Author: Pete Brown
Publisher: Aurum
ISBN: 9781906779207
Category : Lyricists
Languages : en
Pages : 296
Book Description
Pete Brown, lyricist for 60s super group Cream, has been a poet, singer, percussionist, record producer and screenwriter. As a Beat poet he worked alongside Spike Milligan, Allen Ginsberg and Robert Graves. As songwriter he is best known for his work with Cream, whose guitarist was Eric Clapton. Having been part of the Underground, he emerged as the lyricist of their massive hit songs ‘White Room’, ‘I Feel Free’, and ‘Sunshine of your Love’. White Rooms and Imaginary Westerns is the personal odyssey of this poet, musician and writer. Brown takes the reader from the green fields of Surrey to the claustrophobia of a Jewish school in Hendon, from surreal day jobs operating lifts to hitch-hiking around Britain in a search for identity and girls. White Rooms deals honestly with the problems he faced – from the sexual side effects of a having a Jewish mother, to the mental adjustment necessary when, after years of earning £20 a week as a performing poet, he began receiving major sums his hit songs. There are many hilarious tales of being a touring musician, as well as anarchic opinions on drugs, love, music and movies. There are stories of the many more famous people Brown has worked with and met from Ginsberg and Burroughs to Spike Milligan, from Clapton to Peter Green and Jeff Beck, and from Alasdair Gray to Ken Campbell and Martin Scorsese.From affairs with actresses to Browns’ 30-year collaboration with Cream singer, Jack Bruce, this is a fascinating journey into music, poetry, love and life by one of the biggest unsung heroes of rock and the beat movement.
White Rooms & Imaginary Westerns
Author: Pete Brown
Publisher: Aurum
ISBN: 9781906779207
Category : Lyricists
Languages : en
Pages : 296
Book Description
Pete Brown, lyricist for 60s super group Cream, has been a poet, singer, percussionist, record producer and screenwriter. As a Beat poet he worked alongside Spike Milligan, Allen Ginsberg and Robert Graves. As songwriter he is best known for his work with Cream, whose guitarist was Eric Clapton. Having been part of the Underground, he emerged as the lyricist of their massive hit songs ‘White Room’, ‘I Feel Free’, and ‘Sunshine of your Love’. White Rooms and Imaginary Westerns is the personal odyssey of this poet, musician and writer. Brown takes the reader from the green fields of Surrey to the claustrophobia of a Jewish school in Hendon, from surreal day jobs operating lifts to hitch-hiking around Britain in a search for identity and girls. White Rooms deals honestly with the problems he faced – from the sexual side effects of a having a Jewish mother, to the mental adjustment necessary when, after years of earning £20 a week as a performing poet, he began receiving major sums his hit songs. There are many hilarious tales of being a touring musician, as well as anarchic opinions on drugs, love, music and movies. There are stories of the many more famous people Brown has worked with and met from Ginsberg and Burroughs to Spike Milligan, from Clapton to Peter Green and Jeff Beck, and from Alasdair Gray to Ken Campbell and Martin Scorsese.From affairs with actresses to Browns’ 30-year collaboration with Cream singer, Jack Bruce, this is a fascinating journey into music, poetry, love and life by one of the biggest unsung heroes of rock and the beat movement.
Publisher: Aurum
ISBN: 9781906779207
Category : Lyricists
Languages : en
Pages : 296
Book Description
Pete Brown, lyricist for 60s super group Cream, has been a poet, singer, percussionist, record producer and screenwriter. As a Beat poet he worked alongside Spike Milligan, Allen Ginsberg and Robert Graves. As songwriter he is best known for his work with Cream, whose guitarist was Eric Clapton. Having been part of the Underground, he emerged as the lyricist of their massive hit songs ‘White Room’, ‘I Feel Free’, and ‘Sunshine of your Love’. White Rooms and Imaginary Westerns is the personal odyssey of this poet, musician and writer. Brown takes the reader from the green fields of Surrey to the claustrophobia of a Jewish school in Hendon, from surreal day jobs operating lifts to hitch-hiking around Britain in a search for identity and girls. White Rooms deals honestly with the problems he faced – from the sexual side effects of a having a Jewish mother, to the mental adjustment necessary when, after years of earning £20 a week as a performing poet, he began receiving major sums his hit songs. There are many hilarious tales of being a touring musician, as well as anarchic opinions on drugs, love, music and movies. There are stories of the many more famous people Brown has worked with and met from Ginsberg and Burroughs to Spike Milligan, from Clapton to Peter Green and Jeff Beck, and from Alasdair Gray to Ken Campbell and Martin Scorsese.From affairs with actresses to Browns’ 30-year collaboration with Cream singer, Jack Bruce, this is a fascinating journey into music, poetry, love and life by one of the biggest unsung heroes of rock and the beat movement.
