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Author: Alan Fitzpatrick
Publisher:
ISBN: 9780977614721
Category :
Languages : en
Pages : 300
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Book Description
non-fiction, 18th Century Native-American Woodland Indian history
Author: Alan Fitzpatrick
Publisher:
ISBN: 9780977614721
Category :
Languages : en
Pages : 300
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Book Description
non-fiction, 18th Century Native-American Woodland Indian history
Author: Gordon Kennedy
Publisher:
ISBN: 9780966889819
Category : Canary Islands
Languages : en
Pages : 98
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Book Description
General overview of the Guanche civilization....the pre-Spanish inhabitants of the Canary Islands.
Author: Colin G. Calloway
Publisher: OUP USA
ISBN: 0195340124
Category : History
Languages : en
Pages : 391
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Book Description
A comparative approach to the American Indians and Scottish Highlanders, this book examines the experiences of clans and tribal societies, which underwent parallel experiences on the peripheries of Britain's empire in Britain, the United States, and Canada.
Author: Mónica García Blizzard
Publisher: State University of New York Press
ISBN: 143848805X
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153
Author: Fergus M. Bordewich
Publisher: Anchor
ISBN: 0385420366
Category : Social Science
Languages : en
Pages : 402
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Book Description
In the face of a new lightly romanticized view of Native Americans, Killing the White Man's Indian bravely confronts the current myths and often contradictory realities of tribal life today. Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls. The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government. Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."
Author: Vine Deloria, Jr.
Publisher: Fulcrum Publishing
ISBN: 1555917658
Category : History
Languages : en
Pages : 153
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Book Description
The Pacific Northwest was one of the most populated and prosperous regions for Native Americans before the coming of the white man. By the mid-1800s, measles and smallpox decimated the Indian population, and the remaining tribes were forced to give up their ancestral lands. Vine Deloria Jr. tells the story of these tribes’ fight for survival, one that continues today.
Author: James Axtell
Publisher:
ISBN:
Category : History
Languages : en
Pages : 50
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Book Description
Author: Angela Aleiss
Publisher: Bloomsbury Publishing USA
ISBN: 0313025754
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have recycled the romantic and savage portrayals embedded in early cinema. In this new study, author Angela Aleiss traces the history of Native Americans on the silver screen, and breaks new ground by drawing on primary sources such as studio correspondence, script treatments, trade newspapers, industry censorship files, and filmmakers' interviews to reveal how and why Hollywood created its Indian characters. Behind-the-scenes anecdotes of filmmakers and Native Americans, as well as rare archival photographs, supplement the discussion, which often shows a stark contrast between depiction and reality. The book traces chronologically the development of the Native American's screen image while also examining many forgotten or lost Western films. Each chapter will feature black and white stills from the films discussed.
Author: George Wharton James
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 280
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Book Description
Author: Margaret Connell Szasz
Publisher: University of Oklahoma Press
ISBN: 9780806133850
Category : Social Science
Languages : en
Pages : 400
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Book Description
Cultural boundaries exist wherever cultures encounter one another. During centuries of contact between native peoples and others in America, countless intermediaries–artists, students, traders, interpreters, political figures, authors, even performers–have bridged the divide. Between Indian and White Worlds: The Cultural Broker provides a new understanding of the role of these mediation in North America from 1690 to the present. Cultural brokers have shared certain qualities–in particular a thorough understanding of two of more cultures. Living on the edge of change and conflict, they have responded to evolving and unstable circumstances or alliances with a flexibility born of their determination to bring understanding to disparate peoples. No composite portrait can encompass the complexity of the brokerage experience. To convey the many roles of these intermediaries, editor Margaret Connell Szasz has brought together fourteen distinct portraits, crafted by prominent scholars of Indian-white relations, of brokers across the continent and throughout three centuries of American history–in the colonial world, during the expansion of the republic, in the Wild West, and in the twentieth century. This fascinating and inspiring collection speaks eloquently of life on the cultural frontier. Key figures in our pluralistic heritage, cultural brokers are no less important today, as society continues to struggle with diversity.
