Author: Charles Brockden Brown
Publisher:
ISBN: 9780873381604
Category :
Languages : en
Pages : 0
Book Description
Wieland Or The Transformation. An American Tale. Memoirs of Carwin, The Biloquist. [Mit Portr.]
Author: Charles Brockden Brown
Publisher:
ISBN: 9780873381604
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780873381604
Category :
Languages : en
Pages : 0
Book Description
Wieland
Author: Charles Brockden Brown
Publisher:
ISBN:
Category :
Languages : en
Pages : 441
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 441
Book Description
Wieland
Author: Charles Brockden Brown
Publisher:
ISBN: 9780873381604
Category :
Languages : en
Pages : 441
Book Description
Publisher:
ISBN: 9780873381604
Category :
Languages : en
Pages : 441
Book Description
Books in Print Supplement
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2576
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2576
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 640
Book Description
Wieland Or, the Transformation
Author: Charles Brockden Brown
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
Book Description
Wieland; Or the Transformation and Memoirs of Carwin, the Biloquist
Author: Charles Brockden Brown
Publisher: Oxford University Press, USA
ISBN: 9780192836809
Category : Fiction
Languages : en
Pages : 346
Book Description
One of the earliest American novels, Wieland (1798) is a tale of suspense and intrigue that explores some of the most important issues vital to the survival of democracy in the new American republic.
Publisher: Oxford University Press, USA
ISBN: 9780192836809
Category : Fiction
Languages : en
Pages : 346
Book Description
One of the earliest American novels, Wieland (1798) is a tale of suspense and intrigue that explores some of the most important issues vital to the survival of democracy in the new American republic.
Wieland
Author: Charles Brockden Brown
Publisher:
ISBN:
Category : Fathers
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Fathers
Languages : en
Pages : 264
Book Description
Wieland
Author: Charles Brockden Brown
Publisher: Modern Library
ISBN: 0307757846
Category : Fiction
Languages : en
Pages : 498
Book Description
Called a “remarkable story” by John Greenleaf Whittier and described by John Keats as “very powerful,” Wieland, Charles Brockden Brown’s disturbing 1798 tale of terror, is a masterpiece involving spontaneous combustion, disembodied voices, religious mania, and a gruesome murder based on a real-life incident. This Modern Library Paperback Classic includes Wieland’s fragmentary sequel, Memoirs of Carwin the Biloquist, as well as several other important but hard-to-find Brockden Brown short stories, including “Thessalonica,” “Walstein’s School of History,” and “Death of Cicero.” This collection also reproduces the newspaper account of the murder that inspired Wieland.
Publisher: Modern Library
ISBN: 0307757846
Category : Fiction
Languages : en
Pages : 498
Book Description
Called a “remarkable story” by John Greenleaf Whittier and described by John Keats as “very powerful,” Wieland, Charles Brockden Brown’s disturbing 1798 tale of terror, is a masterpiece involving spontaneous combustion, disembodied voices, religious mania, and a gruesome murder based on a real-life incident. This Modern Library Paperback Classic includes Wieland’s fragmentary sequel, Memoirs of Carwin the Biloquist, as well as several other important but hard-to-find Brockden Brown short stories, including “Thessalonica,” “Walstein’s School of History,” and “Death of Cicero.” This collection also reproduces the newspaper account of the murder that inspired Wieland.
The Sounds of Early Cinema
Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.