Text and Drugs and Rock 'n' Roll
Author: Simon Warner
Publisher: Bloomsbury Publishing USA
ISBN: 1441143033
Category : Music
Languages : en
Pages : 542
Book Description
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
Publisher: Bloomsbury Publishing USA
ISBN: 1441143033
Category : Music
Languages : en
Pages : 542
Book Description
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
The Racial Imaginary
Author: Claudia Rankine
Publisher:
ISBN: 9781934200797
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made.
Publisher:
ISBN: 9781934200797
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made.
Outlawed
Author: Anna North
Publisher: Bloomsbury Publishing USA
ISBN: 1635575435
Category : Fiction
Languages : en
Pages : 274
Book Description
A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
Publisher: Bloomsbury Publishing USA
ISBN: 1635575435
Category : Fiction
Languages : en
Pages : 274
Book Description
A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
In the Distance
Author: Hernan Diaz
Publisher: Penguin Group
ISBN: 0593850572
Category : Fiction
Languages : en
Pages : 305
Book Description
FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
Publisher: Penguin Group
ISBN: 0593850572
Category : Fiction
Languages : en
Pages : 305
Book Description
FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
A Land Remembered
Author: Patrick D Smith
Publisher: Rowman & Littlefield
ISBN: 1561645826
Category : Education
Languages : en
Pages : 286
Book Description
A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In this volume, meet young Zech MacIvey, who learns to ride like the wind through the Florida scrub on Ishmael, his marshtackie horse, his dogs, Nip and Tuck, at this side. His parents, Tobias and Emma, scratch a living from the land, gathering wild cows from the swamp and herding them across the state to market. Zech learns the ways of the land from the Seminoles, with whom his life becomes entwined as he grows into manhood. Next in series > > See all of the books in this series
Publisher: Rowman & Littlefield
ISBN: 1561645826
Category : Education
Languages : en
Pages : 286
Book Description
A Land Remembered has become Florida's favorite novel. Now this Student Edition in two volumes makes this rich, rugged story of the American pioneer spirit more accessible to young readers. Patrick Smith tells of three generations of the MacIveys, a Florida family battling the hardships of the frontier. The story opens in 1858, when Tobias and Emma MacIvey arrive in the Florida wilderness with their son, Zech, to start a new life, and ends in 1968 with Solomon MacIvey, who realizes that his wealth has not been worth the cost to the land. Between is a sweeping story rich in Florida history with a cast of memorable characters who battle wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the Florida swamp. In this volume, meet young Zech MacIvey, who learns to ride like the wind through the Florida scrub on Ishmael, his marshtackie horse, his dogs, Nip and Tuck, at this side. His parents, Tobias and Emma, scratch a living from the land, gathering wild cows from the swamp and herding them across the state to market. Zech learns the ways of the land from the Seminoles, with whom his life becomes entwined as he grows into manhood. Next in series > > See all of the books in this series
Contemporary Westerns
Author: Andrew Patrick Nelson
Publisher: Scarecrow Press
ISBN: 081089257X
Category : Performing Arts
Languages : en
Pages : 202
Book Description
Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the “new Wests” of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: “Old West, New Stories” examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. “New Wests, Old Stories” explores works in which familiar Western narratives, characters, and values are represented in more modern—and in one case futuristic—settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre’s evolving relationship with American culture, history, and politics.
Publisher: Scarecrow Press
ISBN: 081089257X
Category : Performing Arts
Languages : en
Pages : 202
Book Description
Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the “new Wests” of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: “Old West, New Stories” examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. “New Wests, Old Stories” explores works in which familiar Western narratives, characters, and values are represented in more modern—and in one case futuristic—settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre’s evolving relationship with American culture, history, and politics.
Weird Westerns
Author: Kerry Fine
Publisher: U of Nebraska Press
ISBN: 1496221745
Category : Literary Criticism
Languages : en
Pages : 545
Book Description
2021 Top Ten Finalist for the Locus Awards in Nonfiction Joshua Smith's chapter "Uncle Tom's Cabin Showdown" won the 2021 Don D. Walker Prize from the Western Literature Association Weird Westerns is an exploration of the hybrid western genre--an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms. The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders (Cherokee); the cult television series Firefly and The Walking Dead; the mainstream feature films Suicide Squad and Django Unchained; the avant-garde and bizarre fiction of Joe R. Lansdale; the tabletop roleplaying game Deadlands: The Weird West; and the comic book series Wynonna Earp. The essays explore how these weird westerns challenge conventional representations by destabilizing or subverting the centrality of the heterosexual, white, male hero but also often surprisingly reinforce existing paradigms in their inability to imagine an existence outside of colonial frameworks.
Publisher: U of Nebraska Press
ISBN: 1496221745
Category : Literary Criticism
Languages : en
Pages : 545
Book Description
2021 Top Ten Finalist for the Locus Awards in Nonfiction Joshua Smith's chapter "Uncle Tom's Cabin Showdown" won the 2021 Don D. Walker Prize from the Western Literature Association Weird Westerns is an exploration of the hybrid western genre--an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms. The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders (Cherokee); the cult television series Firefly and The Walking Dead; the mainstream feature films Suicide Squad and Django Unchained; the avant-garde and bizarre fiction of Joe R. Lansdale; the tabletop roleplaying game Deadlands: The Weird West; and the comic book series Wynonna Earp. The essays explore how these weird westerns challenge conventional representations by destabilizing or subverting the centrality of the heterosexual, white, male hero but also often surprisingly reinforce existing paradigms in their inability to imagine an existence outside of colonial frameworks.
