Wide Awake in Slumberland PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wide Awake in Slumberland PDF full book. Access full book title Wide Awake in Slumberland by Katherine Roeder. Download full books in PDF and EPUB format.
Author: Katherine Roeder
Publisher: Univ. Press of Mississippi
ISBN: 1617039608
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
The first study to place this genius of modern comics creation in his historical context
Author: Katherine Roeder
Publisher: Univ. Press of Mississippi
ISBN: 1617039608
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
The first study to place this genius of modern comics creation in his historical context
Author: Robert Ellice Mack
Publisher:
ISBN:
Category : Children's poetry
Languages : en
Pages : 96
Get Book Here
Book Description
Author: R[obert] Ellice Mack
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: William Grady
Publisher: University of Texas Press
ISBN: 1477329986
Category : History
Languages : en
Pages : 329
Get Book Here
Book Description
"As the Western began to flourish in literature, it also began to appear in illustrations and early comic strips of the late 19th and early 20th centuries. William Grady charts the history of the genre in comic strips and books from its origins in this period through its mid-century heyday to its gradual decline in the 60s and 70s, ending with a brief look at the current "afterlife" of Western comics over the last few decades. In doing so, he also argues for the importance of comics in the development of the Western alongside both literature and film/television. He explains how the mythic-historical settings of Western comics allowed the young readers at whom they were aimed to explore different aspects of their contemporary society, wrestle with taboo topics, and envision different futures for the US. Grady begins by exploring the origins of the Western genre in the late 19th century and shows the importance of illustrated narratives and cartoons in helping readers visualize the West, thus establishing much of its iconic imagery of frontier life, including racist stereotypes of Indigenous Peoples. He moves forward in time to show how the West became mythologized and fantastic elements were introduced into the real landscape in comic strips such as Gasoline Alley and Krazy Kat, until the Great Depression, where strips emphasized the escapist adventures of the West in Red Ryder, Lone Ranger, and others. The postwar Western spread into comic books and was used alternately as positive and negative commentaries on the Cold War and America's place in the world, but in the era of Vietnam and Watergate, Western comics portrayed darker reflections of American culture and history and eventually more or less died out. Despite the genre's apparent demise, Grady ends by examining its ongoing influence over the last decades as its tropes are used to interrogate and subvert the idea of the mythic West and explore diverse perspectives on the genre"--
Author: Jacqueline Garcia
Publisher: Xlibris Corporation
ISBN: 1664166181
Category : Fiction
Languages : en
Pages : 154
Get Book Here
Book Description
The book begins with a visit to a therapist by the main character, Esme Porcher, which throws her back into the memory of how she got there. She marries her brother-in-law after her older twin sister’s death. Things go awry as her husband’s assistant, Amanda, insists that her husband, Bill, and she were supposed to get married after the death of Esme’s sister, Joanna. Bill tries to make it sound like Amanda is crazy and tells Esme to go to their home. Once she is inside the house, she hears a voice that sounds like her sister. Over the days her sister tries to warn her and show her about Bill and his greedy way. Lies are being shown, Esme ends up being sick like her sister only to survive the sickness. Increasingly Bill becomes more possessive over Esme to the point of killing Amanda. Included in this story is Amanda’s brother, Todd, who helps Esme try to escape her husband’s clutches. Bill, without a signature from Esme in regards to the insurance policy, suddenly forgoes the signature and go all out in attempting to kill Esme just to get her out of the way. Her sister’s ghost, angry at his murderous attempt saves her sister by helping her out of the house before killing Bill in a house explosion. Esme grew from a naive woman into a strong woman full of questions and suspicious of her husband’s lies and situations.
Author: Brannon Costello
Publisher: LSU Press
ISBN: 080717551X
Category : Literary Criticism
Languages : en
Pages : 406
Get Book Here
Book Description
Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.
Author: Benjamin Fraser
Publisher: Univ. Press of Mississippi
ISBN: 1496825071
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium’s spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life.
Author: Jonathan Najarian
Publisher: Univ. Press of Mississippi
ISBN: 1496849590
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.
Author: Lukas Etter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110693682
Category : Literary Criticism
Languages : en
Pages : 228
Get Book Here
Book Description
Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Berlin – and discusses how artistic style may influence the ways in which readers construct authorship.
Author: Elsa Richardson
Publisher: Profile Books
ISBN: 1782838260
Category : History
Languages : en
Pages : 201
Get Book Here
Book Description
A Financial Times most anticipated read for 2024 'A fascinating, erudite and entertaining journey through the gut-brain connection' TIFFANY WATT SMITH, author of The Book of Human Emotions 'A thrilling and surprising journey into the science and culture of an organ that refuses to be civilised' PAUL CRADDOCK, author of Spare Parts Have you ever had a gut feeling? Found something hard to stomach? Have you gone belly up under pressure? Did you pull yourself together and show some guts? The growls and gurgles of our digestive system are a constant reminder of the physical work it does to keep our bodies running. But throughout history, humans have puzzled over how this rowdy organ might influence us in other ways, from our emotional states and mental well-being to the decisions we make and even our sense of self. Through Ancient Greece and Victorian England, eighteenth-century France and contemporary America, cultural historian Elsa Richardson leads us on a lively tour of all the ways we've tried to make sense of this endlessly fascinating (and sometimes embarrassing) body part. From etiquette guides and diet advice to medieval alchemy and microbiology, she reveals that the gut-brain connection may be a modern obsession, but the question of whether we are ruled by our stomachs is as old as humanity itself.
