Why Do My Ellipses Look Like Doughnuts? Plus 25 Solutions to Other Still Life Painting Peeves PDF Download
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Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 71
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Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 71
Get Book Here
Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher:
ISBN: 9781492727101
Category :
Languages : en
Pages : 72
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Book Description
Producing still life art can be a satisfying experience, as the artist can paint any object from any angle and the light source modified.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting practices.In total, 26 common "peeves" associated with still life painting are tackled within this book. In 6 sections, a myriad of other matters relating to still life painting are explained, such as specialised painting techniques, composing a still life, lighting, and preparatory chapters on the art materials, liberally spiced with numerous images and diagrams.Dimensions of this large edition: 8x10in and 72 pages. Pocket sized edition and Kindle version also available.Note: This book is also included in a three-book in one trilogy: The Ultimate Oil Painting Solution: for Landscape Art, Portraiture and Still Life.The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492742287
Category : Art
Languages : en
Pages : 233
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Book Description
A bulky, comprehensive book on oil painting various subject matter. Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions. The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting. Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually. Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within. The book has 73,000 words, 78 chapters and around 400 images. Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life). The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves. As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere. Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more. The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence. Dimensions of print book: 10x8in and 234 pages.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1537664808
Category : Art
Languages : en
Pages : 82
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Book Description
What does the artist paint after receiving oil painting materials? Find 10 simple oil painting demonstrations with step by step images and instructions to get the paint brush moving..The projects include landscapes, still life, animals and a colour mixing exercise. Achievable within 2 hours. Includes a guide to the art materials and glossary. With 360 images.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1977506569
Category : Art
Languages : en
Pages : 330
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Book Description
This art instruction tome forms the perfect companion to a new set of oil paints. It will be a long time before the prospecting artist need ever find inspiration on what to paint again. An amalgamation of 3 art instruction books: 10 Bite-Sized Oil Painting Projects Book: 1, 2 and 3 means a wealth of ideas can be found here in one place. Find over 1000 instructional images and in depth instructions amounting to 50,000 words. Learn how to paint a variety of subject matter including fruit, flowers, sunsets, water, woodlands, coasts, animals, snow, glass, gardens, vistas, old masters and more. Most of the demonstrations have been completed within a few hours, making these projects achievable for artists of various abilities. Select demonstrations provide further ventures in the form of glazing, impasto, pointillism, applying detail and mixing greens. Subject matter has been classified into 6 colour schemes due to the pervading hue or the focal point of the composition. Every essential oil painting pigment will therefore undergo the full workout. Art brushes will get worn, pigments will be used and the art surface will depict a scene. Projects open with an overview with supporting images before step-by-step images and in-depth instructions ensue, guiding the artist from start to finish. An essential guide on the art materials, preparatory processes and glossary are also included. Discover how to make oil painting cheap, clean and simple. This book is a must for the artist wishing to practice oil painting without having to find ideas on what to paint.
Author: Rachel Shirley
Publisher: Oil Painting Medic
ISBN: 1976347858
Category : Art
Languages : en
Pages : 131
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Book Description
Ten easy step by step oil painting projects with full instructions and ample images. Projects include a dog’s profile, a flamingo, woodlands, topiary gardens, a daffodil, an onion, a sunset, a Cezanne classic, a riverside retreat and a footbridge. No need to look for inspiration. Begin oil painting practice immediately with this book.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1310391939
Category : Art
Languages : en
Pages : 102
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Book Description
Learn oil painting from the beginning with this art guide book. You have just purchased your first set of oil colours. Now what? A blank art surface may reflect an uncertainty of what to paint. Where does the beginner begin? Is an easel needed? What about a mahl stick, stretched canvases and a kidney-shaped palette? The aim of this book is to show that such paraphernalia are not essential. Oil paints can be odourless, clean and the starter kit may comprise just a few items that can be stored in a tool box. Infinite colours can be mixed with several pigments via a few brushes. This makes oil colours the ideal choice for the beginner who wishes to try a truly versatile art medium. Find basic oil painting exercises aimed at getting that brush moving, even if it means laying each pigment into rectangles to get to know each pigment. Exercises progress steadily onto shading, mark making and applying glazes. These rudimentary exercises provide the springboard from which to paint a first landscape and more. The myths of colour theory is dispelled, making dirty colour mixes a thing of the past. Find chapters that explore complementary colours, alla prima, glazing, using a limited palette, working with linseed oil and expressing a jigsaw of marks. Each chapter concludes with a summarizing bullet point list of what has been covered so far, helping to reinforce what has been learned. As will be seen, oil paints have many surprises in store and can be fun to try out – without the fuss, mess or cost. Includes a shopping list for the beginner, glossary and hundreds of colour images.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492193399
