What Is Cinema?

What Is Cinema? PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242272
Category : Performing Arts
Languages : en
Pages : 212

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Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

What Is Cinema?

What Is Cinema? PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242272
Category : Performing Arts
Languages : en
Pages : 212

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Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

What Cinema Is!

What Cinema Is! PDF Author: Dudley Andrew
Publisher: John Wiley & Sons
ISBN: 1444357417
Category : Performing Arts
Languages : en
Pages : 147

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Book Description
What Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examines cinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times

Bazin at Work

Bazin at Work PDF Author: Andre Bazin
Publisher: Routledge
ISBN: 1136634223
Category : Performing Arts
Languages : en
Pages : 271

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Book Description
Bazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.

The British Cinema Book

The British Cinema Book PDF Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360

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Book Description
No Marketing Blurb

Cahiers Du Cinéma, the 1950s

Cahiers Du Cinéma, the 1950s PDF Author: Jim Hillier
Publisher: Harvard University Press
ISBN: 9780674090613
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.

What Is Cinema?

What Is Cinema? PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242272
Category : Performing Arts
Languages : en
Pages : 212

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Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

Millennial Cinema

Millennial Cinema PDF Author: Amresh Sinha
Publisher: Columbia University Press
ISBN: 0231161921
Category : Performing Arts
Languages : en
Pages : 266

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Book Description
Includes bibliographical references and index.

Andre Bazin's New Media

Andre Bazin's New Media PDF Author: André Bazin
Publisher: University of California Press
ISBN: 0520283570
Category : Performing Arts
Languages : en
Pages : 352

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Book Description
André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies—their artistic potential, social influence, and relationship to existing art forms—have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.

The Cinema of Tom DiCillo

The Cinema of Tom DiCillo PDF Author: Wayne Byrne
Publisher: Columbia University Press
ISBN: 0231851200
Category : Performing Arts
Languages : en
Pages : 413

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Book Description
This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analyzing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland.

The End of Cinema?

The End of Cinema? PDF Author: André Gaudreault
Publisher: Columbia University Press
ISBN: 023153938X
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.