Author: Thomas Berger
Publisher: Open Road Media
ISBN: 1480400890
Category : Fiction
Languages : en
Pages : 677
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Book Description
The legendary Jack Crabb takes another riotous romp through the Old West in an acclaimed novel that’s “impressive and delightful . . . very Mark Twain” (Daily News, New York). Jack Crabb is now 112 years old, and he isn’t done spinning yarns. In this sequel to Berger’s beloved novel Little Big Man, one of literature’s wiliest survivors continues his breathtaking tall tales of the Old West. Crabb claims to have witnessed most of the great historical events of the western frontier: hiding behind a wagon after a drunken Doc Holliday provokes the shootout at the OK Corral; joining Buffalo Bill Cody and Annie Oakley on tour with their international Wild West show; even taking tea with Queen Victoria when she came out of seclusion after a quarter century. No matter where Crabb lays his hat, he keeps his wizened, wry, and sharp commentary at the ready. The Return of Little Big Man is a sidesplitting novel of surprising emotional depth. This ebook features an all-new introduction by Thomas Berger, as well as an illustrated biography of the author including rare images and never-before-seen documents from his personal collection.
Author: Douglas Waller
Publisher: Simon and Schuster
ISBN: 1416576207
Category : Biography & Autobiography
Languages : en
Pages : 482
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Book Description
"Entertaining history...Donovan was a combination of bold innovator and imprudent rule bender, which made him not only a remarkable wartime leader but also an extraordinary figure in American history" (The New York Times Book Review). He was one of America's most exciting and secretive generals--the man Franklin Roosevelt made his top spy in World War II. A mythic figure whose legacy is still intensely debated, "Wild Bill" Donovan was director of the Office of Strategic Services (the country's first national intelligence agency) and the father of today's CIA. Donovan introduced the nation to the dark arts of covert warfare on a scale it had never seen before. Now, veteran journalist Douglas Waller has mined government and private archives throughout the United States and England, drawn on thousands of pages of recently declassified documents, and interviewed scores of Donovan's relatives, friends, and associates to produce a riveting biography of one of the most powerful men in modern espionage. William Joseph Donovan's life was packed with personal drama. The son of poor Irish Catholic parents, he married into Protestant wealth and fought heroically in World War I, where he earned the nickname "Wild Bill" for his intense leadership and the Medal of Honor for his heroism. After the war he made millions as a Republican lawyer on Wall Street until FDR, a Democrat, tapped him to be his strategic intelligence chief. A charismatic leader, Donovan was revered by his secret agents. Yet at times he was reckless--risking his life unnecessarily in war zones, engaging in extramarital affairs that became fodder for his political enemies--and he endured heartbreaking tragedy when family members died at young ages. Wild Bill Donovan reads like an action-packed spy thriller, with stories of daring young men and women in his OSS sneaking behind enemy lines for sabotage, breaking into Washington embassies to steal secrets, plotting to topple Adolf Hitler, and suffering brutal torture or death when they were captured by the Gestapo. It is also a tale of political intrigue, of infighting at the highest levels of government, of powerful men pitted against one another. Donovan fought enemies at home as often as the Axis abroad. Generals in the Pentagon plotted against him. J. Edgar Hoover had FBI agents dig up dirt on him. Donovan stole secrets from the Soviets before the dawn of the Cold War and had intense battles with Winston Churchill and British spy chiefs over foreign turf. Separating fact from fiction, Waller investigates the successes and the occasional spectacular failures of Donovan's intelligence career. It makes for a gripping and revealing portrait of this most controversial spymaster.
Author: William Wellman, Jr.
