Author: Ank Leeuw-Marcar
Publisher:
ISBN: 9789078088738
Category : Art
Languages : en
Pages : 0
Book Description
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
Willem Sandberg
Author: Ank Leeuw-Marcar
Publisher:
ISBN: 9789078088738
Category : Art
Languages : en
Pages : 0
Book Description
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
Publisher:
ISBN: 9789078088738
Category : Art
Languages : en
Pages : 0
Book Description
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
Sandberg, Designer and Director of the Stedelijk
Author: Ad Petersen
Publisher: 010 Publishers
ISBN: 9789064504815
Category : Art
Languages : nl
Pages : 212
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Publisher: 010 Publishers
ISBN: 9789064504815
Category : Art
Languages : nl
Pages : 212
Book Description
This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.
Al-Mutanabbi Street Starts Here
Author: Beau Beausoleil
Publisher: PM Press
ISBN: 1604867647
Category : Social Science
Languages : en
Pages : 392
Book Description
On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all of us: personally, in our communities, and in our nations. It seeks to show the commonality between this small street in Baghdad and our own cultural centers, and why this attack was an attack on us all. This anthology sees al-Mutanabbi Street as a place for the free exchange of ideas; a place that has long offered its sanctuary to the complete spectrum of Iraqi voices. This is where the roots of democracy (in the best sense of that word) took hold many hundreds of years ago. This anthology looks toward al-Mutanabbi Street as an affirmation of all that we hope for in a more just society. Contributors include: Beau Beausoleil, Musa al-Musawi, Anthony Shadid, Mousa al-Naseri, Naomi Shihab Nye, Deena Metzger, Sam Hamod, Lutfiya Al-Dulaimi, Zaid Shlah, Persis Karim, Ayub Nuri, Marian Haddad, Sarah Browning, Eileen Grace O’Malley Callahan, Roger Sederat, Elline Lipkin, Esther Kamkar, Robert Perry, Gloria Collins, Brian Turner, Gloria Frym, Owen Hill, Abd al-Rahim, Salih al-Rahim, Yassin “The Narcicyst” Alsalman, Jose Luis Gutierrez, Sargon Boulus, Peter Money, Sinan Antoon, Muhammad al-Hamrani, Livia Soto, Janet Sternburg, Sam Hamill, Salah Al-Hamdani, Gail Sher, Dunya Mikhail, Irada Al Jabbouri, Dilara Cirit, Niamh MacFionnlaoich, Erica Goss, Daisy Zamora, George Evans, Steve Dickison, Maysoon Pachachi, Summer Brenner, Jen Hofer, Rijin Sahakian, Badr Shakir al-Sayyab, Jane Hirshfield, Jack Marshall, Susan Moon, Diana di Prima, Evelyn So, Nahrain Al-Mousawi, Ko Un, Joe Lamb, Katrina Rodabaugh, Mohammed Hayawi, Nazik Al-Malaika, Raya Asee, Gazar Hantoosh, Mark Abley, Majid Naficy, Lewis Buzbee, Ibn al-Utri, Thomas Christensen, Amy Gerstler, Genny Lim, Saadi Youssef, Judith Lyn Suttton, Josh Kun, Dana Teen Lomax, Etel Adnan, Bushra Al-Bustani, Marilyn Hacker, Richard Harrison, Fady Joudah, Philip Metres, Hayan Charara, Annie Finch, Kazim Ali, Deema K. Shehabi, Kenneth Wong, Elmaz Abinader, Habib Tengour, Khaled Mattawa, Rachida Madani, Amina Said, Alise Alousi, Sita Carboni, Fran Bourassa, Jabez W. Churchill, Daniela Elza, Linda Norton, Fred Norman, Bonnie Nish, Janet Rodney, Adrienne Rich, Cornelius Eady, Julie Bruck, Kwame Dawes, Ralph Angel, B.H. Fairchild, Terese Svoboda, Mahmoud Darwish, Amir el-Chidiac, Aram Saroyan, Sholeh Wolpe, Nathalie Handal, Azar Nafisi, Dima Hilal, Tony Kranz, Jordan Elgrably, devorah major, Suzy Malcolm, Ibrahim Nasrallah, Rick London, Sarah Menefee, Roberto Harrison, Fadhil Al-Azzawi, Amaranth Borsuk, Lamees Al-Ethari, Shayma’ al-Saqr, Meena Alexander, and Jim Natal.
