Author: Abraham Drassinower
Publisher: Harvard University Press
ISBN: 0674743970
Category : Business & Economics
Languages : en
Pages : 287
Book Description
Abraham Drassinower presents a new way to balance the needs of creators and users of authored works. Disentangling copyright theory from its focus on the economic value of a work as a commodity, he views a work instead as a communicative act. Infringement, according to this perspective, is an unauthorized appropriation of another’s speech.
What’s Wrong with Copying?
Author: Abraham Drassinower
Publisher: Harvard University Press
ISBN: 0674743970
Category : Business & Economics
Languages : en
Pages : 287
Book Description
Abraham Drassinower presents a new way to balance the needs of creators and users of authored works. Disentangling copyright theory from its focus on the economic value of a work as a commodity, he views a work instead as a communicative act. Infringement, according to this perspective, is an unauthorized appropriation of another’s speech.
Publisher: Harvard University Press
ISBN: 0674743970
Category : Business & Economics
Languages : en
Pages : 287
Book Description
Abraham Drassinower presents a new way to balance the needs of creators and users of authored works. Disentangling copyright theory from its focus on the economic value of a work as a commodity, he views a work instead as a communicative act. Infringement, according to this perspective, is an unauthorized appropriation of another’s speech.
Copy This Book!
Author: Paul J. Heald
Publisher: Stanford University Press
ISBN: 150361431X
Category : Law
Languages : en
Pages : 228
Book Description
In Copy This Book!, Paul J. Heald draws on a vast knowledge of copyright scholarship and a deep sense of irony to explain what's gone wrong with copyright in the twenty-first century. Distilling extensive empirical data to clearly show the implications of copyright laws and doctrine for public welfare, he illustrates his findings with lighthearted references to familiar (and obscure) works and their creators (and sometimes their creators' oddball relations). Among the questions he tackles: How does copyright deter composers from writing new songs? Why are so many famous photographs unprotected orphans, and how does Getty Images get away with licensing them? What can the use of music in movies tell us about the proper length of the copyright term? How do publishers get away with claiming rights in public domain works and extracting unmerited royalties from the public? Heald translates piles of data, complex laws, and mysterious economics, equipping readers with the tools for judging past and future copyright law.
Publisher: Stanford University Press
ISBN: 150361431X
Category : Law
Languages : en
Pages : 228
Book Description
In Copy This Book!, Paul J. Heald draws on a vast knowledge of copyright scholarship and a deep sense of irony to explain what's gone wrong with copyright in the twenty-first century. Distilling extensive empirical data to clearly show the implications of copyright laws and doctrine for public welfare, he illustrates his findings with lighthearted references to familiar (and obscure) works and their creators (and sometimes their creators' oddball relations). Among the questions he tackles: How does copyright deter composers from writing new songs? Why are so many famous photographs unprotected orphans, and how does Getty Images get away with licensing them? What can the use of music in movies tell us about the proper length of the copyright term? How do publishers get away with claiming rights in public domain works and extracting unmerited royalties from the public? Heald translates piles of data, complex laws, and mysterious economics, equipping readers with the tools for judging past and future copyright law.
In Praise of Copying
Author: Marcus Boon
Publisher: Harvard University Press
ISBN: 0674047834
Category : Philosophy
Languages : en
Pages : 294
Book Description
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Publisher: Harvard University Press
ISBN: 0674047834
Category : Philosophy
Languages : en
Pages : 294
Book Description
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
How to Fix Copyright
Author: William Patry
Publisher: Oxford University Press
ISBN: 0199912912
Category : Law
Languages : en
Pages : 336
Book Description
Do copyright laws directly cause people to create works they otherwise wouldn't create? Do those laws directly put substantial amounts of money into authors' pockets? Does culture depend on copyright? Are copyright laws a key driver of competitiveness and of the knowledge economy? These are the key questions William Patry addresses in How to Fix Copyright. We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.
Publisher: Oxford University Press
ISBN: 0199912912
Category : Law
Languages : en
Pages : 336
Book Description
Do copyright laws directly cause people to create works they otherwise wouldn't create? Do those laws directly put substantial amounts of money into authors' pockets? Does culture depend on copyright? Are copyright laws a key driver of competitiveness and of the knowledge economy? These are the key questions William Patry addresses in How to Fix Copyright. We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.