Publisher: Pantheon
ISBN: 1101870281
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The extraordinary life—the first—of the legendary, undercelebrated Hollywood director known in his day as “Wild Bill” (and he was!) Wellman, whose eighty-two movies (six of them uncredited), many of them iconic; many of them sharp, cold, brutal; others poetic, moving; all of them a lesson in close-up art, ranged from adventure and gangster pictures to comedies, aviation, romances, westerns, and searing social dramas. Among his iconic pictures: the pioneering World War I epic Wings (winner of the first Academy Award for best picture), Public Enemy (the toughest gangster picture of them all), Nothing Sacred, the original A Star Is Born, Beggars of Life, The Call of the Wild, The Ox-Bow Incident, Battleground, The High and the Mighty... David O. Selznick called him “one of the motion pictures’ greatest craftsmen.” Robert Redford described him as “feisty, independent, self-taught, and self-made. He stood his ground and fought his battles for artistic integrity, never wavering, always clear in his film sense.” Wellman directed Hollywood’s biggest stars for three decades, including Clark Gable, Gary Cooper, Barbara Stanwyck, John Wayne, Lauren Bacall, and Clint Eastwood. It was said he directed “like a general trying to break out of a beachhead.” He made pictures with such noted producers as Darryl F. Zanuck, Nunnally Johnson, Jesse Lasky, and David O. Selznick. Here is a revealing, boisterous portrait of the handsome, tough-talking, hard-drinking, uncompromising maverick (he called himself a “crazy bastard”)—juvenile delinquent; professional ice-hockey player as a kid; World War I flying ace at twenty-one in the Lafayette Flying Corps (the Lafayette Escadrille), crashing more than six planes (“We only had four instruments, none of which worked. And no parachutes . . . Greatest goddamn acrobatics you ever saw in your life”)—whose own life story was more adventurous and more unpredictable than anything in the movies. Wellman was a wing-walking stunt pilot in barnstorming air shows, recipient of the Croix de Guerre with two Gold Palm Leaves and five United States citations; a bad actor but good studio messenger at Goldwyn Pictures who worked his way up from assistant cutter; married to five women, among them Marjorie Crawford, aviatrix and polo player; silent picture star Helene Chadwick; and Dorothy Coonan, Busby Berkeley dancer, actress, and mother of his seven children. Irene Mayer Selznick, daughter of Louis B. Mayer, called Wellman “a terror, a shoot-up-the-town fellow, trying to be a great big masculine I-don’t-know-what. David had a real weakness for him. I didn’t share it.” Yet she believed enough in Wellman’s vision and cowritten script about Hollywood to persuade her husband to produce A Star Is Born, which Wellman directed. After he took over directing Tarzan Escapes at MGM, Wellman went to Louis B. Mayer and asked to make another Tarzan picture on his own. “What are you talking about? It’s beneath your dignity,” said Mayer. “To hell with that,” said Wellman, “I haven’t got any dignity.” Now William Wellman, Jr., drawing on his father’s unpublished letters, diaries, and unfinished memoir, gives us the first full portrait of the man—boy, flyer, husband, father, director, artist. Here is a portrait of a profoundly American spirit and visionary, a man’s man who was able to put into cinematic storytelling the most subtle and fulsome of feeling, a man feared, respected, and loved.
Author: Joseph G. Rosa
Publisher: University of Oklahoma Press
ISBN: 0806180420
Category : Biography & Autobiography
Languages : en
Pages : 219
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Book Description
“James Butler Hickok, generally called ‘Wild Bill,’ epitomized the archetypal gunfighter, that half-man, half-myth that became the heir to the mystique of the duelist when that method of resolving differences waned. . . . Easy access to a gun and whiskey coupled with gambling was the cause of most gunfights--few of which bore any resemblance to the gentlemanly duel of earlier times. . . . Hickok’s gunfights were unusual in that most of them were ‘fair’ fights, not just killings resulting from rage, jealousy over a woman, or drunkenness. And, the majority of his encounters were in his role as lawman or as an individual upholding the law.”--from Wild Bill Hickok, Gunfighter Wild Bill Hickok (1837–1876) was a Civil War spy and scout, Indian fighter, gambler, and peace officer. He was also one of the greatest gunfighters in the West. His peers referred to his reflexes as “phenomenal” and to his skill with a pistol as “miraculous.” In Wild Bill Hickok, Gunfighter, Joseph G. Rosa, the world’s foremost authority on Hickok, provides an informative examination of Hickok’s many gunfights. Rosa describes the types of guns used by Hickok and illustrates his use of the plains’ style of “quick draw,” as well as examining other elements of the Hickok legend. He even reconsiders the infamous “dead man’s hand” allegedly held by Hickok when he was shot to death at age thirty-nine while playing poker. Numerous photographs and drawings accompany Rosa’s down-to-earth text.