Category : Art
Languages : en
Pages : 95
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Book Description
Learn oil painting techniques for portraiture including skin colours, hair and eyes from this step by step art book. Portraiture would seem an art form reserved for the most intrepid and experienced of artists. Now with large images for tablets, this oil painting step-by-step guidebook for beginners to intermediate aims to break down this seemingly exacting subject matter into manageable pieces. Within you will find step-by-step instructions on completing 10 portraits from old masters in oil. Leaving no stone unturned, portrait painting would seem more possible. Each demonstration comprises an overview of a particular oil painting technique to be explored, in-depth step-by-step instructions and (on average) 16 images in progress. The artists featured include Botticelli, Delacroix, Gauguin, Velazquez, Wright of Derby, Jacques-Louis David, Rossetti and Vermeer. An additional demonstration features a modern-day portrait. Subjects of various ages, sexes and ethnicity help the developing portraitist get to grips with portraying most skin types in painting. As well as these demonstrations, preliminary sections offer guidance on the art materials required, preparing for oil painting and a personal view of portrait painting. At the back of this book can be found remedial techniques for portraiture, a troubleshooting guide and a glossary. These features make this book an invaluable guide for the beginner wishing to build confidence as well as the developing portraitist. My other book, 'Skin Tones in Oil: 10 Step by Step Guides from Old Masters' similarly explores portraiture but also the figure. Additional oil painting techniques are explained via the source material of artists including Da Vinci, Michelangelo and Rubens. A troubleshooting guide for the portraitist is also available. 'Why do my Skin Tones Look Lifeless Plus 25 Solutions to Other Portrait Painting Peeves' helps with common problems such as mixing skin tones, hair, eyes and shadows plus much more. Dimensions of large edition: 10x8in and 96 pages. The author has a Bachelor’s degree from Kingston University and a PCET teaching qualification from Warwick.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492753467
Category : Art
Languages : en
Pages : 45
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Book Description
An oil painting demonstration on portrait painting with sfumato like the old masters. This in depth painting demonstration explores a tailored approach in achieving sfumato effects when painting Leonardo da Vinci’s the Mona Lisa in oils. Taken from my other book, Skin Tones in Oil: 10 Step by Step Guides from Old Masters, this painting project has proved to be sufficiently lengthy to warrant a book in its own right. The chief section of this book comprises step by step images with accompanying text that gives full instructions on how the Mona Lisa was completed via 5 stages. Find also extra features, such as managing tonal balances, attaining soft shadowy effects, working in glazes, dry brushing, troubleshooting and making the most of simple art materials. Learn how such a momentous project can be broken down into manageable pieces. Painting the Mona Lisa with sfumato could prove an invaluable experience for any portraitist. Note: this book does not explain the painting processes of the Renaissance period such as grinding pigments or the old masters’ method of underpainting. Such practices may exclude artists who do not have the room or the resources to prepare in such a way. This book’s aim is to make painting the Mona Lisa more inclusive. This means getting on with the painting with minimal fuss. Contemporary art materials and modified art techniques have therefore been used. However, this book offers a way of achieving great sfumato effects in the style of Leonardo. Preparatory sections, a troubleshooting guide and glossary are included. Book’s dimensions: 10x8in and 48 pages.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492244570
Category : Art
Languages : en
Pages : 116
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Book Description
Find step by step demonstrations on oil painting portraits and figures. The colour of skin has a reputation of being a difficult colour to paint. This oil painting guidebook aims to break down this seemingly difficult subject matter into manageable pieces. Within you will find 10 step-by-step instructions on completing figure paintings in oil from old masters. Leaving no stone unturned, painting skin tones effectively would seem more achievable. Each demonstration comprises an overview of a particular oil painting technique to be explored, in depth step-by-step instructions and (on average) 28 images in progress. The old masters featured are Da Vinci, Titian, Caravaggio, Michelangelo, Botticelli, Gauguin, Ingres, Courbet, Rubens and Cezanne. Techniques explored include sfumato, sgraffito, cangiante, scumbling, impasto, glazing, grisaille effects and more. As well as these demonstrations a concluding section offers guidance on the art materials required. Preparing for oil painting, a personal view of rendering skin tones, a troubleshooting guide and a glossary are also included. It must be noted, that this book does not explain the old masters’ method in painting processes such as grinding pigments or the traditional way of underpainting. Contemporary art materials and modified art techniques have been used to make these projects inclusive. These features make this book an invaluable guide for the beginner as well as the developing artist wishing to explore oil painting. Dimensions of large edition: 10x8in and 118 pages. A further 10 projects on painting skin tones from old masters can be found in ‘Portrait Painting in Oil: 10 Step by Step Guides from Old Masters.’ Artists featured include: Botticelli, Delacroix, Gauguin, Velazquez, Wright of Derby, Jacques-Louis David, Rossetti and Vermeer. A mini ebook, ‘Oil Painting the Mona Lisa in Sfumato: a Portrait Painting Challenge in 48 Steps’ outlines one of the demonstrations within this book, due this project’s lengthy process. With extra features.