competing notions of terror and transcendence. Small Gods leans into this ambiguity. As each chapter focuses on the work of an artist with a unique understanding of 'the drone', the book illuminates myriad facets of these entangled technological entities. Opening with William Basinki's first glimpse of the ash-clouds of 9/11 - which spawned both The Disintegration Loops and the drone-driven War on Terror - the narrative then zooms into the representational sleights of hand of British and American artists preoccupied with the West's stake in endless drone wars. Its midsection lands us in the doldrums: where Anne Imhof's Angst, Anna Mikkola's drone-watched runner, and Atef Abu Saif's drone war memoir find maddening safety in boredom, raising questions about the trade-offs between security and surveillance. In the final section, the narrative uncouples from earthly oppression - we're freed to explore future and spirit worlds with artists including Korakrit Arunanondchai, Lawrence Lek, and WangShui, all of whom use drone technology to envision a future beyond the burden of colonialism, racism, exclusion or, simply, representation. Empty metal becomes a vessel for escape, connection, or intention; a future-facing spirit, a ride into the afterlife, a god or a ghost.
Publisher: John Hunt Publishing
ISBN: 1789040051
Category : Philosophy
Languages : en
Pages : 160
Book Description
Small Gods deconstructs the mythology of the drone: as soothing sound, aerial spy, and killing machine. When we say 'drone technology,' we can mean the tanpura, a plucked-string instrument originating in 16th century India, or the Gorgon Stare, an aerial surveillance technology designed by the US military - and evoke competing notions of terror and transcendence. Small Gods leans into this ambiguity. As each chapter focuses on the work of an artist with a unique understanding of 'the drone', the book illuminates myriad facets of these entangled technological entities. Opening with William Basinki's first glimpse of the ash-clouds of 9/11 - which spawned both The Disintegration Loops and the drone-driven War on Terror - the narrative then zooms into the representational sleights of hand of British and American artists preoccupied with the West's stake in endless drone wars. Its midsection lands us in the doldrums: where Anne Imhof's Angst, Anna Mikkola's drone-watched runner, and Atef Abu Saif's drone war memoir find maddening safety in boredom, raising questions about the trade-offs between security and surveillance. In the final section, the narrative uncouples from earthly oppression - we're freed to explore future and spirit worlds with artists including Korakrit Arunanondchai, Lawrence Lek, and WangShui, all of whom use drone technology to envision a future beyond the burden of colonialism, racism, exclusion or, simply, representation. Empty metal becomes a vessel for escape, connection, or intention; a future-facing spirit, a ride into the afterlife, a god or a ghost.
The Extravagance of Music
Author: David Brown
Publisher: Springer
ISBN: 3319918184
Category : Philosophy
Languages : en
Pages : 342
Book Description
This book explores the ways in which music can engender religious experience, by virtue of its ability to evoke the ineffable and affect how the world is open to us. Arguing against approaches that limit the religious significance of music to an illustrative function, The Extravagance of Music sets out a more expansive and optimistic vision, which suggests that there is an ‘excess’ or ‘extravagance’ in both music and the divine that can open up revelatory and transformative possibilities. In Part I, David Brown argues that even in the absence of words, classical instrumental music can disclose something of the divine nature that allows us to speak of an experience analogous to contemplative prayer. In Part II, Gavin Hopps contends that, far from being a wasteland of mind-closing triviality, popular music frequently aspires to elicit the imaginative engagement of the listener and is capable of evoking intimations of transcendence. Filled with fresh and accessible discussions of diverse examples and forms of music, this ground-breaking book affirms the disclosive and affective capacities of music, and shows how it can help to awaken, vivify, and sustain a sense of the divine in everyday life.
Publisher: Springer
ISBN: 3319918184
Category : Philosophy
Languages : en
Pages : 342
Book Description
This book explores the ways in which music can engender religious experience, by virtue of its ability to evoke the ineffable and affect how the world is open to us. Arguing against approaches that limit the religious significance of music to an illustrative function, The Extravagance of Music sets out a more expansive and optimistic vision, which suggests that there is an ‘excess’ or ‘extravagance’ in both music and the divine that can open up revelatory and transformative possibilities. In Part I, David Brown argues that even in the absence of words, classical instrumental music can disclose something of the divine nature that allows us to speak of an experience analogous to contemplative prayer. In Part II, Gavin Hopps contends that, far from being a wasteland of mind-closing triviality, popular music frequently aspires to elicit the imaginative engagement of the listener and is capable of evoking intimations of transcendence. Filled with fresh and accessible discussions of diverse examples and forms of music, this ground-breaking book affirms the disclosive and affective capacities of music, and shows how it can help to awaken, vivify, and sustain a sense of the divine in everyday life.
Listening through the Noise
Author: Joanna Demers
Publisher: Oxford University Press
ISBN: 019977448X
Category : Music
Languages : en
Pages : 212
Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Publisher: Oxford University Press
ISBN: 019977448X
Category : Music
Languages : en
Pages : 212
Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Brian Eno: Visual Music
Author: Christopher Scoates
Publisher: Chronicle Books
ISBN: 1452129487
Category : Art
Languages : en
Pages : 408
Book Description
This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.
Publisher: Chronicle Books
ISBN: 1452129487
Category : Art
Languages : en
Pages : 408
Book Description
This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.
Ambient Music
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 253
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 253
Book Description