Author: Wayne Gard
Publisher: University of Oklahoma Press
ISBN: 9780806115368
Category : History
Languages : en
Pages : 324
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Book Description
Presents a history of the route which became the "Main Street" of the Texas cattle trade after the Civil War and remained until after its closing in 1884
Author: Sandra K. Sagala
Publisher: University of Oklahoma Press
ISBN: 0806151404
Category : Biography & Autobiography
Languages : en
Pages : 231
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Book Description
For more than thirty years, William F. “Buffalo Bill” Cody entertained audiences across the United States and Europe with his Wild West show. Scores of books have been written about Cody’s fabled career as a showman, but his involvement in the film industry—following the dissolution of his traveling show—is less well known. In Buffalo Bill on the Silver Screen, Sandra K. Sagala chronicles the fascinating story of Cody’s venture into filmmaking during the early cinema period. In 1894 Thomas Edison invited Cody to bring some of the Wild West performers to the inventor’s kinetoscope studio. From then on, as Sagala reveals, Cody was frequently in the camera’s eye, eager to participate in the newest and most popular phenomenon of the era: the motion picture. In 1910, promoter Pliny Craft produced The Life of Buffalo Bill, a film in which Cody played his own persona. After his Wild West show disbanded, Cody fully embraced the film business, seeing the technology as a way to recoup his financial losses and as a new vehicle for preserving America’s history and his own legacy for future generations. Because he had participated as a scout in some of the battles and skirmishes between the U.S. Army and Plains Indians, Cody wanted to make a film that captured these historical events. Unfortunately for Cody, The Indian Wars (1913) was not a financial success, and only three minutes of footage have survived. Long after his death, Cody’s legacy lives on through the many movies that have featured his character. Sagala provides a useful appendix listing all of these films, as well as those for which Cody himself took an active role as director, producer, or actor. Published on the eve of the centennial anniversary of The Indian Wars, this engaging book offers readers new insights into the legendary figure’s life and career and explores his lasting image in film.
Author: Joseph G. Rosa
Publisher: University of Oklahoma Press
ISBN: 0806179546
Category : Biography & Autobiography
Languages : en
Pages : 418
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Book Description
His contemporaries called him Wild Bill, and newspapermen and others made him a legend in his own time. Among western characters only General George Armstrong Custer and Buffalo Bill Cody are as readily recognized by the general public. In writing this biography, Joseph G. Rosa has expressed the hope that "Hickok emerges as a man and not a legend." For this comprehensive revision of his earlier biography of Wild Bill the author was allowed to work from newly available materials in the possession of the Hickok family. He also discovered new material pertaining to Wild Bill’s Civil War exploits and his service as a marshal and found the pardon file of his murderer, John McCall. Additional, rare photographs of Wild Bill are published here for the first time. The results of Rosa’s additional research make this second edition the best biography of Wild Bill likely to be written for years to come.
Author: Bobby Bridger
Publisher: University of Texas Press
ISBN: 9780292709171
Category : History
Languages : en
Pages : 510
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Book Description
Army scout, buffalo hunter, Indian fighter, and impresario of the world-renowned "Wild West Show," William F. "Buffalo Bill" Cody lived the real American West and also helped create the "West of the imagination." Born in 1846, he took part in the great westward migration, hunted the buffalo, and made friends among the Plains Indians, who gave him the name Pahaska (long hair). But as the frontier closed and his role in "winning the West" passed into legend, Buffalo Bill found himself becoming the symbol of the destruction of the buffalo and the American Indian. Deeply dismayed, he spent the rest of his life working to save the remaining buffalo and to preserve Plains Indian culture through his Wild West shows. This biography of William Cody focuses on his lifelong relationship with Plains Indians, a vital part of his life story that, surprisingly, has been seldom told. Bobby Bridger draws on many historical accounts and Cody's own memoirs to show how deeply intertwined Cody's life was with the Plains Indians. In particular, he demonstrates that the Lakota and Cheyenne were active cocreators of the Wild West shows, which helped them preserve the spiritual essence of their culture in the reservation era while also imparting something of it to white society in America and Europe. This dual story of Buffalo Bill and the Plains Indians clearly reveals how one West was lost, and another born, within the lifetime of one remarkable man.
Author: Paul Ashdown
Publisher: SIU Press
ISBN: 0809337894
Category : History
Languages : en
Pages : 264
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Book Description
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Author: James D. McLaird
Publisher: SDSHS Press
ISBN: 0977795594
Category : Biography & Autobiography
Languages : en
Pages : 156
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Book Description
bibliography, index, eight-page photo essay
