White Masculinity in Crisis in Hollywood's Fin de Millennium Cinema PDF Download
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Author: Pete Deakin
Publisher: Lexington Books
ISBN: 9781498585194
Category : Social Science
Languages : en
Pages : 200
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Book Description
This book claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity, as the films of the fin de millennium movement reflected the cultural discourse of concern over the crisis of masculinity through a dichotomous structure of either feminine or hyper-masculine representations of male identity.
Author: Pete Deakin
Publisher: Lexington Books
ISBN: 9781498585194
Category : Social Science
Languages : en
Pages : 200
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Book Description
This book claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity, as the films of the fin de millennium movement reflected the cultural discourse of concern over the crisis of masculinity through a dichotomous structure of either feminine or hyper-masculine representations of male identity.
Author: Pete Deakin
Publisher: Rowman & Littlefield
ISBN: 1498585205
Category : Social Science
Languages : en
Pages : 201
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Book Description
White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski’s, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent “crisis” came a definitive body of some twenty-five Hollywood “crisis” titles; each film with a representational concern for the apparent “masculine malaise”. Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive—or even authentic—was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful.
Author: Susan Mackey-Kallis
Publisher: Lexington Books
ISBN: 1793626081
Category : Social Science
Languages : en
Pages : 263
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Book Description
Drawing on texts and theorists of Greek myth, psychoanalysis, and masculinities, Susan Mackey-Kallis and Brian Johnston develop and offer a model of rhetorical and mythic criticism to analyze popular American film. In this book, Mackey-Kallis and Johnston focus their analysis on films that point to the need for father atonement, ego-decentering, and the resurrection of the lost feminine to heal our collective gendered cultural wounds. Many of these “mystic” films, they contend, affirm the role of meaningful suffering, compassion, integration of the feminine, self-sacrifice, and transcendence as antidotes to the inevitable woundedness of the human condition. Ultimately, the authors argue for the importance of digging into the substance of cultural wounds – rather than superficially suturing them over – to change the conversation about woundedness and provide a roadmap for healing gendered relations in contemporary American culture. The book concludes with a discussion of Joseph Campbell’s interpretation of the metaphorical power of myth and its transcendent function to argue for a theory of “us”, rather than a theory of “us versus them.” Scholars of film, gender studies, American studies, cultural studies, gender studies, and psychology will find this book of particular interest.
Author: Paul Booth
Publisher: Taylor & Francis
ISBN: 1040254632
Category : Social Science
Languages : en
Pages : 338
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Book Description
The multiverse has portaled into the mainstream. Entering the Multiverse unpacks the surprising growth of the multiverse in media and popular culture today, and explores how the concept of alternate realities and parallel worlds has acted as a metaphor for centuries. Edited by leading media and popular culture scholar Paul Booth, this collection explores the many different manifestations of the multiverse across different genres, media, fan-created works, and cultural theory. Each chapter delves into different aspects of the multiverse, including its use as a metaphor, as a scientific reality, and as a media-industry strategy. Addressing the multiplicity of multiversal meanings through multiple perspectives and always with an eye toward engagement with contemporary cultural issues, the chapters also examine various distinctions and contradictions, in order to provide a strong basis for further thinking, writing, and research on the concept of the multiverse. Chapters in this collection tell the story of the multiverse in multiple realities: creative nonfiction, academic essay, screenplay, art, poetry, video, and audio essay. A compelling read for students, researchers, and scholars of media and cultural studies, film and media culture, popular culture, comics studies, game studies, literary studies, and beyond.
Author: Kim Wilkins
Publisher: Edinburgh University Press
ISBN: 1474447635
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions
Author: Baldwin Clive Baldwin
Publisher: Edinburgh University Press
ISBN: 1474423892
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Explores representations of men and masculinity in American fiction published after the Second World WarOffers readings of a wide selection of postwar American novels from 1945 to the mid-1950s, including canonical works, from the unique perspective of their representation of male identityProvides rich comparative insights through analysis of fiction by writers of diverse race, class and sexualityDemonstrates how gender theory generates insights into the constitution of American masculinity in fictionFocusing on a complex and contentious period that was formative in shaping American society and culture in the twentieth century, this book sheds new light on the ways in which fiction engaged with contemporary notions of masculinity. It draws on gender theory and analysis of writers from diverse backgrounds of race, class and sexuality to provide rich comparative insights into the constitution of American masculinity in fiction. The extensive range of novels considered includes fresh analyses of key authors such as James Baldwin, Truman Capote, Patricia Highsmith, Jack Kerouac, Norman Mailer, Ann Petry, J. D. Salinger and Gore Vidal.
Author: Cenk Özbay
Publisher: Bloomsbury Publishing
ISBN: 1786721988
Category : Social Science
Languages : en
Pages : 274
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Book Description
Despite its some of its more liberal and democratic characteristics - when compared to many other countries in the Middle East - the more conservative elements within Turkish politics and society have made gains over the past decades. As a result, like many others in the region, Turkish society has multiple standards when naming, evaluating and reacting to men who have sex with men. Cenk Ozbay argues that overall, self-identified gay men (as well as men who practice clandestine same-sex acts) are most of the time marginalised, ostracised and rendered 'immoral' in both everyday practices and social institutions. He offers in this book an analysis of the concept of masculinity as central to redefining boundaries of class, gender and sexuality, particularly looking at the dynamics between self-identified gay men and straight-acting male prostitutes, or 'rent boys'. A result of in-depth interviews with both self-identified gay men and rent boys, Ozbay explores the changing discourses and meaning of class, gender and queer sexualities, and how these three are embedded within urban and familial narratives.
Author: Philippa Gates
Publisher: State University of New York Press
ISBN: 0791481387
Category : Social Science
Languages : en
Pages : 358
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Book Description
Detecting Men examines the history of the Hollywood detective genre and the ways that detective films have negotiated changing social attitudes toward masculinity, heroism, law enforcement, and justice. Genre film can be a site for the expression and resolution of problematic social issues, but while there have been many studies of such other male genres as war films, gangster films, and Westerns, relatively little attention has been paid to detective films beyond film noir. In this volume, Philippa Gates examines classical films of the thirties and forties as well as recent examples of the genre, including Die Hard, the Lethal Weapon films, The Usual Suspects, Seven, Devil in a Blue Dress, and Murder by Numbers, in order to explore social anxieties about masculinity and crime and Hollywood's conceptions of gender. Up until the early 1990s, Gates argues, the primary focus of the detective genre was the masculinity of the hero. However, from the mid-1990s onward, the genre has shifted to more technical portrayals of crime scene investigation, forensic science, and criminal profiling, offering a reassuring image of law enforcement in the face of violent crime. By investigating the evolution of the detective film, Gates suggests, perhaps we can detect the male.
Author: Rocío Carrasco Carrasco
Publisher: Servicio de Publicaciones de la Universidad de Huelva
ISBN: 841706673X
Category : Art
Languages : en
Pages : 226
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Book Description
This book analyses the representation of new models of masculinity in US recent science fiction cinema. By examining the figure of the new hero, a male protagonist with visible unconventional features, it explores new ways of gender representation on screen. Lynchs Dune (1984) and the Wachowsky brothers The Matrix (1999) share many traits concerning gender representation and offer the type of the androgynous hero who stands for innovative prototypes of masculinity. As a result of these films analysis, the book uncovers the tangible controversy in current US society about gender tolerance.
Author: György Kalmár
Publisher: Palgrave Macmillan
ISBN: 9783030450342
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