More Than I Imagined
Author: John Blake
Publisher: Convergent Books
ISBN: 0593443055
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
An award-winning journalist tells the “riveting” (The Atlanta Journal-Constitution) story of his quest to reconcile with his white mother and the family he’d never met—and how faith brought them all together. “A compelling and courageous journey that bears witness to the realities of systemic racism, the complexity of identity within that system, and the possibilities of reconciliation.”—Robin DiAngelo, New York Times bestselling author of White Fragility John Blake grew up in a notorious Black neighborhood in inner-city Baltimore that became the setting for the HBO series The Wire. There he became a self-described “closeted biracial person,” hostile toward white people while hiding the truth of his mother’s race. The son of a Black man and a white woman who met when interracial marriage was still illegal, Blake knew this much about his mother: She vanished from his life not long after his birth, and her family rejected him because of his race. But at the age of seventeen, Blake had a surprise encounter that uncovered a disturbing family secret. This launched him on a quest to reconcile with his white family. His search centered on two questions: “Where is my mother?” and “Where do I belong?” More Than I Imagined is Blake’s propulsive true story about how he answered those questions with the help of an interracial church, a loving caregiver’s sacrifice, and an inexplicable childhood encounter that taught him the importance of forgiveness. Blake covered some of the biggest stories about race in America for twenty-five years before realizing that “facts don’t change people, relationships do.” He owes this discovery to “radical integration,” which was the only way forward for him and his family—and is the only way forward for America as a multiracial democracy. More Than I Imagined is a hopeful story for our difficult times. Praise for More Than I Imagined “An incredibly moving memoir that both examines and complicates our understanding of race in America today, More Than I Imagined is overflowing with empathy and full of humanity.”—Clint Smith, New York Times bestselling author of How the Word Is Passed “This is a book of gutsy hope and not of despair, of reconciliation and not of hatred. Both sides of the racial divide need the voice that Blake is uniquely qualified to offer.”—Philip Yancey, author of What’s So Amazing About Grace?
Publisher: Convergent Books
ISBN: 0593443055
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
An award-winning journalist tells the “riveting” (The Atlanta Journal-Constitution) story of his quest to reconcile with his white mother and the family he’d never met—and how faith brought them all together. “A compelling and courageous journey that bears witness to the realities of systemic racism, the complexity of identity within that system, and the possibilities of reconciliation.”—Robin DiAngelo, New York Times bestselling author of White Fragility John Blake grew up in a notorious Black neighborhood in inner-city Baltimore that became the setting for the HBO series The Wire. There he became a self-described “closeted biracial person,” hostile toward white people while hiding the truth of his mother’s race. The son of a Black man and a white woman who met when interracial marriage was still illegal, Blake knew this much about his mother: She vanished from his life not long after his birth, and her family rejected him because of his race. But at the age of seventeen, Blake had a surprise encounter that uncovered a disturbing family secret. This launched him on a quest to reconcile with his white family. His search centered on two questions: “Where is my mother?” and “Where do I belong?” More Than I Imagined is Blake’s propulsive true story about how he answered those questions with the help of an interracial church, a loving caregiver’s sacrifice, and an inexplicable childhood encounter that taught him the importance of forgiveness. Blake covered some of the biggest stories about race in America for twenty-five years before realizing that “facts don’t change people, relationships do.” He owes this discovery to “radical integration,” which was the only way forward for him and his family—and is the only way forward for America as a multiracial democracy. More Than I Imagined is a hopeful story for our difficult times. Praise for More Than I Imagined “An incredibly moving memoir that both examines and complicates our understanding of race in America today, More Than I Imagined is overflowing with empathy and full of humanity.”—Clint Smith, New York Times bestselling author of How the Word Is Passed “This is a book of gutsy hope and not of despair, of reconciliation and not of hatred. Both sides of the racial divide need the voice that Blake is uniquely qualified to offer.”—Philip Yancey, author of What’s So Amazing About Grace?
Westerns
Author: Lee Clark Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532356
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films such as STAGECOACH to spaghetti Westerns like A FISTFUL OF DOLLARS, culture scholar Lee Clark Mitchell shows how Westerns as a genre helped assuage a series of crises in American culture by responding to fears and obsessions of its audience--particularly what it means to be a "man". 30 photos. 5 line drawings.
Publisher: University of Chicago Press
ISBN: 9780226532356
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films such as STAGECOACH to spaghetti Westerns like A FISTFUL OF DOLLARS, culture scholar Lee Clark Mitchell shows how Westerns as a genre helped assuage a series of crises in American culture by responding to fears and obsessions of its audience--particularly what it means to be a "man". 30 photos. 5 line drawings.