Author: Paul J. Hecht
Publisher: Oxford University Press
ISBN: 0192671472
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
What Rosalind Likes
Author: Paul J. Hecht
Publisher: Oxford University Press
ISBN: 0192671472
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
Publisher: Oxford University Press
ISBN: 0192671472
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
As You Like it
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
What Rosalind Likes
Author: Paul J. Hecht
Publisher: Oxford University Press
ISBN: 0192671480
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
Publisher: Oxford University Press
ISBN: 0192671480
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
What Rosalind Likes begins with the strange ferocity of Elizabethan responses to poetry: a woman named Rosalind expresses scorn for a shepherd's poems, and a character in a play loses his temper and storms off stage at the sound of a blank verse line. What are these people so angry about? Thus begins a journey into a world where the details of poetic form and vagaries of Latin translation are caught up in the dynamics of gender, sexuality, class, and race, and power, where too much alliteration, for example, could destabilize your gender or pose a threat to national security. Situated in the crucial final two decades of the sixteenth century, What Rosalind Likes takes three figures named "Rosalind" in works by Spenser (The Shepheardes Calender), Lodge (Rosalynde), and Shakespeare (As You Like It) to create a new approach to literary history and feminist criticism. The development and emergence of Rosalind as one of the most famous and beloved characters in the Shakespeare canon is thus connected to the troubled history of Virgilian reception, to tensions between aesthetics and sexual empowerment and powerlessness, to methodology associated with postcritique, including surface reading and the valorization of negative emotions, and to queer theology. The book ends by thinking about Rosalind with respect to the poetry of Mary Wroth, and examining depictions of Rosalind on stage and screen by Dora Jordan and Katharine Hepburn.
The Happy Tree
Author: Rosalind Murray
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Rosalind
Author: Harold Bloom
Publisher: Chelsea House
ISBN:
Category : Drama
Languages : en
Pages : 232
Book Description
Provides critical insight into Shakespeare's AS YOU LIKE IT.
Publisher: Chelsea House
ISBN:
Category : Drama
Languages : en
Pages : 232
Book Description
Provides critical insight into Shakespeare's AS YOU LIKE IT.
Analysis of Shakespeare's "As You Like It"
Author: Susanne Flohr
Publisher: GRIN Verlag
ISBN: 3640721063
Category : Literary Criticism
Languages : en
Pages : 13
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Kassel, language: English, abstract: The first scene of act IV shows us mainly Rosalind who wants to teach Orlando a lesson in love by trying to give him a more realistic view on this topic which is not that easy for her as she is truly in love with Orlando. This scene can be divided into three main parts and four subparts. The scene starts of with a conversation between Rosalind, disguised as ́Ganymede`, and Jaques who is trying to explain his melancholy. Rosalind is asking some interesting questions and makes a fool out of Jaques in the end. The next part starts off with Orlando entering the scene and Jaques leaving. It can be divided into four subparts as Rosalind refuses Orlando at first before she teaches him a lesson in love. Afterwards they are having a mock-wedding before Orlando leaves Rosalind again to dine with Duke Senior. The third and last part consists of a conversation between Rosalind and Celia.
Publisher: GRIN Verlag
ISBN: 3640721063
Category : Literary Criticism
Languages : en
Pages : 13
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Kassel, language: English, abstract: The first scene of act IV shows us mainly Rosalind who wants to teach Orlando a lesson in love by trying to give him a more realistic view on this topic which is not that easy for her as she is truly in love with Orlando. This scene can be divided into three main parts and four subparts. The scene starts of with a conversation between Rosalind, disguised as ́Ganymede`, and Jaques who is trying to explain his melancholy. Rosalind is asking some interesting questions and makes a fool out of Jaques in the end. The next part starts off with Orlando entering the scene and Jaques leaving. It can be divided into four subparts as Rosalind refuses Orlando at first before she teaches him a lesson in love. Afterwards they are having a mock-wedding before Orlando leaves Rosalind again to dine with Duke Senior. The third and last part consists of a conversation between Rosalind and Celia.
Women of Will
Author: Tina Packer
Publisher: Vintage
ISBN: 0307745341
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.
Publisher: Vintage
ISBN: 0307745341
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.
As You Like It
Author: William Shakespeare
Publisher: Simon and Schuster
ISBN: 1438092709
Category : Drama
Languages : en
Pages : 217
Book Description
Here are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. These invaluable teaching-study guides also include: 1. Helpful background information that puts each play in its historical perspective. 2. Discussion questions that teachers can use to spark student class participation, and which students can use as springboards for their own themes and term papers. 3. Fact quizzes, sample examinations, and other features that improve student comprehension of what each play is about.
Publisher: Simon and Schuster
ISBN: 1438092709
Category : Drama
Languages : en
Pages : 217
Book Description
Here are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. These invaluable teaching-study guides also include: 1. Helpful background information that puts each play in its historical perspective. 2. Discussion questions that teachers can use to spark student class participation, and which students can use as springboards for their own themes and term papers. 3. Fact quizzes, sample examinations, and other features that improve student comprehension of what each play is about.
Shakespeare's As You Like It
Author: DSOUZA. LENA
Publisher: Allied Publishers
ISBN: 9788184244335
Category :
Languages : en
Pages : 180
Book Description
Publisher: Allied Publishers
ISBN: 9788184244335
Category :
Languages : en
Pages : 180
Book Description
The Pitt Press Shakespeare: As you like it
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
Book Description