Wilhelm Raabe's Der Hungerpastor and Charles Dickens' David Copperfield PDF Download
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Author: Peter O. Arnds
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
Der Hungerpastor (1864-65) is Wilhelm Raabe's most popular novel. This monograph shows how Raabe borrowed much of the plot and characters from Charles Dickens's best-selling David Copperfield (1849-50). By providing the reasons why Raabe borrowed from Dickens, this study goes far beyond the existing research on the parallels between these two Bildungsromane. A comparison of the heroes, their Jewish antagonists and a number of female characters demonstrates the extent of Raabe's indebtedness to Dickens. The intertextuality ranges from direct verbal echoes to a mere use of Dickens's ideas upon which Raabe builds a novel distinctly his own.
Author: Peter O. Arnds
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 218
Get Book Here
Book Description
Der Hungerpastor (1864-65) is Wilhelm Raabe's most popular novel. This monograph shows how Raabe borrowed much of the plot and characters from Charles Dickens's best-selling David Copperfield (1849-50). By providing the reasons why Raabe borrowed from Dickens, this study goes far beyond the existing research on the parallels between these two Bildungsromane. A comparison of the heroes, their Jewish antagonists and a number of female characters demonstrates the extent of Raabe's indebtedness to Dickens. The intertextuality ranges from direct verbal echoes to a mere use of Dickens's ideas upon which Raabe builds a novel distinctly his own.
Author: Florian Krobb
Publisher: Routledge
ISBN: 1351194577
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
"Wilhelm Raabe (1831-1910) is one of the major figures of 19th-century German Realist writing, acknowledged as an innovator both stylistically and thematically. But until now there has been little concentration on the international and postcolonial dimensions of Raabe's work - his literary critique of colonialism, his engagement with modernization and globalization, his involvement in 19th century German discourses about America, Africa and Asia, and the links between international and national issues in his writing. In Raabe International, contributions from many eminent critics address Raabe both as a writer on world affairs and as a subject himself for translation and comment outside of Germany."
Author: Peter Arnds
Publisher: Springer
ISBN: 1137541636
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Lycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.
Author: José Manuel Losada Goya
Publisher: Cambridge Scholars Publishing
ISBN: 1443838152
Category : Literary Criticism
Languages : en
Pages : 545
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Book Description
This bilingual work identifies and explains the subversive rewriting of ancient, medieval and modern myths in contemporary novels. The book opens with two theoretical essays on the subject of subversive tendencies and myth reinvention in the contemporary novel. From there, it moves on to the analysis of essential texts. Firstly, classical myths in works by authors such as André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino or Christa Wolf (for instance, Theseus, Oedipus or Medea) are discussed. Then, myths of biblical origin – such as the Flood or the Golem – are revisited in the work of Giorgio Bassani, Julian Barnes and Cynthia Ozick. A further section is concerned with the place of modern myths (Faust, the ghost, Ophelia…) in the fiction of Günter Grass, Paul Auster, or Clara Janés. The contributors have also delved into the relationship between myth and art – especially in the discourse of contemporary advertising, painting and cinema – and myth’s intercultural dimensions: hybridity in the Latin American novels of Augusto Roa Bastos and Carlos Fuentes, and in the Hindu-themed novels of Bharati Mukherjee. This volume emerges from the careful selection of 37 essays out of over 200 which were put forward by outstanding scholars from 25 different countries for the Madrid International Conference on Myth and Subversion (March 2011). Este volumen bilingüe identifica y explica la práctica subversiva aplicada a los mitos antiguos, medievales y modernos en la novela contemporánea. Abren el libro dos estudios teóricos sobre la tendencia subversiva y la reinvención de mitos en la actualidad. Prosigue el análisis de diversos textos de primera importancia. En primer lugar se revisan los mitos clásicos en autores como André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino o Christa Wolf (p. ej., Teseo, Edipo, Medea). En segundo lugar, la reescritura de los mitos bíblicos según Giorgio Bassani, Julian Barnes o Cynthia Ozick (p. ej., el diluvio o el Golem). En tercer lugar, mitos modernos en la ficción de Günter Grass, Paul Auster o Clara Janés (p. ej., Fausto, el fantasma, Ofelia). El volumen presta igualmente atención a las relaciones entre mito y arte (su recurrencia en la publicidad, la pintura y el cine contemporáneos) y a la vertiente intercultural de los mitos: el mestizaje en la novela latinoamericana de Augusto Roa Bastos y Carlos Fuentes, o en la de temática hindú de Bharati Mukherjee. La compilación resulta de una exquisita selección de 37 textos entre los más de 200 propuestos para el Congreso Internacional Mito y Subversión (Madrid, marzo de 2011) por investigadores de prestigio procedentes de 25 países.