The Lust Boat
Author: Roz Lee
Publisher: State of Mind Publishing
ISBN: 1734213655
Category : Fiction
Languages : en
Pages : 190
Book Description
When her fiancé called off the wedding and told her he’d had better sex with a blow-up doll, Candace traded in her honeymoon cruise for a week on the Lothario, the most notorious ship to ever sail the high seas. Little does she know that Ryan, the sexy guy who offered to be her escort as she samples all the ship has to offer, is really Ryan Callahan, the ship’s playboy owner. Ryan Callahan is single, rich, and considered quite the catch. Two years ago he and his business partner launched the Lothario, a floating den of iniquity where passengers can indulge their every sexual fantasy, but since the ship docked following its maiden cruise, Ryan has been so scarce he’s earned the nickname, Monk, until sweet, naïve Candace coaxes him out of his tower, heats his blood, and steals his heart. But will she still want him when she finds out who he really is?
Publisher: State of Mind Publishing
ISBN: 1734213655
Category : Fiction
Languages : en
Pages : 190
Book Description
When her fiancé called off the wedding and told her he’d had better sex with a blow-up doll, Candace traded in her honeymoon cruise for a week on the Lothario, the most notorious ship to ever sail the high seas. Little does she know that Ryan, the sexy guy who offered to be her escort as she samples all the ship has to offer, is really Ryan Callahan, the ship’s playboy owner. Ryan Callahan is single, rich, and considered quite the catch. Two years ago he and his business partner launched the Lothario, a floating den of iniquity where passengers can indulge their every sexual fantasy, but since the ship docked following its maiden cruise, Ryan has been so scarce he’s earned the nickname, Monk, until sweet, naïve Candace coaxes him out of his tower, heats his blood, and steals his heart. But will she still want him when she finds out who he really is?
The Edith Wharton Murders
Author: Lev Raphael
Publisher: Macmillan
ISBN: 9780312198633
Category : Fiction
Languages : en
Pages : 244
Book Description
Scandal and murder are on the agenda when English professor Nick Hoffman is dragooned into organising an Edith Wharton conference at the State University of Michigan. A witty, fast-paced gay thriller that is also a send-up of academia at its snarling worst.
Publisher: Macmillan
ISBN: 9780312198633
Category : Fiction
Languages : en
Pages : 244
Book Description
Scandal and murder are on the agenda when English professor Nick Hoffman is dragooned into organising an Edith Wharton conference at the State University of Michigan. A witty, fast-paced gay thriller that is also a send-up of academia at its snarling worst.
Copyright for Librarians
Author: Harvard University. Berkman Center for Internet & Society
Publisher:
ISBN: 9789081836012
Category : Copyright
Languages : en
Pages : 183
Book Description
"Re-designed as a textbook, "Copyright for Librarians: the essential handbook" can be used as a stand-alone resource or as an adjunct to the online curriculum. With a new index and a handy Glossary, it is essential reading for librarians and for anyone learning about or teaching copyright law in the information field."--Publisher's website.
Publisher:
ISBN: 9789081836012
Category : Copyright
Languages : en
Pages : 183
Book Description
"Re-designed as a textbook, "Copyright for Librarians: the essential handbook" can be used as a stand-alone resource or as an adjunct to the online curriculum. With a new index and a handy Glossary, it is essential reading for librarians and for anyone learning about or teaching copyright law in the information field."--Publisher's website.
We Are Fungi
Author:
Publisher:
ISBN: 9780999403907
Category :
Languages : en
Pages :
Book Description
A narrative nonfiction book about the world of Fungi.Enter our world. The world of fungi¿ the most mysterious and misunderstood kingdom on the planet. We are not plants. We are not animals. So what are we?From Veiled Ladies to Bleeding Teeth, learn how we eat, live, and control a part of the world you rarely even notice. Peek beneath the crispy leaves, peer inside your old lunch box, and poke between your smelly toes¿We¿re here, we¿re growing, and even when you think you can¿t see us¿we can always see you.
Publisher:
ISBN: 9780999403907
Category :
Languages : en
Pages :
Book Description
A narrative nonfiction book about the world of Fungi.Enter our world. The world of fungi¿ the most mysterious and misunderstood kingdom on the planet. We are not plants. We are not animals. So what are we?From Veiled Ladies to Bleeding Teeth, learn how we eat, live, and control a part of the world you rarely even notice. Peek beneath the crispy leaves, peer inside your old lunch box, and poke between your smelly toes¿We¿re here, we¿re growing, and even when you think you can¿t see us¿we can always see you.