Publisher: PM Press
ISBN: 1604867647
Category : Social Science
Languages : en
Pages : 392
Book Description
On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all of us: personally, in our communities, and in our nations. It seeks to show the commonality between this small street in Baghdad and our own cultural centers, and why this attack was an attack on us all. This anthology sees al-Mutanabbi Street as a place for the free exchange of ideas; a place that has long offered its sanctuary to the complete spectrum of Iraqi voices. This is where the roots of democracy (in the best sense of that word) took hold many hundreds of years ago. This anthology looks toward al-Mutanabbi Street as an affirmation of all that we hope for in a more just society. Contributors include: Beau Beausoleil, Musa al-Musawi, Anthony Shadid, Mousa al-Naseri, Naomi Shihab Nye, Deena Metzger, Sam Hamod, Lutfiya Al-Dulaimi, Zaid Shlah, Persis Karim, Ayub Nuri, Marian Haddad, Sarah Browning, Eileen Grace O’Malley Callahan, Roger Sederat, Elline Lipkin, Esther Kamkar, Robert Perry, Gloria Collins, Brian Turner, Gloria Frym, Owen Hill, Abd al-Rahim, Salih al-Rahim, Yassin “The Narcicyst” Alsalman, Jose Luis Gutierrez, Sargon Boulus, Peter Money, Sinan Antoon, Muhammad al-Hamrani, Livia Soto, Janet Sternburg, Sam Hamill, Salah Al-Hamdani, Gail Sher, Dunya Mikhail, Irada Al Jabbouri, Dilara Cirit, Niamh MacFionnlaoich, Erica Goss, Daisy Zamora, George Evans, Steve Dickison, Maysoon Pachachi, Summer Brenner, Jen Hofer, Rijin Sahakian, Badr Shakir al-Sayyab, Jane Hirshfield, Jack Marshall, Susan Moon, Diana di Prima, Evelyn So, Nahrain Al-Mousawi, Ko Un, Joe Lamb, Katrina Rodabaugh, Mohammed Hayawi, Nazik Al-Malaika, Raya Asee, Gazar Hantoosh, Mark Abley, Majid Naficy, Lewis Buzbee, Ibn al-Utri, Thomas Christensen, Amy Gerstler, Genny Lim, Saadi Youssef, Judith Lyn Suttton, Josh Kun, Dana Teen Lomax, Etel Adnan, Bushra Al-Bustani, Marilyn Hacker, Richard Harrison, Fady Joudah, Philip Metres, Hayan Charara, Annie Finch, Kazim Ali, Deema K. Shehabi, Kenneth Wong, Elmaz Abinader, Habib Tengour, Khaled Mattawa, Rachida Madani, Amina Said, Alise Alousi, Sita Carboni, Fran Bourassa, Jabez W. Churchill, Daniela Elza, Linda Norton, Fred Norman, Bonnie Nish, Janet Rodney, Adrienne Rich, Cornelius Eady, Julie Bruck, Kwame Dawes, Ralph Angel, B.H. Fairchild, Terese Svoboda, Mahmoud Darwish, Amir el-Chidiac, Aram Saroyan, Sholeh Wolpe, Nathalie Handal, Azar Nafisi, Dima Hilal, Tony Kranz, Jordan Elgrably, devorah major, Suzy Malcolm, Ibrahim Nasrallah, Rick London, Sarah Menefee, Roberto Harrison, Fadhil Al-Azzawi, Amaranth Borsuk, Lamees Al-Ethari, Shayma’ al-Saqr, Meena Alexander, and Jim Natal.
Design after Capitalism
Author: Matthew Wizinsky
Publisher: MIT Press
ISBN: 0262543567
Category : Design
Languages : en
Pages : 347
Book Description
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project.
Publisher: MIT Press
ISBN: 0262543567
Category : Design
Languages : en
Pages : 347
Book Description
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism—to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory—fields not usually seen as central to design—he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says—with the next project.
Dutch Graphic Design, 1918-1945
Author: Alston W. Purvis
Publisher: Wiley
ISBN: 9780471284048
Category : Design
Languages : en
Pages : 234
Book Description
Publisher: Wiley
ISBN: 9780471284048
Category : Design
Languages : en
Pages : 234
Book Description
Drukwerk
Author: Karel Martens
Publisher:
ISBN: 9780907259114
Category : Book design
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780907259114
Category : Book design
Languages : en
Pages : 0
Book Description
Rethinking Postwar Europe
Author: Barbara Lange
Publisher: Böhlau Köln
ISBN: 3412514012
Category : Art
Languages : en
Pages : 269
Book Description
The book "Rethinking Postwar Europe" offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors' diverse methodological backgrounds, the volume presents – for the first time – a comprehensive multilayered narrative, focusing on the complexities and entanglements in the artistic field. Instead of assessing the postwar period in the traditional way as divided by the Iron Curtain, the contributions investigate processes of contact, interaction, dissemination, overlapping, and networking. Consequently, the analysis of a diversified European modernism in both its aesthetic and its socio-political dimension resonates with all the different case studies. In particular, the volume looks at how artists developed, designed and (re)negotiated identities and discourses, and sheds new light on the power of art – and creative powers in general – in a postwar setting of mutilations, losses, and devastations.