Author: Rinske Van Stipriaan Pritchett
Publisher: Peter Lang
ISBN: 9783039102921
Category : Art
Languages : en
Pages : 248
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Book Description
During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today.
Author: Dagmar C. G. Lorenz
Publisher: Camden House
ISBN: 9781571131713
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Transforming the Center, Eroding the Marginsis a collection ofcritical articles about recent and contemporary German literaturedesigned to stimulate discussion about German-speaking culture from thepoint of view of diversity. The combination of broad historicalapproaches and detailed textual analyses made it possible to present inthis volume a spectrum of identities and positions within theGerman-speaking sphere, and sometimes even within the work of a singleauthor. Examining the works of German-speaking authors of differentbackgrounds and countries of residence from many different points ofview shows that the very concept of a unified "German Culture" is aconstruct.Because of the increasing visibility of various ethnic,religious, cultural, and economic groups -- including migrant workers,exiles, and immigrants -- multiculturalism and cultural diversity inCentral Europe have received considerable attention in public debatesince the disintegration of the Eastern bloc and the fall of the BerlinWall. Yet neither cultural diversity nor the gender issues examinedthroughout the volume are recent phenomena. Upon closer scrutiny thenotions of center and margin are shown to have origins in the nineteenthcentury and before.The articles in this volume, distinct in theirapproaches and each one concerned with specific situations, reveal anongoing decline of mainstream discourse: the erosion of the cultural"center," and a strengthening of what continues to be referred to as"marginal." The literary and intellectual production of groups that areseen as marginal is becoming ever more compelling and visible, as isdocumented in Transforming the Center, Eroding the Margins.
Author: Rohit Sharma
Publisher: Peter Lang
ISBN: 9783039105823
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Much as Nietzsche has gained in popularity during the last century, his poetry still has not received the scholarly attention it deserves. On closer scrutiny, his aposiopetic style, along with the labyrinthine and self-referential nature of his writings, subtly hint toward the recurring and parallel presence of poetry in his writings. This fact cannot be ignored, and his poetry should therefore be included in any reading of Nietzsche. This study investigates Nietzsche's poetic output while simultaneously regarding him as a poet-philosopher. This reading allows juxtaposing all Nietzschean key concepts while avoiding the temptation to simplify Nietzsche by centering his thought on any particular one. The author ends by highlighting a hitherto neglected term that allows a simultaneous reading of Nietzschean keywords while also including the essential notions of movement, flux, and play.
Author: Andrew Cusack
Publisher: Camden House
ISBN: 1571135197
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies.
Author: Alyssa A. Lonner
Publisher: Peter Lang
ISBN: 9783039103317
Category : History
Languages : en
Pages : 264
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Book Description
As one of the most widely read German authors of the nineteenth century, Gustav Freytag (1816-1895) continues to be associated with the middle class and the progress it enjoyed. Yet while his best-selling novel Soll und Haben (1855) and its lesser-known successor Die verlorene Handschrift (1864) owed their vast commercial success largely to their buoyant message of bourgeois advancement, they simultaneously devote significant attention to elements of traditional German society. In exploring Freytag's dual roles as both a novelist of contemporary middle-class life and a cultural historian, this book uncovers the author's divergent - and ostensibly conflicting - desire both to embrace progress and commemorate the past. Investigating his literary engagement with three central elements of Germany's historical identity - the pervasiveness of folk beliefs, a strong identification with rural life, and the continued presence of the aristocracy - this study shows how Freytag attempts to locate these constituents of pre-industrial Germany in a modern, industrial nation, and in doing so contributes to a historically anchored national identity in which material and political progress coexist with a rich heritage and ancient traditions.
Author: Marjanne Elaine Goozé
Publisher: Peter Lang
ISBN: 9783039110186
Category : History
Languages : en
Pages : 326
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Book Description
This collection of essays centers on women writers who negotiated, interrogated, and challenged the gender ideology of separate spheres through their advocacy and representations of female Bildung. The term Bildung encompasses an individual's entire moral, spiritual, behavioral, emotional, political and intellectual development. The contributors analyze works of fiction, memoirs, autobiographies, letters, the periodical press, and conduct and cookbooks from the mid-1700s to circa 1900 that confront the separate spheres paradigm and promote women's educational and personal development. They examine women's writing and reading practices, moral and gender philosophies, political activism, and work from the home to the stage and factory. Most writers did not repudiate outright existing gender models, but both subtly and overtly subverted and reinterpreted them. In all the texts, the process of female education leads to an assertion of agency. The writers came from different social classes and professional backgrounds, ranging from noblewomen to working-class autobiographers of the later nineteenth century. This volume will be of interest to German cultural, literary, and historical scholars, as well as to those concerned with the development of European feminism, women's education and autobiography.