Dyslexia, Dysgraphia, OWL LD, and Dyscalculia
Author: Virginia Wise Berninger
Publisher:
ISBN: 9781681250090
Category : Agraphia
Languages : en
Pages : 321
Book Description
How can teachers provide effective instruction for students with learning disabilities while meeting the needs of all students? The second edition of this accessible text gives K-12 educators research-based answers, straight from two highly respected voices in the field. The first teacher training text to cover all four learning disabilities that require differentiated instruction, dysgraphia, dyslexia, dyscalculia, and oral and written language learning disability (OWL LD), this book prepares educators to deliver explicit and engaging instruction customized to the needs of their students.
Publisher:
ISBN: 9781681250090
Category : Agraphia
Languages : en
Pages : 321
Book Description
How can teachers provide effective instruction for students with learning disabilities while meeting the needs of all students? The second edition of this accessible text gives K-12 educators research-based answers, straight from two highly respected voices in the field. The first teacher training text to cover all four learning disabilities that require differentiated instruction, dysgraphia, dyslexia, dyscalculia, and oral and written language learning disability (OWL LD), this book prepares educators to deliver explicit and engaging instruction customized to the needs of their students.
The Women's March
Author: Jennifer Chiaverini
Publisher: HarperCollins
ISBN: 0062976044
Category : Fiction
Languages : en
Pages : 413
Book Description
New York Times bestselling author Jennifer Chiaverini returns with The Women’s March, an enthralling historical novel of the women’s suffrage movement inspired by three courageous women who bravely risked their lives and liberty in the fight to win the vote. Twenty-five-year-old Alice Paul returns to her native New Jersey after several years on the front lines of the suffrage movement in Great Britain. Weakened from imprisonment and hunger strikes, she is nevertheless determined to invigorate the stagnant suffrage movement in her homeland. Nine states have already granted women voting rights, but only a constitutional amendment will secure the vote for all. To inspire support for the campaign, Alice organizes a magnificent procession down Pennsylvania Avenue in Washington, DC, the day before the inauguration of President-elect Woodrow Wilson, a firm antisuffragist. Joining the march is thirty-nine-year-old New Yorker Maud Malone, librarian and advocate for women’s and workers’ rights. The daughter of Irish immigrants, Maud has acquired a reputation—and a criminal record—for interrupting politicians’ speeches with pointed questions they’d rather ignore. Civil rights activist and journalist Ida B. Wells-Barnett resolves that women of color must also be included in the march—and the proposed amendment. Born into slavery in Mississippi, Ida worries that white suffragists may exclude Black women if it serves their own interests. On March 3, 1913, the glorious march commences, but negligent police allow vast crowds of belligerent men to block the parade route—jeering, shouting threats, assaulting the marchers—endangering not only the success of the demonstration but the women’s very lives. Inspired by actual events, The Women’s March offers a fascinating account of a crucial but little-remembered moment in American history, a turning point in the struggle for women’s rights.
Publisher: HarperCollins
ISBN: 0062976044
Category : Fiction
Languages : en
Pages : 413
Book Description
New York Times bestselling author Jennifer Chiaverini returns with The Women’s March, an enthralling historical novel of the women’s suffrage movement inspired by three courageous women who bravely risked their lives and liberty in the fight to win the vote. Twenty-five-year-old Alice Paul returns to her native New Jersey after several years on the front lines of the suffrage movement in Great Britain. Weakened from imprisonment and hunger strikes, she is nevertheless determined to invigorate the stagnant suffrage movement in her homeland. Nine states have already granted women voting rights, but only a constitutional amendment will secure the vote for all. To inspire support for the campaign, Alice organizes a magnificent procession down Pennsylvania Avenue in Washington, DC, the day before the inauguration of President-elect Woodrow Wilson, a firm antisuffragist. Joining the march is thirty-nine-year-old New Yorker Maud Malone, librarian and advocate for women’s and workers’ rights. The daughter of Irish immigrants, Maud has acquired a reputation—and a criminal record—for interrupting politicians’ speeches with pointed questions they’d rather ignore. Civil rights activist and journalist Ida B. Wells-Barnett resolves that women of color must also be included in the march—and the proposed amendment. Born into slavery in Mississippi, Ida worries that white suffragists may exclude Black women if it serves their own interests. On March 3, 1913, the glorious march commences, but negligent police allow vast crowds of belligerent men to block the parade route—jeering, shouting threats, assaulting the marchers—endangering not only the success of the demonstration but the women’s very lives. Inspired by actual events, The Women’s March offers a fascinating account of a crucial but little-remembered moment in American history, a turning point in the struggle for women’s rights.