Publisher: Böhlau Köln
ISBN: 3412514012
Category : Art
Languages : en
Pages : 269
Book Description
The book "Rethinking Postwar Europe" offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors' diverse methodological backgrounds, the volume presents – for the first time – a comprehensive multilayered narrative, focusing on the complexities and entanglements in the artistic field. Instead of assessing the postwar period in the traditional way as divided by the Iron Curtain, the contributions investigate processes of contact, interaction, dissemination, overlapping, and networking. Consequently, the analysis of a diversified European modernism in both its aesthetic and its socio-political dimension resonates with all the different case studies. In particular, the volume looks at how artists developed, designed and (re)negotiated identities and discourses, and sheds new light on the power of art – and creative powers in general – in a postwar setting of mutilations, losses, and devastations.
In Search of the Book As a Work of Art
Author: Alan Loney
Publisher:
ISBN: 9780648680703
Category : Art
Languages : en
Pages : 0
Book Description
In Search of the Book as a Work of Art asks questions about how we understand the words 'art' and 'book' and what happens when we put them together. It argues that the categories by which we have distinguished different kinds of books no longer tell us what we are looking at when we look at new books, including many made by trade publishers. Categories like 'fine press book' and 'artist book' have served useful purposes in the past, but are now redundant in the face of the incredible range of categorical overlaps in books that people are actually making. Along the way, this book explores and explodes a number of current ideas about books whose use-by dates are seen by the author as well and truly passed. This work supplements the author's earlier essays, The Books to Come (Cuneiform 2012) and The Printing of a Masterpiece (Black Pepper 2008), with a summation of four decades as a poet, printer, commentator, and publisher in the field. Taking his cue from a long-felt need for 'the book' to be a serious conversation outside of specialist discourse, the author presents an account in plain language about art and about the book that implies no expert knowledge - no technical terms, no specialised concepts, and no need to have the artist or their curators on hand to tell us what we are seeing when we see or pick up any new book. If this book is a critique, it is not a critique of any book made by anyone under the banner of the old categories (private press book, fine press book, artist book, limited edition book, and so on) but it is an examination of the words we use to talk about these books. It wants to know how the non-expert already talks about books and to see if a greater sensitivity to that ordinary language, 'the language of the tribe', is what we need instead of an increase in the complexity of the language with which we talk to each other about books - a turn to the books themselves.
Publisher:
ISBN: 9780648680703
Category : Art
Languages : en
Pages : 0
Book Description
In Search of the Book as a Work of Art asks questions about how we understand the words 'art' and 'book' and what happens when we put them together. It argues that the categories by which we have distinguished different kinds of books no longer tell us what we are looking at when we look at new books, including many made by trade publishers. Categories like 'fine press book' and 'artist book' have served useful purposes in the past, but are now redundant in the face of the incredible range of categorical overlaps in books that people are actually making. Along the way, this book explores and explodes a number of current ideas about books whose use-by dates are seen by the author as well and truly passed. This work supplements the author's earlier essays, The Books to Come (Cuneiform 2012) and The Printing of a Masterpiece (Black Pepper 2008), with a summation of four decades as a poet, printer, commentator, and publisher in the field. Taking his cue from a long-felt need for 'the book' to be a serious conversation outside of specialist discourse, the author presents an account in plain language about art and about the book that implies no expert knowledge - no technical terms, no specialised concepts, and no need to have the artist or their curators on hand to tell us what we are seeing when we see or pick up any new book. If this book is a critique, it is not a critique of any book made by anyone under the banner of the old categories (private press book, fine press book, artist book, limited edition book, and so on) but it is an examination of the words we use to talk about these books. It wants to know how the non-expert already talks about books and to see if a greater sensitivity to that ordinary language, 'the language of the tribe', is what we need instead of an increase in the complexity of the language with which we talk to each other about books - a turn to the books themselves.
Visual Function
Author: Paul Mijksenaar
Publisher: 010 Publishers
ISBN: 9789064503030
Category : Cartography
Languages : en
Pages : 64
Book Description
Publisher: 010 Publishers
ISBN: 9789064503030
Category : Cartography
Languages : en
Pages : 64
Book Description
Design in the Public Service
Author: Gerard Forde
Publisher:
ISBN: 9781872005102
Category : Architecture
Languages : en
Pages : 80
Book Description
Publisher:
ISBN: 9781872005102
Category : Architecture
Languages : en
Pages : 80
Book Description