Who's Afraid of Tom Wolfe? PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Who's Afraid of Tom Wolfe? PDF full book. Access full book title Who's Afraid of Tom Wolfe? by Marc Weingarten. Download full books in PDF and EPUB format.
Author: Marc Weingarten
Publisher: White Lion Publishing
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Get Book Here
Book Description
The list of classic works of New Journalism goes on and on: In Cold Blood, The Right Stuff, Armies of the Night, Dispatches, Fear and Loathing in Las Vegas, Hiroshima, Slouching Towards Bethlehem: not only are they all still in print after 40 years, but also as accepted classics. Their authors - Truman Capote, Tom Wolfe, Michael Herr, Joan Didion, Norman Mailer - are also acknowledged as some of America's greatest twentieth-century writers. But they wrote non-fiction, not novels, about big subjects like Vietnam, the Hippie culture, notorious murders, the space programme. And the then revolutionary new brand of non-fiction they pioneered - narrative and novelistic, yet documentary and often with a spacedout, forensic detachment - has now become so much part of the mainstream that we can read books like Midnight in the Garden of Good and Evil without realising their debt to the early New Journalists of the sixties. Marc Weingarten's book tells for the first time how they pushed reportage beyond its narrow limits and changed the literary culture, and the fascinating stories behind the research and writing of books such as in Cold Blood.
Author: Marc Weingarten
Publisher: White Lion Publishing
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Get Book Here
Book Description
The list of classic works of New Journalism goes on and on: In Cold Blood, The Right Stuff, Armies of the Night, Dispatches, Fear and Loathing in Las Vegas, Hiroshima, Slouching Towards Bethlehem: not only are they all still in print after 40 years, but also as accepted classics. Their authors - Truman Capote, Tom Wolfe, Michael Herr, Joan Didion, Norman Mailer - are also acknowledged as some of America's greatest twentieth-century writers. But they wrote non-fiction, not novels, about big subjects like Vietnam, the Hippie culture, notorious murders, the space programme. And the then revolutionary new brand of non-fiction they pioneered - narrative and novelistic, yet documentary and often with a spacedout, forensic detachment - has now become so much part of the mainstream that we can read books like Midnight in the Garden of Good and Evil without realising their debt to the early New Journalists of the sixties. Marc Weingarten's book tells for the first time how they pushed reportage beyond its narrow limits and changed the literary culture, and the fascinating stories behind the research and writing of books such as in Cold Blood.
Author: Tom Wolfe
Publisher: Farrar, Straus and Giroux
ISBN: 1429961201
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).
Author: Marion Gymnich
Publisher: V&R unipress GmbH
ISBN: 3847100505
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Get Book Here
Book Description
Fear in its many facets appears to constitute an intriguing and compelling subject matter for writers and screenwriters alike. The contributions address fictional representations and explorations of fear in different genres and different periods of literary and cultural history. The topics include representations of political violence and political fear in English Renaissance culture and literature; dramatic representations of fear and anxiety in English Romanticism; the dramatic monologue as an expression of fears in Victorian society; cultural constructions of fear and empathy in George Eliot's Daniel Deronda (1876) and Jonathan Nasaw's Fear Itself (2003); facets of children's fears in twentieth- and twenty-first-century stream-of-consciousness fiction; the representation of fear in war movies; the cultural function of horror film remakes; the expulsion of fear in Kazuo Ishiguro's novel Never Let Me Go and fear and nostalgia in Mohsin Hamid's post-9/11 novel The Reluctant Fundamentalist.
Author: Tom Wolfe
Publisher: Macmillan
ISBN: 0374239282
Category : Fiction
Languages : en
Pages : 418
Get Book Here
Book Description
This collection of Wolfe's essays, articles, and chapters from previous collections is filled with observations on U.S. popular culture in the 1960s and 1970s.
Author: Tom Wolfe
Publisher: Farrar, Straus and Giroux
ISBN: 1429961325
Category : History
Languages : en
Pages : 370
Get Book Here
Book Description
Tom Wolfe at his very best" (The New York Times Book Review), The Right Stuff is the basis for the 1983 Oscar Award-winning film of the same name and the 8-part Disney+ TV mini-series. From "America's nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. " Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.
Author: Peter Goldie
Publisher: Routledge
ISBN: 1135234868
Category : Art
Languages : en
Pages : 178
Get Book Here
Book Description
What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.
Author: Tom Wolfe
Publisher: Farrar, Straus and Giroux
ISBN: 1429960566
Category : Fiction
Languages : en
Pages : 708
Get Book Here
Book Description
Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's novel is a big, panoramic story of the metropolis that reinforces the author's reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.
Author: Tom Wolfe
Publisher: Little, Brown
ISBN: 0316214582
Category : Fiction
Languages : en
Pages : 407
Get Book Here
Book Description
A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.
Author: Robert Boynton
Publisher: Vintage
ISBN: 0307429040
Category : Language Arts & Disciplines
Languages : en
Pages : 494
Get Book Here
Book Description
Forty years after Tom Wolfe, Hunter S. Thompson, and Gay Talese launched the New Journalism movement, Robert S. Boynton sits down with nineteen practitioners of what he calls the New New Journalism to discuss their methods, writings and careers. The New New Journalists are first and foremost brilliant reporters who immerse themselves completely in their subjects. Jon Krakauer accompanies a mountaineering expedition to Everest. Ted Conover works for nearly a year as a prison guard. Susan Orlean follows orchid fanciers to reveal an obsessive subculture few knew existed. Adrian Nicole LeBlanc spends nearly a decade reporting on a family in the South Bronx. And like their muckraking early twentieth-century precursors, they are drawn to the most pressing issues of the day: Alex Kotlowitz, Leon Dash, and William Finnegan to race and class; Ron Rosenbaum to the problem of evil; Michael Lewis to boom-and-bust economies; Richard Ben Cramer to the nitty gritty of politics. How do they do it? In these interviews, they reveal the techniques and inspirations behind their acclaimed works, from their felt-tip pens, tape recorders, long car rides, and assumed identities; to their intimate understanding of the way a truly great story unfolds. Interviews with: Gay Talese Jane Kramer Calvin Trillin Richard Ben Cramer Ted Conover Alex Kotlowitz Richard Preston William Langewiesche Eric Schlosser Leon Dash William Finnegan Jonathan Harr Jon Krakauer Adrian Nicole LeBlanc Michael Lewis Susan Orlean Ron Rosenbaum Lawrence Weschler Lawrence Wright
Author: Tom Wolfe
Publisher: Hachette+ORM
ISBN: 0316404640
Category : Social Science
Languages : en
Pages : 145
Get Book Here
Book Description
The maestro storyteller and reporter provocatively argues that what we think we know about speech and human evolution is wrong. Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey that is sure to arouse widespread debate. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech -- not evolution -- is responsible for humanity's complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.
